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Green Stems

Green Stems
Green stems of new bulbs crowd together.

Green Stems. © Copyright 2022.G Dan Mitchell.

Green stems of new bulbs crowd together.

Recently I read an article about painter Richard Diebenkorn, whose work I have admired for years. The reviewer was commenting on the relationship between the depiction of the “real” landscape and seeing the subject as something else entirely. He commented, more or less, that these paintings of real subjects aspire to abstraction. That’s an idea that I can relate to — and I know that I’m not the only photographer who thinks this way.

I made this photograph during a morning visit to a Bay Area garden, where we had gone to see the first “spring” blooms. (Technically, it was still late winter, but it sure felt like spring that day.) The flowers were beautiful and impressive. But my attention wanders, and I end up photographing a lot of other things, too. These stems caught my attention with their color and form, especially in softer light in the shade of some trees. So I crouched down (very!) low and photographed in such a way that the stems but not the flowers would be in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sand Dune Shadows

Sand Dune Shadows
Creosote plants cast long shadows across sand dunes in early morning light.

Sand Dune Shadows. © Copyright 2022.G Dan Mitchell.

Creosote plants cast long shadows across sand dunes in early morning light.

On every visit to Death Valley National Park I like to combine return visits to places I have visited before with visits to new locations. In the former case I often continue to expand my knowledge of familiar subjects and try to see them in new ways. In the latter I bring what I already have learned about this landscape to these new locations and see how I can draw on that to understand these new places. I made this photograph in a place that I’ve long thought about visiting and finally got to on this trip.

I camped nearby overnight, which gave me the opportunity to photograph in evening and morning light. On that first evening it was exciting to head out on the walk to this new place, unsure of what I would find or how I would photograph it. Early the next morning, as I walked across nearly the same route, the place was already starting to feel like “mine” a little bit, both from the previous night’s visit and from recognizing features familiar to me from elsewhere in the park. These creosote bushes were in a flat area at the base of taller dunes, and as the sun rose over the tops of these dunes the plants cast long shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunrise Above the Badlands

Sunrise Above the Badlands
Sunrise on desert peaks works its toward badlands.

Sunrise Above the Badlands. © Copyright 2022.G Dan Mitchell.

Sunrise on desert peaks works its toward badlands.

There are some landscapes that stump me. Even after returning many times, often over a period of years, I still find it hard to “see” them photographically. While I don’t generally have that issue with Death Valley National Park as a whole, there are a few locations where this comes up, and at least a couple of them are relatively iconic places that are visited by the majority of the park’s visitors. My feeling about both of them has long been… interesting places, but not my thing photographically. In the back of my mind, in both cases, I wonder if it is more that I still need to just figure out how to see them.

A chance comment that a friend made about one of these two locations recently stuck in my mind and I kept thinking about it on my January visit to the park. On the last morning of this trip I went to one of these place and poked around a bit. Perhaps surprisingly, this photograph includes a feature of the landscape where I have stopped in the past, looked, and kept going. This time, however, I went ahead and set up and then made a few photographs as the early morning sun was striking the high peaks to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote, Morning Light

Creosote, Morning Light
A cluster of creosote in sand dunes, backlit by morning sun.

Creosote, Morning Light. © Copyright 2022 G Dan Mitchell.

A cluster of creosote in sand dunes, backlit by morning sun.

As this morning’s light quickly evolved, I had just time to make one photograph of this subject from this camera position. I was photographing almost straight into the sun, which was just above the ridge that creates the shadow in the background. The plant’s mirror image of shadows caught my attention, and it sort of felt like the combination of the plant and its shadow exploded across this bit of dune landscape.

From a photographic perspective, this image is another example of a few semi-technical points I’ve made in some of my recent Death Valley posts. It was made quickly — not at all using the sort of sedate process that some might think of when considering landscape photography. This landscape of dunes and light evolves very quickly at this time of day, and to respond to it I often work quickly, moving rapidly from one subject to the next. It is also a photograph made with a long focal length lens. As I have mentioned, this lets me work a larger area in the dunes more quickly, and it also allows me to limit the scope of the composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.