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Elephant Seal – Face and Flippers

Elephant Seal - Face and Flippers
Elephant Seal – Face and Flippers

Elephant Seal – Face and Flippers. Piedras Blancas, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

In a pile of elephant seals, one animal rests its head on the back of another

Here is another elephant seal “portrait” from our end-of-January to an elephant seal “nursery” near the southern end of California’s Big Sur coastline. We had a day to photograph the Big Sur coast, so we made this spot the target for our turn-around point, photographing the coast on the way down and back.

This popular place to view the elephant seals when they come ashore for breeding is very close to the Pacific Coast Highway, and it attracts a lot of visitors. In contrast to many such places, where the seals are (lucky for them!) not very accessible to visitors, here a walkway has been constructed along a low bluff right above the beach where the seals give birth and raise pups each winter. In most ways, this is some of the least challenging wildlife photography you’ll ever encounter! Yet the opportunity to be so close to these huge beasts is hard to resist. The photography turns out to be just a bit more tricky than you might think when you show up to find hundreds of elephant seals laid out along a beach that is only a few yards away from your position. The seals are not exactly the most active critters around, and most of the time they lie prone in the sand, occasionally slapping a flipper or opening an eye. My approach is to watch for animals in positions that might make good photographs should they decide to become active, and then to watch attentively for signs of action and, especially, for interactions among the animals or the occasional animal watching me.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Reprise: “Fractured Granite, Reflections”

Fractured Granite, Reflection, Sequoia-Kings Canyon National Parks
“Fractured Granite, Reflection” — The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

Today I am reprising a photograph that I shared previously since it is part of the Yosemite Renaissance XXIX exhibit opening this weekend in the Yosemite Museum Gallery in The Valley. 

An exhibition of contemporary art of Yosemite and the Sierra
Saturday, March 1 to Sunday, May 11, 2014
Yosemite Museum Gallery, Yosemite National Park

The first event of the show is tonight

The public is invited to the
Awards Reception, Friday, February 28 from 5:30 to 7:30 PM

Perhaps I’ll see you there!

Now, to the text of the original post, plus a more recent addition…

Fractured Granite, Reflections. Kings Canyon National Park, California. September 15, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

A few days ago I returned from a 9-day trip into the back-country of Kings Canyon National Park. I was one of a group of four photographers who traveled to a remote location at about 11,000′, where we remained for more than five days, photographing the surrounding terrain morning and evening. We followed the common routine of such work – up before dawn and off to investigate and photograph some valley or lake, back by mid or late morning for breakfast, generally hanging out and doing camp chores during the midday period when the light is often less exciting, then back out in the late afternoon for a few more hours of exploration and photography before returning to camp for a post-sunset dinner. Unlike a typical backpack trip, where one rarely stays in the same place for long, we remained in the same camp for six nights, allowing us to really get to know the surrounding area very well.

With so much time, we were frequently able to return to places that we had already visited – perhaps coming back in the evening after a morning visit, returning to try again to catch a subject that didn’t have the right light the first time, or shooting the subject in various conditions ranging from clear skies to rain. This bit of interesting rock was next to a lake that I walked to on a number of occasions, and on this morning I arrived when the lake was still in shadow but illuminated by light reflected from nearby rock faces. Because it was so early the air was very still, allowing me to photograph this very sharp reflection of the fractured granite cliff where it entered the water. A bit of vegetation just above the waterline has taken on early fall colors.

Addendum: It occurred to me last week that there is a (perhaps tenuous?) connection between this photograph – with its theme of a vertical rock face above placid water – and this one by Ansel Adams that I had an early connection to: http://www.christies.com/lotfinder/photographs/ansel-adams-lake-precipice-frozen-lake-and-5056399-details.aspx – I have a personal connection to the place, which I wrote about here: https://gdanmitchell.com/2010/01/14/a-photograph-exposed-submerged-boulders-precipice-lake


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Kelp and Stone

Kelp and Stone
“Kelp and Stone” — Kelp washed up on sandstone rocks at Weston Beach, California

I met a group of photographer friends at Point Lobos on this mid-February day, where we spent the entire morning photographing before taking a midday break, followed by a quick visit to another location a bit further down the Pacific Coast Highway, and then a return to Point Lobos in the early evening. Perhaps to no one’s surprise, we started shooting near Weston Beach – but perhaps to everyone’s surprise, we were still shooting there when lunchtime rolled around! Fortunately, the light was somewhat cooperative, with some high clouds muting the sun that would otherwise have been too intense by that time of day.

We did not limit ourselves entirely to Weston Beach, and we wandered a bit north and south along bluff and rocks at times, photographing the huge winter surf. Eventually I ended up back at the “beach” (which seems not very beach-like at all, being mostly layered rock and big gravelly rocks) where I always like to look around slowly for interesting arrangements of whatever the sea throws up here. In one spot I found a pair of marble-round rocks, one pink and the other deep blue. Here I found a beautifully twisted and curved bit of kelp sitting on top of deeply patterned rocks not far from the edge of the water. In fact, it was so close to the water’s edge that I was only able to make a couple of exposures before a wave came far enough up on the beach to wash this kelp back out into the sea.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Two Cranes, Sunrise

Two Cranes, Sunrise
Two Cranes, Sunrise

Two Cranes, Sunrise. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two cranes fly in front the rising sun above San Joaquin Valley wetlands

On New Years Eve 2013 I arrived back in the San Francisco Bay Area from New York after 10:00 PM. 8 hours later (2 hours of unpacking, four hours of sleep, and two hours of driving) I was in the Central Valley, where I met friends to greet the (literal) dawn of 2014 in the company of wild birds. We arrived before sunrise to find light fog drifting about and to hear the sounds of thousands of birds coming from every direction.

We made a few initial photographs before dawn from very close to our meeting location, and then we headed out into this wildlife area to find locations from which the birds (geese, cranes, herons, pelicans, and more) would be more visible. A few minutes later I looked over my left shoulder to see the very first sliver of the sun barely glowing through the layers of fog as cranes and other birds flew across the horizon above the marshland. I quickly found this spot where there was a small tree and where a bit of the further water was visible and I photographed though the sunrise, until the sun rose above the low mist and became to bright to include in the frame. There was a constant flow of birds across the scene – sometimes hundreds of them and sometimes, as in this scene, only a few.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.