Tag Archives: ansel

Ansel’s Moon

Edie Howe has posted a delightful little slide show made at this week’s Yosemite Valley event, sponsored by the Ansel Adams Gallery, that commemorated the making of the famous Ansel Adams photograph of Half Dome and the rising moon. The idea was that position of the moon and timing relative to daylight would duplicate those at the time of Adams’ original exposure. I enjoyed Edie’s sequence (nice final photograph, Edie!) and looking at some of the (pardon the awful pun) luminaries of Yosemite photography as they held forth in Ahwahnee Meadow. I’m sorry I couldn’t be there!

Perhaps ironically, the moon was hidden behind what appears to be a bit of a snow squall above Half Dome, though it appeared to be clear both before and perhaps after the historic moment! In a way I think that this might have been the most appropriate thing that could have happened. While I don’t think that trying to re-make Ansel Adam’s photograph has any more validity than trying to re-write a Mozart symphony, the event seemed like a great opportunity to: gather together on a beautiful evening in this wonderful meadow, contemplate the evening with the additional context of thoughts about Adams and his photography, meet a number of people influenced by Adams’ legacy, and focus on Adams’ photograph rather than trying to create one’s own version – since the imitative exercise turned out to be impossible!

I wish I had been there.

First Light: Five Photographers Explore Yosemite’s Wilderness

So, you like landscape photography, right? And you are aware that some of the most beautiful photographic subjects can be found in the back-country of California’s Yosemite National Park, right? And you very much enjoy looking through and absorbing the work of photographers who know the place especially well, right?

You need to pick up a copy of First Light: Five Photographers Explore Yosemite’s Wilderness, published by Heyday Press.

The book features the wonderful photography of a group of photographers whose experience in the park is extraordinary and varied: Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. Right now copies of the book autographed by all five photographers are available from the Ansel Adams Gallery.

(For the record, I have no financial interest in this book and if you purchase through the links in my post I receive no compensation from the sale. I just like the book and the photographers a lot and think you might, too!)

Michael Frye at the Ansel Adams Gallery

You have about a week and a half to catch Michael Frye’s “Color, Light, and Form” exhibit at the Ansel Adams Gallery in Yosemite Valley. If you are up that way, check it out!

Submerged Boulders, Lake, and Cliffs

Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Submerged Boulders, Lake, and Cliffs. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

Sunlight illuminates submerged boulders near the cliff face at a lake on the High Sierra Trail – Sequioa National Park.

I first visited this lake decades ago during a two-week trans-Sierra backpack trip along the High Sierra Trail. I recall arriving and recognizing it from a well-known 1932 Ansel Adams photograph, but I made no serious attempt to photograph it at the time. In the summer of 2008 I retraced the route with a group of friends, and on the third morning I again climbed the spectacular trail toward Kaweah Gap. After crossing a lovely section filled with springs, flowing water, and wildflowers the trail topped a rise and suddenly arrived at this lake. I spent a half hour or more photographing from the shoreline. Finally I finished, packed up my photography gear, and we started up the switchbacks toward the pass.

A moment later as the trail climbed above the lake I glanced back and saw a stunning sight as sun broke through the clouds and intermittently illuminated the submerged talus at the base of the cliffs. Ironically, my first reaction was to think, I just finished shooting, and I’m not going to take this pack off and set up all that gear again!” I almost kept going. Fortunately, I’ve learned my lesson a few times — shoot it now while you have the chance! — so I dropped my pack, set up my tripod and camera, and waited for the right light to appear as broken clouds moved overhead.


Notes:

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.