Tag Archives: architecture

Window And Shadows

Window And Shadows
Afternoon light forms shadows behind a window at the Whitney Museum, New York City

Window And Shadows. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Afternoon light forms shadows behind a window at the Whitney Museum, New York City

This photograph was made near a window on one of the upper floors of the New Whitney Museum in Manhattan. At the west end of the upper floors, near the end of the main corridors outside the gallery, there are small windows that overlook the Hudson River and New Jersey in the distance. At some point on every visit to the Whitney I find myself standing next to one of these windows overlooking this view and trying to make photographs. (I have my rituals — I also go out onto the various terraces and platforms outside the east side of the building and photograph Manhattan and people.)

I don’t think it is a secret that I’m attracted to patterns and shapes, and the angles of shadows cast by light coming through windows often interests me. I only partly see a subject like this as what it objectively is — I’m more likely to think of it simply as light and shadow and texture and shape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Urban Geometry

Urban Geometry
A study in shapes, colors, and textures, Manhattan

Urban Geometry. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A study in shapes, colors, and textures, Manhattan

When I photograph urban/street subjects I am usually looking for quite a range of different things: individual people doing interesting things, masses of people, odd little vignettes, color and line, and sometimes the urban landscape itself. It is, I think, possible to regard the city as a kind of landscape, and even to photograph it in ways that are similar but perhaps not identical to how we photograph the so-called natural landscape.

On this day I was on foot (hiking?) through Manhattan, on my way to meet people, when we passed through the area around Washington Square. The stark and angular architecture of this bit of a building caught my attention, and some of the colors and textures brought to mind a sort of idealized representation of the red rock canyons of the Southwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

World Trade Center and Oculus

World Trade Center and Oculus
One World Trade Center flanked by building and part of the Oculus structure

World Trade Center and Oculus. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

One World Trade Center flanked by building and part of the Oculus structure

Any commentary on a photograph from this location could easily expand to a chapter or more of text, but I’ll attempt to keep it to my usual two paragraphs. If you take the MTA E line spur to the WTC you emerge to more or less this view, one that has changed continuously for the past decade and a half — beginning with the events of September 2001, continuing in the aftermath of clean-up, followed by a long period of monumental construction work, and now beginning to look relatively complete. We did not visit the site for some time after the towers were destroyed, but I recall that our first visit was still a powerful experience — most of all I recall turning a corner and seeing a wall of photographs of FDNY victims.

Today the site, while still carrying the memories of the 2001 incident, begins to feel more and more like it is becoming a finished place and less like it is a perpetual construction zone. The huge Oculus structure now houses the PATH terminal and plenty of businesses. In this photograph its striking, skeletal form intrudes into the frame from the left, and dramatic clouds from another New York summer day are behind the new Trade Center building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Doorway, Windows, Stairs

Doorway, Windows, Stairs
A San Francisco doorway with an interior stairway, night

Doorway, Windows, Stairs. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A San Francisco doorway with an interior stairway, night

For me street photography is not just about people — though I photograph that subject, too. It is also about what I might call “street landscape,” and I’m as intrigued by this landscape as I am by any other. Even when my subjects are the people in the urban world, I’m virtually always considering them at least partly in the context of where they are. I’m no less away of this landscape background in the urban world than I am when photographing birds in flight against the background of their landscape. And sometimes here, as in the natural world, I like to photograph that landscape without its “wildlife.”

The urban world especially fascinates me at night, and simple things can take on a new appearance. This was almost a “grab shot” as I walked back toward my car from where I had spent an hour photographing with friends along the San Francisco waterfront. If such things appeal to you, there might be a lot to find and consider in this image. Or not. You decide.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.