Since the photograph is minimalist I will make the commentary minimal as well. I made the photograph outside the San Francisco Museum of Modern Art (SFMOMA) at the end of a recent visit. This was a photograph of opportunity, made handheld as I left the museum and saw this simple conjunction of planes and varied light and textures.
Painted brick wall of an old building, San Francisco
I seem to be in a bit of a black and white frame of mind today! A few weeks ago I had a chance to head up to San Francisco for a day, mainly to visit the San Francisco Museum of Modern Art (SFMOMA), but also to potentially do a bit of photography. As it turned out, virtually all of that day’s photograph was done in and around the museum, though the site does provide many interesting photographic opportunities, ranging from its architecture to the people inside and including the surrounding downtown neighborhood.
I have photographed this building before. In fact, it is hard to not photograph it. It stands right “behind” the museum and is visible from almost every vantage point on the east side of the building. It is an older brick building but it gives every appearance of having been upgraded and well maintained. While the inside appears to be pretty modern, from what I can see through the windows, the outside retains an aged patina and still includes the remains of some very old exterior painted sign.
Against the backdrop of a black tower, an apartment building reflects the urban environment
Since I spent a day in San Francisco last week, you can expect a group of architecture and street and similar photographs over the next few day, possibly intermixed with landscapes and nature for a few weeks!. I was there to see a particular installation at SFMOMA, the San Francisco Museum of Modern Art. I always take my camera, partly to photograph people at the museum, partly to photograph the building itself, and partly to take advantage of photographing the surrounding neighborhoods, especially from elevated vantage points at the museum.
The recent expansion of the museum added a new wing at the rear, with seven floors of exhibits and other services. (And, as I realized on this visit, several more floors above that which appear to be inaccessible to the public, unfortunately.) Several outdoor terraces and balconies provide interesting overlooks above the surrounding urban scene, and during my visit the light was very interesting, too — ranging from cloudy and rainy to occasionally clear, but often with at least some clouds softening the light. I’m fascinated by the juxtapositions of form and color in the dense field of surrounding buildings, including the contrast between light tones and reflection of the building on the right versus the dark, slick, and vaguely ominous black of the further building.
Interior photograph of San Francisco Museum of Modern Art
In the wake of the major expansion and remodel of the San Francisco Museum of Modern Art (SFMoMA), the feeling of the place has changed. Overall I think that the changes are almost universally for the better, and it seems to me that the new space in the tall and narrow “addition” to the rear of the original building works quite well. (I have a few quibbles — including some back galleries that include audio in their exhibits but are not acoustically isolated sufficiently.) The feeling is mostly open and bright, which I think works well for modern art.
The feeling of the original front portion of the building is somewhat as it was, but it has changed, too. The ground level was originally designed to function as a main entrance and assembly space, but now much of that has been moved further back into the new building. The central atrium is still there, with stairs winding around its space, and lit from above by the light coming through the “oculus” at the top that faces to the west. I’m always intrigued by the shapes and colors and light in this space and the way that geometrical forms warp along its curved surface.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
