Tag Archives: arid

Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Clouds, Lake Manly

I made my annual visit to Death Valley this past week. While there I realized that it has been 25 years since my first encounter with the place, and that I have been photographing there every year for about two decades. In addition to the usual attractions, this trip focused on Lake Manly, the temporary resurrection of the prehistoric lake that once filled the valley. The lake reappeared after intense tropical storm rainfall last year and was augmented by more recent heavy rains.

Look past the obvious aridity of the place and the role water played in its creation becomes obvious. Roadways continuously rise and fall as they cross minor and major washes. The mountains are covered with the evidence of water erosion. The extensive playas and salt flats were created by pooling water. But the reappearance of Lake Manly really brings home the role of water in forming Death Valley’s geography.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Shadows on Dunes

Shadows on Dunes
Morning shadows lie across Death Valley sand dunes.

Shadows on Dunes. © Copyright 2023 G Dan Mitchell.

Morning shadows lie across Death Valley sand dunes.

Yes, I know. More dunes. As I wrote earlier, it is almost impossible to visit Death Valley National Park and not photograph sand dunes at least a little bit. To be sure, they comprise only a small portion of the park, and there is much more to see there. But they are a compelling subject, with infinite variations of light, texture, form, and color. I photographed these in the early morning just after sunrise when the shadows were still long.

While photographs often show the actual features and forms of the dunes, photographers “interpret” the subject, too. We seek out the most fascinating bits and pieces, the best light, and then we go to work to present them in the most interesting and appealing way. Here I wanted to show the directionality of the early light, but also maintain at least some details in the deep shadow areas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Snow-capped Panamint Mountains

Snow-capped Panamint Mountains
Fresh snow forms patterns on the sparse forest along the crest of the Panamint Mountains.

Snow-capped Panamint Mountains. © Copyright 2023 G Dan Mitchell.

Fresh snow forms patterns on the sparse forest along the crest of the Panamint Mountains.

After all these years of seeing snow on desert peaks, it still catches my attention when wintry weather comes to this landscape. At first it seems strange, but then I remember that desert temperature swings are huge and snow is actually common at higher elevations. This very recent snowfall had not really begun to melt yet — and the white snow set off the shapes of the juniper trees and ridges criss-crossing the slopes of this summit.

Most often when I’ve photographed this area late in the day the temperatures have been comfortable or even warm. But on this late-March evening it was distinctly cold, with wind blowing and the snow nearby. We bundled up and photographed for an hour or so as the day came to and end.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.