Tag Archives: arid

Death Valley and Black Mountains, Evening

Early morning and evening are often the times of best light for photography in Death Valley. It isn’t that you cannot photograph throughout the day, especially if you get into the right kinds of canyons. But then the light can be harsh, the atmosphere hazy, and the colors and details washed out. So I usually follow a strange schedule when I go there to photograph — up well before dawn, back in camp by late morning, breakfast at 11:00AM, then off to photograph again in the late afternoon before I come back to camp after dark.

On this afternoon I had made a long drive up into the mountains, with my plan being to return this direction for the evening light. My timing worked out, and I got here just before the best colors appeared, found a good location, and was set up as the shadows stretched across the valley toward the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake Manly Shoreline, Desert Mountains

Typically I might simply not attempt to photograph this scene. The glaring sunlight, while somewhat filtered by the clouds, was brightly lighting the white sand deposits along the shoreline of Lake Manly. Distance, haze, and backlight combined to mute the details of the Panamint Mountains. And this light was harsh, not the softer light of early morning or evening. But somehow I felt that the composition and the drama of the light and atmosphere held some promise.

The salt deposits reminded me of important things about this valley. They were a reminder — as is the water of ephemeral Lake Manly — that water played a major role in the formation of this place. And, as high as the water of the lake was at this moment, the yet higher salt deposits made it clear that this is not an unprecedented thing, and that even higher lake levels are still probably possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mountains, Wash, and Reflection

This is a kind of Death Valley photograph that you won’t often see — mountains reflected in the quiet surface of a huge lake. This is Lake Manly, the reconstituted remnant of a much larger lake that filled the valley long ago. Between a historic tropical storm late last summer and better-than-usual rainfall since then, the lake reappeared and persisted. It currently covers many square miles in the Badwater area of the valley.

This photograph is (yet another) illustration of the vast distances encountered in Death Valley and how deceptive they can be. You might look across this landscape and imagine walking to the base of that wash leading into the mountains. However, even if the lake wasn’t there, you would be hard pressed to reach that spot with even a very long day of walking.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Argus Range Clouds

The typical assumption is that Death Valley and its surroundings are hot and dry. That is often the case — not much rain falls there in a typical year, and it can be unbearably hot. But the climate in and around the park is a lot more varied than many realize. I’ve been snowed on there several times, and not just in the mountains. I even recall seeing a few flakes one early April at Scotty’s Castle! This photograph — on a day with rain and snow in the mountains — comes from the last week of winter.

I made the photograph in Panamint Valley, on the west side of the Panamint Mountains, the tallest range in the park. Those mountains were at my back as I looked to the west. The high clouds marked the receding edge of a weather system that was producing rain and snow on the higher peaks. The fascinating band of “high fog” was forming over the edge of the snow-capped Argus Range in the wake of the front’s passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.