“Badlands Detail” — Photograph of details of badlands gullies in soft morning light, Death Valley National Park.
The pink color of the formations in this photograph was a big part of its appeal. It was early morning, and the direct sunlight had worked its way back across the valley to the tops of ridges nearly, and the light’s warm color washed over the nearly-white material of these ridges and valleys. Again, the Death Valley landscape, which can be rather subtly colored, served as a canvas for the effects of colorful light.
The location is at Zabriskie Point — I’m not giving away any secrets by mentioning this well-known location. It is one of the two or three most popular places in the park to view the sunrise. It was an unanticipated turn of events that brought me to this location, and I was originally going somewhere else when I set out before dawn.
“Dunes and Distant Hills” — Death Valley sand dunes and distant desert hills in morning light.
The photograph’s title includes the words, distant hills.” But just how distant are they? From my position as I made this photograph, once I got to my vehicle, it would be a roughly 10 mile drive to those hills. Distances (and sizes) can be very deceptive in this park where we often experience huge vistas with features many miles away.
I made this photo near the end of the morning’s work. I had started before dawn, both to photograph in the soft predawn light and because I wanted to be in place for the arrival of the first direct sunlight. When that arrives, things transform very quickly. At first the color-saturated light hits only the high points, but as it increases the light works down onto and around other features.
“Salt Flat Reflections” — The lower slopes of the Panamint Mountains are reflected in shallow water on Death Valley salt flats.
The experience of making this photograph was perhaps as enjoyable as the scene itself. I was up very early and walked out to the edge of the salt flat a bit more than a half hour before sunrise. From earlier scouting I had a pretty good idea of where I wanted to be. Out there next to the playa it was utterly silent and still, and I was the only person there to witness the morning light coming to the Panamint Range and then the valley.
It may seem counterintuitive to go to Death Valley to photograph a mountain range reflected in still water. But out in the valley, a good distance from the roadways, there is essentially always water. It may be in pools and slowly evaporating or, as here, it flows slowly all year long. The water in the photo is probably less than an inch deep, but that’s enough to produce a fine reflection.
“Mesquite Plants, Dunes” — Mesquite plants growing on sand dunes, Death Valley National Park.
Mesquite manages to survive and occasionally prosper in very unlikely conditions. This thriving instance is growing in the middle of dunes in Death Valley, not exactly the most friendly environment. In the dunes, isolated clumps of vegetation like this create their own little ecosystems. The plants interfere with the windblown passage of sand, and in their shelter you can often find evidence of animal life — insects, lizards and snakes, occasional tracks of small mammals.
If you spend much time out in the dunes you soon realize that a lot of these plants are dead or nearly so, existing now just as snags. It is a tough environment! This little clump of mesquite is one of the healthiest I have encountered.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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