Tag Archives: arid

Strata and Folds, Evening

Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Badlands, Evening

Badlands, Evening
Evening light on deeply eroded terrain, Death Valley National Park

Badlands, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on deeply eroded terrain, Death Valley National Park

Early each spring I head back to Death Valley for several days of exploration and photography. In March of 2015 I began my trip with a visit to Los Angeles, from which I departed and drove to the park to set up my camp. My typical ritual is to arrive in the early afternoon, find a campsite, get set up and settled in, wait for early evening, and then head out for my first photography in this vast landscape.

I began by heading to an area of the Valley with expansive views across to the Panamint Mountains, backlit by the early evening sun. I photographed them through a moody haze from an elevated spot that I often go to. Before long the light on these mountains faded as the sun dropped behind them, and my attention turned to nearer formations on my side of the valley, which were now being illuminated by the warm evening light. The low angle delineated the complex structures of these badlands during the last few minutes of light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Dunes and Mountains

Evening Dunes and Mountains
Evening on Death Valley sand dunes with desert mountains in the distance

Evening Dunes and Mountains. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening on Death Valley sand dunes with desert mountains in the distance

It was the first evening in Death Valley this season, and we had arrived after a lazy drive in from the Ridgecrest area. Having plenty of time, we stopped at Trona Pinnacles before reaching the park and after entering we took a long side trip out on a gravel road to a couple of somewhat remote canyons. We got settled in and it was time to head out for some evening photography — and since dunes were nearby they seemed like a good first evening destination.

The sand dunes go quickly through some remarkable transitions of light and color at the end of the day. In the full sunlight the tones of the sand can seem a bit flat and washed out, but the low angle light begins to highlight the textures — large textures of the dunes themselves, plus the finer textures of small patterns of windblown sand. The the color of the light begins to warm and the contrast drops and shadows fill with a soft light. At the moment I made this photograph the sun was still above the ridge to our west, but it had passed behind high, thin clouds that momentarily muted the light even more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dunes and Mountains, Morning

Dunes and Mountains, Morning
Morning light on sand dunes and rugged mountains, Death Valley National Park

Dunes and Mountains, Morning. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on sand dunes and rugged mountains, Death Valley National Park

On our final morning in Death Valley this past March I got up before dawn one more time, loaded some gear in the car, and drove a short distance to a place from which I had decided I wanted to access sand dunes. I had been in the same area a few days earlier, and on that visit I spotted a likely looking area not far away — and that was my target this time as I walked alone across the quiet playa in pre-dawn light.

Out here the light arrives with surprising suddenness, despite the hints that it is coming, seen in light on peaks to the west and far up the valley. Silently the first light skims across dune tops, and within seconds the soft light is replaced by brighter highlights and darker shadows. Here I looked east across low dunes toward mountains along the eastern side of the valley at the base of the Amargosa Range. The morning haze and shadows on the mountains muted the their details. I photographed here for a few more minutes before packing and walking back to my vehicle, and within an hour we were on our way out of the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.