Tag Archives: arid

Devil’s Cornfield, Evening

Devil's Cornfield, Evening
Devil’s Cornfield, Evening

Devil’s Cornfield, Evening. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Arrowweed plants at the Devil’s Cornfield

I’ll confess upfront that one reason I made this photograph is that I barely have any of this specific site in Death Valley, one that is well-known enough to warrant a place to pull over on the highway and look at it. I have not found it to be an easy place to “see” photographically.

The “corn” is actually the arrowweed plant, whose roots seem to manage to block and trap blowing sand and dust on this playa-like area. As the plants grow they manage to hold onto these piles of soil and thus group above their surroundings a bit. I made the photograph from a slightly elevated position and during evening hours where the golden light emphasized and enhanced to colors of the plants.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Creosote Bush, Dunes, Evening

Creosote Bush, Dunes, Evening
Creosote Bush, Dunes, Evening

Creosote Bush, Dunes, Evening. Death Valley National Park, California. April 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A lone creosote among sand dunes in evening light

This photograph is the product of repetitive evening dune wandering, often of a somewhat random nature. Since I had been out and about for many hours earlier on this day, I didn’t get back to camp from my “morning” adventures until close to 4:00 PM. This left me with less time to travel for my evening shoot, so I picked a nearby location with plenty of sand dunes and headed out toward the dunes a bit more than an hour before sunset.

I started with only the most general of plans, but with confidence that there is always plenty to see in such places — small abstract patterns, the larger curves and tonal variations of the sand, tiny subjects including the tracks of animals, the many plants that grow here, and the changing light itself. As I wandered into an out-of-the-way area of these dunes where no one else was photographing I simply slowed down, looked, and followed my instincts and interest. As I moved along I found myself on the top of a small dune and saw some possible views across the ocean of sand toward the far mountains. Looking for compositions in this landscape I spotted this solitary creosote bush in a low area, softly illuminated by a bit of remaining evening light. I moved a bit to position it against a lighter area of sand below the curving shadow that crosses the frame and then made a few exposures in the post-sunset light.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Flow Lines, Morning Light

Flow Lines, Morning Light
Flow Lines, Morning Light

Flow Lines, Morning Light. Death Valley National Park, California. April 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Soft early morning light illuminates curving erosion patterns of a desert gully, Death Valley National Park

Today I’m back from my annual spring photography visit to Death Valley National Park. I first visited this place a bit more than 15 years ago, though photography was not the purpose of that first trip. My first view of the Valley was magical. We had arrived the night before and set up camp in the dark at the first camping area we found, a tiny campground near below Towne Pass at the turnoff to Wildrose Canyon. I had little idea where I was nor what my surroundings looked like, as I had literally never been in this place before. Early the next morning I stepped out of my tent and was greeted by an astounding and unexpected view down into the huge and rugged landscape of this Valley, a first sight I will not forget.

Since then I have returned many times — much of that landscape has become familiar to me as I’ve pushed the boundaries of my knowledge of the place outwards in all directions. I’ve been into areas that I didn’t imagine existed on that first visit, and I’ve learned to see past the geology and geography of the place and see the human history of the park and the sometimes-hidden beauties of wildflowers and more. Today when I visit I still look for that astonishing and grand landscape, but I also slow down and stop and look for more subtle things that I surely missed nearly completely on that first visit. This little miniature landscape of curving erosion and stones and first light is one that I would have missed completely on that first visit, but which I now know can be found almost everywhere in this park once I slow down to the pace of the desert and take the time to really look.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Holly, Badlands

Desert Holly, Badlands
Desert Holly, Badlands

Desert Holly, Badlands. Death Valley National Park, California. April 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Desert holly grows in desolate badlands of Death Valley National Park

In a world of rugged and tenacious desert life, the desert holly plant seems to stand almost alone, at least among plants that are large enough to make an easily visible contribution to the landscape. In almost any forlorn and sub-blasted spot where nothing else seems to grow you will find desert holly. And it won’t just be there, but will often give the appearance of being a healthy plant, as if there should be nothing unusual about growing out of nothing more than bare rock. There are often at least some green leaves, and when the light passes through the plant from behind, it can produce a warm glow.

I had seen this group of plants several times before when I visited this particular area where very little grows on a badlands terrain of colorful and varied soils. Nearby there are places where the dry and hard soil is white or red or even green and bluish, but this band of nearly black stands out. It is in a spot that where it is a bit awkward to stop and get out camera gear, so I have just passed by before—but this time I finally found a spot to pull over and walk back to this small dark gully with the desert holly plants arranged along its bottom.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.