Tag Archives: aspen

Aspens and Rocky Cliff

Aspens and Rocky Cliff
Aspens in full autumn color against a granite cliff in the eastern Sierra Nevada

Aspens and Rocky Cliff. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Aspens in full autumn color against a granite cliff in the eastern Sierra Nevada

On this morning I woke up at my 8000′ eastern Sierra camp to temperatures in the mid-thirty degree range and light graupel, or snow pellets. But the clouds looked thin, and the combination of aspens and snow is appealing, so I headed up the canyon to a higher location where I thought that there might be colorful aspens and snow. When I got there, I wasn’t disappointed — the temperature was still down in the thirties, and the light snow continued to fall… and the trees at this location were probably at their peak color of the season.

The color of the trees was intense, but the soft light of the snowy, cloudy weather intensified colors even more. I went to the far side of the lake where I know of an accessible area that is a bit higher than the lake, with my plan being to photograph these trees against the backdrop of broken granite walls, using a long focal length to narrow the boundaries of the compositions and exclude distracting objects. For intense color everything was working in my favor: the peak color of the trees, the muted tones of the background rock, and the effect of the soft light from the overcast skies.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Haze, Sabrina Basin

Autumn Haze, Sabrina Basin
Aspen colors scattered across the rugged granite landscape of Sabrina Basin

Autumn Haze, Sabrina Basin. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Aspen colors scattered across the rugged granite landscape of Sabrina Basin

This particular view may be a familiar one to many who follow the autumn aspen color in the eastern Sierra Nevada, as Sabrina Basin and, more broadly, the Bishop Creek area, is well-known for extensive groves of aspens. This photograph comes from a point just a bit earlier in the color transition season than most of my photographs of the area, and a close look at some of the more distant ridges reveals extensive color among the smaller, high elevation aspens that typically change colors first. The foreground trees were also more colorful than usual for this late September date, though the afternoon backlight emphasizes the effect.

The Sierra present many different appearances, ranging from gentle meadows full of green grasses and flowing water to the most rugged, spare alpine regions filled with rocks and the hard edges of ridge lines. While an up close view of certain parts of this scene — perhaps from standing within one of the colorful aspen groves in the foreground — would present more of the gentle view, the panorama from this high, exposed location reveals the tremendous world of rugged granite in this part of the range, where the Sierra crest rises quite quickly from the high desert terrain to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Almost Leafless

Almost Leafless
A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Almost Leafless. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Strange things have happened with the aspen color change this year. While some things seem to be on a fairly normal schedule — for example, there are still a lot of eastern Sierra aspen trees that are completely green — I have seen two common difference. First, the color started to change a bit earlier, and I found good color perhaps a week earlier than I might in a more typical, non-drought year. Second, it is clear that some groves of trees seem to have simply dropped their leaves, with little or no color appearing first. (Don’t worry too much. While there are certainly examples of this occurrence, the majority of the trees do not seem to be affected by this.)

Far up an eastern Sierra canyon where I photograph aspens every year I know of places where a variety of aspen types can usually be found. I visited one where it is not uncommon for a dense carpet of brilliant color from a grove of densely packed trees covers a particular mountainside. However, this year the groves was almost completely bare of leaves when I visited in late September. At first I was disappointed, but I soon recalled how much I like groves that are mostly white trunks and branches, with only a few colorful leaves remaining — and I made a few photographs. The idea here was not so much to construct a clear and obvious composition, but instead to capture a sort of wall of aspen trunks and branches, with that wonderful bit of color still holding on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline Mist, Autumn

Shoreline Mist, Autumn
Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

Shoreline Mist, Autumn. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

This is perhaps an example of a photograph that required me to point my camera the “wrong” direction. I was at a very popular aspen photography destination in the eastern Sierra Nevada, where early color was developing quite nicely even in late September, perhaps a week earlier than usual. There are a couple of standard photographs that almost everyone makes at this location, but since I did those some years ago I’m usually not interested in re-doing them now. (With truly exceptional conditions I would relax that notion a bit and rush right back to the standard place and make photographs!) So when I go back here I now tend to poke around a bit and see what else might be possible there.

So I started this morning by climbing to a location from which I had not photographed before. From that vantage point I saw a few other possible angles on the subject, including some from the far side of the lake. I soon headed over there and as I looked back toward my original location I saw that a low haze was back-lit along the edges of the lake. I’m a complete sucker for both mist and backlight, so I pointed my camera almost straight back into this light and made a few photographs of the grassy area along the lake’s shoreline and the trees, both aspens and conifers, rising beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.