Tag Archives: avenue

Bleecker Street Pizza

Bleecker Street Pizza
“Famous” Bleecker Street Pizza restaurant and bar, Manhattan

Bleecker Street Pizza. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

“Famous” Bleecker Street Pizza restaurant and bar, Manhattan

I always enjoy restaurants and similar attractions that declare themselves to be “famous” or even “world-famous.” (Many years ago a place opened up in the Eastern Sierra Nevada along a main travel route and immediately declared itself to be “world-famous,” as near as I could tell on the day they opened. They must have been able to see the future, since eventually they arguably became so.) A very quick check suggests that this place might be good but might also not be exactly the most famous attraction in Manhattan…

That aside, I love the storefront. The shouting signs are classic, but the subtler elements are also interesting, from the hand-lettered “GLUTEN FREE” sign to the “as featured on WB11” testimonial and the barely visible “Purple Haze” neon sign in the window, not to mention the inevitable Manhattan plastic garbage sacks. It was a cold winter day, and no one was sitting outside at the tables, but I’ll bet things are different on a warm summer evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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8 AV and Jane St

8 AV and Jane St
A winter evening at the corner of 8th Avenue and Jane Street, Manhattan

8 AV and Jane St. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A winter evening at the corner of 8th Avenue and Jane Street, Manhattan

Continuing my photographic bipolar swings between the natural world and the human world, here is another street photograph. It ties in with a couple of things that I’ve been thinking about recently in my street photography. First, it is an example of night street photography, shot handheld in near darkness using a small camera and high ISO. A year and a half ago I suddenly realized that this kind of photography had become a realistic possibility with the newer high ISO cameras. As a person who has long done long-exposure night photography from the tripod, this was truly a revelation. Secondly, I’m crazy about photographing lighted buildings, stores, restaurants and the light that spills from them onto the sidewalk, street, and anyone who happens to be passing by.

Aside from the general way that I’m always on the lookout for such things, this photograph was almost an accident. We had spent the afternoon at the new Whitney Museum. Those who know me have come to understand my predilection for spending way too much time going way too slowly through museums, and those people eventually give up and move on to other things, leaving me to continue ambling past the art. On this visit some of the people I was with had more or less “done” the Whitney in about and hour and a half — at which point I had more or less finished one floor of the place! We decided that they would all go ahead and find a place to eat and drink, and they ended up at a little tavern across the street from this photograph. I showed up hours later and joined them for food and beer, and we finally left the place after dark. As soon as I walked outside I saw this building across the street.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bargain Depot Chinatown

Bargain Depot Chinatown
Man with guitar walks past a Chinatown souvenir shop at night.

Bargain Depot Chinatown. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Man with guitar walks past a Chinatown souvenir shop at night.

When photographing in the “street” you never quite know what will show up, when it will happen, or how quickly it will appear and disappear. And you have very, very little control over the elements that might make a photograph — you can sometimes pick your point of view, perhaps create a composition out of the static elements, watch a person approaching who might put a point of focus in the scene… but they you simply have to work with whatever happens. I think this can be even a bit trickier at night, since not all of the interesting things take place in light that can easily be photographed.

Here the first focus for me was the gaudy, colorful, and well-lit interior of this open front store in San Francisco’s Chinatown district. There is some interest in that subject alone, but frankly it can be a pretty static thing when not populated by people. As I looked at this storefront and pondered how to make a photograph out of it I noticed a man wandering up the sidewalk with a guitar, a literal strolling minstrel. At that point, he became the important element, and as he passed I attempted to time several exposures that placed him in interesting places in the composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Colin P. Kelley

Colin P. Kelley
Stark light on an old building on Colin P. Kelly Street, San Francisco

Colin P. Kelley. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Stark light on an old building on Colin P. Kelly Street, San Francisco

Most often when I go out to make photographs I do not have extremely specific ideas about my subject or even about how I will photograph the subjects I encounter. Usually, and especially with street photography, it is more a matter of tuning in to my surroundings and essentially hunting, conspiring to be in places where I think I might find interesting things, paying attention, and being ready to take advantage of whatever opportunities arise. On the other hand, I often do have some general ideas about the sorts of things that might interest me, and on my way to this morning on San Francisco streets I had specifically thought about a sort of image that might be black and white and which might use rather stark light a bit later in the morning — so when I saw this building on a corner near the train station I didn’t hesitate to photograph it.

What about the name of this photograph? It was simply a practical matter. I usually do not like to name photographs in ways that tell the viewer how to think of the photograph — most often I feel that if the photograph has anything to say to the viewer, the viewer should be allowed to figure that out from the visual content. (Yes, there are some exceptions.) So in this case the choice to use the words on the street sign near the right side of the frame was simply a practical decision… especially since I forgot to look for any other name on the building! However, I did wonder who Colin P. Kelley is/was. Most likely the street is named after a man known for being “one of the first American heroes of the war [who sacrificed] his own life to save his crew” in World War II. (There are lots of interesting little San Francisco streets with unusual and surprising naming histories like this.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.