“Forest With Autumn Leaves” — Autumn leaves on black oak and big leaf maple trees add color to a Yosemite Valley forest.
I enjoy the challenge of trying to make compositions out of very busy, complex scenes. There are plenty of such scenes in typical forest settings, where the amount of detail can be overwhelming, and it can take me a while to find something that works. Often I wander through such places just looking and using a framing card to check photograph potential. At some point, things fall into place.
I already knew of this spot where reflections from a cliff across Yosemite Valley send soft light into the forest and especially to the tall trees at the right. On the last day of October, autumn leaves were sprinkled throughout the scene, too. This feels like a quintessential autumn photograph of the Valley. It is not generally a place of vast forests of color — more common are conifer forests interrupted by intense color from scattered deciduous trees.
Colorful autumn trees among burned forest and reflected in the water of the Merced River, Yosemite Valley
This is, in several ways, a “quieter” photograph than some that I have posted recently. The location is along a section of the Merced River in Yosemite Valley that is probably not really seen by more than a handful of people, if that, on any given day.The spot is not special enough, if specialness is definable, to warrant its own particular name. (However, a few people do have a name for it – but it isn’t really to be shared here.) So the scene itself was, objectively speaking, quiet – the only others around were a couple of photographer friends working individually nearby, there was no wind, the river was as calm and quiet as I recall seeing it – barely even flowing, and almost nothing was moving in the forests along its banks.
There was another kind of quiet, too – the mental quiet that I often look for while photographing, especially in places like this. It is easy to let my mind wander – is this the right place to stop? should I check email before leaving the car? is there anything here that will make a great photograph? might it be easier to shoot someplace more predictably beautiful? what if I can’t find anything to shoot? Leaving my car behind and shouldering my tripod and bag of gear, I walked down to the river bank and began looking. My notions about what I might photograph are not so important – being open to what I might find to photograph is. When you first begin to photograph, it can sometimes take a long time to get into the frame of mind that allows you to slow down and become engrossed by what you see, to the point that you lose track of time and even where you are, focusing entirely on the seeing and the photographing. Eventually, I think you can learn to let this happen more quickly – not that it always does – and to avoid the trap of trying too hard to steer the process and to instead be quiet and open to what you see. And so, thinking back on this evening, as I made my last photographs before heading home, I recall the sense of quiet focus as much as the objective features of the scene itself.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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