Tag Archives: black and white

Desert Mountains, Spring Rain

Desert Mountains, Spring Rain
Desert Mountains, Spring Rain

Desert Mountains, Spring Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A spring storm moves across the summit of the Cottonwood Mountains, Death Valley National Park

I have long been intrigued by the rising layers of ridges in the Cottonwood Mountains of Death Valley National Park. Not only do they rise dramatically from the floor of the valley, but the view of more distant peaks evokes for me thoughts and memories of more remote places in the park, ranging from well-known locations like the Racetrack Playa to less known canyons and washes. Below the range is an enormous mass of alluvial material washed down from these mountains, and the base of the range is breached by many canyons. It can be challenging to photograph since it is some distance from easy overlooks, making haze an issue, and for other reasons.

This was a day of “interesting” and diverse weather. It began with the arrival of a weather front, scattered high mountain snow flurries that eventually became steady snow in our location, soft light as the snow diminished but clouds remained, and the gradual clearing with scattered weather cells passing by. As we descended from shooting in the Panamint Mountains—where is was largely clear by this time—we looked across the wide valley at the base of the Cottonwood Mountains to see that dramatic clouds filled the sky above the range as snow and rain showers pass across its peaks and valleys.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

No POV Parking

No POV Parking
No POV Parking

No POV Parking. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Glowing lights inside a shop building at Mare Island Naval Shipyard, reflected in a pool of rainwater

I have now been doing night photography at the historic Mare Island Naval Ship Yard near Vallejo, California for perhaps a decade. Back when I visited for the first time I would not have expected that night photography or this particular location would still occupy me today, but they do. In many ways, photographing this location at night is an almost meditative experience. I’m long past the initial surprise to find such a place exists—with its long history and old structures in varied states of decay—and I now regard it as a familiar place. The photography itself is part of the attraction. I continue to find new subjects and to see old subjects in new ways and to watch how the place changes over time. But it is also about the slow, quiet, and methodical work of photographing at night. In many places I can barely see my subjects, and I have to wander around slowly and carefully, taking time to look in places that might initially not seem to offer anything of interest. When I think of this photography, the damp air near the waterfront and the deep quiet form as great a part of the experience as anything else.

This visit followed a week when several rain storms had passed over the Bay Area. (I had missed the actual storms, as I was away photographing in Death Valley.) As soon as I arrived at Mare Island I noticed that there were puddles everywhere, so I was on the lookout for reflections. This building is absolutely huge, but in other ways not all that exciting in daylight—but at night, with interior lights glowing, it can become a bit mysterious.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clearing Storm, Panamint Range

Clearing Storm, Panamint Range
Clearing Storm, Panamint Range

Clearing Storm, Panamint Range. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A clearing snow storm in the Panamint Mountains above Wildrose Canyon, Death Valley National Park

I seem to have a knack for encountering “interesting” weather in Death Valley. The first time I visited the park, on an early April trip back in the late 1990s, I encountered light snow at Scotty’s Castle, an extremely cold wind storm that forced a retreat from the back-country near Teakettle Junction, and a big dust storm at Stovepipe Wells. Since then I’ve experienced a number of dust storms, heavy rain, sub-freezing temperatures, more snow, and plenty of wind. If you are hoping to visit the park for its more typical hot weather, you might want to avoid times when I’m there! Of course, I often visit around the beginning of April, and this seems to be a time of wildly varied conditions in this park—the time of wind storms, and a season when you might see the last Pacific winter storms or the first really warm weather.

On this year’s early April visit things leaned more in the direction of winter-like conditions. As a series of welcome Pacific storms came through there were plenty of clouds, cooler temperatures, strong winds, and some precipitation. The plan on this morning was to start at a very high overlook in the Panamint Range, from which expansive morning vistas are often possible. We were there before sunrise… but it was cloudy and becoming cloudier. There was enough light for some photography, but we also became aware that snow was starting to fall on some of the higher peaks. After an hour or so at this location we retreated to a high, broad, sage-filled valley and continued to watch the clouds close in and the snow spread along other nearby ridges. Not wanting to miss the unusual conditions we headed up into Wildrose Canyon, getting as far as the charcoal kilns before the falling snow convinced me that we shouldn’t go any further. We worked our way back down the canyon where the storm began to temporarily clear from the ridge of the Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Rain

Desert Mountains, Rain
Desert Mountains, Rain

Desert Mountains, Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Rain falling from a dissipating afternoon storm is backlit above desert mountains, Death Valley National Park

This was anything but an ordinary Death Valley day—though I’m not sure that any Death Valley day is likely to be ordinary. We began very early, awakening a couple of hours before dawn. The plan was to be far up in the Panamint Mountains before sunrise, in the hope of photographing the first light over the Valley from a high and wild place. I try to assess the weather conditions in the dark in any way that I can—checking wind, looking to see if stars are visible, and so forth. In the darkness I could tell that only a few stars were visible and that their light was muted, all of which suggested cloudiness. This was, of course, in line with a weather forecast that mentioned things like showers and snow flurries and clouds. However, you can’t tell what will happen until you go out there and watch it happen, so we headed up into the mountains.

Most of the story of this day will wait for photographs of that early morning and the rest of the day in the Panamint range that followed. However, for now I will mention that it was cloudy, it was cold, and it snowed. Later in the day the weather began to clear and we saw some sun before we came back down from the mountains, with plans for an evening shoot in a different location on our minds. As we descended we noticed precipitation in the mountains to our north and west—more or less in the Cottonwood Mountains. We stopped and photographed this weather before heading down into the Valley. Our plans were changing with the weather, and we ended up heading to a high place with a good open view of much of the Valley, figuring that the changing light from the clouds might present quickly changing opportunities. Sure enough, as soon as we arrived at our location we could see that the clouds over the Cottonwood range were quickly thinning, and that backlight was illuminating the last rain falling over the receding ridges of this range, creating a very bright and constantly changing effect.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.