Tag Archives: black and white

Photographs: Nature, Photographs: Sierra Nevada

Rocky Shoreline, Reflections

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Rocky Shoreline, Reflections
Sky and high peaks reflected in the surface of a lake in rocky alpine country

Rocky Shoreline, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky and high peaks reflected in the surface of a lake in rocky alpine country

This is (yet another!) photograph from my September week in the John Muir Wilderness backcountry with a group of photographer/friends. We set up a base camp at a lake in a long valley running north/south, and photographed the immediate area and further subjects that we could reach on day hikes. The orientation of this valley gave us an unusual lighting condition — hours of blue hour light in the morning and early evening after the sun dropped below the tops of the two giant ridges to the east and west.

Our lake was mostly a fairly rocky place. The gentler portions of the shoreline featured small trees, often separated by open space and both rocky and meadowy areas. The more rugged side of the lake was the base of a gigantic talus field that extended far up the mountainside to the east. I made this photograph when light still illuminated the upper slopes of the ridge while the lake itself was in shadow. The effect was to make the landscape seem even more stark, so I photographed to emphasize the large forms of light and dark, and then chose to render it in black and white.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Snow Field, Reflection

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Snow Field, Reflection
A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

Snow Field, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

I can say a few things concerning both the objective facts about this scene and about my subjective reaction to it. The facts: We walked to this lake frequently during our September photographic sojourn in the Eastern Sierra backcountry. It wasn’t far from our base camp at another nearby lake, and if we walked directly there it might take all of 10-15 minutes — though, as photographers, our walks are hardly ever direct, more often devolving into stop-and-go affairs as we are distracted by various subjects. The snow bank and the steep wall above the lake were most often in shadow, and by evening the light could become quite dim.

There are many ways I could (and perhaps did) photograph this subject, but here I wanted to focus on the contrast between the form of the bright snow field and the much darker surroundings of cliffs, talus, and shadowed lake. Late in the day a long shadow began along the talus field and gradually advanced across the lake, darkening the water and the surrounding forest and rocks. After sunset, my impression of the place was of stillness and oncoming darkness, and I wanted this version of the photograph to suggest these things.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Woman and Clock

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Woman and Clock
A woman gazes through the portal of a Musee D’Orsay clock towards Paris

Woman and Clock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman gazes toward the Paris skyline through the portal of a Musee D’Orsay clock

I can tell something of a story on us regarding the Musee d’Orsay. On a previous visit to Paris we were trying to get to various specific locations including a few museums. However, we can be a bit “seat of the pants” when it comes to wandering around in such cities — rather than making specific plans we tend to decide things on the spot and/or wander around and see what we find. We knew we wanted to visit this museum, but it wasn’t until later on that visit that we made it there. We paid our admission, went inside, and discovered that we had perhaps 90 minutes left before it closed. Needless to say, we moved very quickly through sections of the place and missed a ton of stuff.

This time we wanted to go back and spend a more reasonable amount of time there. And we did. We got there in time to see a good portion of the marvelous exhibits. At one point we were getting hungry, and we ran into a restaurant on one of the upper floors and decided to stop. Overlooking the restaurant was a clock like what you see here. I was very confused. I knew I had seen “the” clock briefly on the previous visit, but I didn’t recall a restaurant… so I chalked up to, “they must have remodeled things and installed this restaurant by the clock. ” We finished eating, went back to visiting the exhibits, and eventually worked our way to the far end of the floor… where we found the other clock, the one that I had seen before. Usually there are a ton of people standing in front of the thing — and who can blame them — but for a moment I was able to frame this photograph with a solitary woman standing and looking through the clock’s windows towards the skyline of Paris.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: France, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Reflecting Pool, Structural Components, Skyline

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Reflecting Pool, Structural Components, Skyline
A pool and exterior components of Le Centre Pompidou, Paris

Reflecting Pool, Structural Components, Skyline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A pool and exterior components of Le Centre Pompidou, Paris

The Centre Pompidou in Paris is a fascinating place in many ways. To start with, there’s a lot going on in the surrounding neighborhoods, the large courtyard in “front” of the building, and inside. The art collection is quite wonderful. And, of course, the building itself is unusual and something of a marvel. It also provides plenty of opportunities for photography.

Many of the components of the building are on the exterior instead of being hidden behind a shell. Architectural structures, stairways, ventilation systems and more are right there for the observer to see. This photograph incorporates some of those structural elements, which form the main criss-crossing form in the image. It may not be immediately obvious, but the photograph was made outdoors and many floors above the ground level. Here a shallow pond reflects the structural elements and a bit of Paris sky, with the upper floors of surrounding buildings filling in the middle of the scene in the distance.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.