Tag Archives: black and white

Snow Field, Reflection

Snow Field, Reflection
A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

Snow Field, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

I can say a few things concerning both the objective facts about this scene and about my subjective reaction to it. The facts: We walked to this lake frequently during our September photographic sojourn in the Eastern Sierra backcountry. It wasn’t far from our base camp at another nearby lake, and if we walked directly there it might take all of 10-15 minutes — though, as photographers, our walks are hardly ever direct, more often devolving into stop-and-go affairs as we are distracted by various subjects. The snow bank and the steep wall above the lake were most often in shadow, and by evening the light could become quite dim.

There are many ways I could (and perhaps did) photograph this subject, but here I wanted to focus on the contrast between the form of the bright snow field and the much darker surroundings of cliffs, talus, and shadowed lake. Late in the day a long shadow began along the talus field and gradually advanced across the lake, darkening the water and the surrounding forest and rocks. After sunset, my impression of the place was of stillness and oncoming darkness, and I wanted this version of the photograph to suggest these things.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman and Clock

Woman and Clock
A woman gazes through the portal of a Musee D’Orsay clock towards Paris

Woman and Clock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman gazes toward the Paris skyline through the portal of a Musee D’Orsay clock

I can tell something of a story on us regarding the Musee d’Orsay. On a previous visit to Paris we were trying to get to various specific locations including a few museums. However, we can be a bit “seat of the pants” when it comes to wandering around in such cities — rather than making specific plans we tend to decide things on the spot and/or wander around and see what we find. We knew we wanted to visit this museum, but it wasn’t until later on that visit that we made it there. We paid our admission, went inside, and discovered that we had perhaps 90 minutes left before it closed. Needless to say, we moved very quickly through sections of the place and missed a ton of stuff.

This time we wanted to go back and spend a more reasonable amount of time there. And we did. We got there in time to see a good portion of the marvelous exhibits. At one point we were getting hungry, and we ran into a restaurant on one of the upper floors and decided to stop. Overlooking the restaurant was a clock like what you see here. I was very confused. I knew I had seen “the” clock briefly on the previous visit, but I didn’t recall a restaurant… so I chalked up to, “they must have remodeled things and installed this restaurant by the clock. ” We finished eating, went back to visiting the exhibits, and eventually worked our way to the far end of the floor… where we found the other clock, the one that I had seen before. Usually there are a ton of people standing in front of the thing — and who can blame them — but for a moment I was able to frame this photograph with a solitary woman standing and looking through the clock’s windows towards the skyline of Paris.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reflecting Pool, Structural Components, Skyline

Reflecting Pool, Structural Components, Skyline
A pool and exterior components of Le Centre Pompidou, Paris

Reflecting Pool, Structural Components, Skyline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A pool and exterior components of Le Centre Pompidou, Paris

The Centre Pompidou in Paris is a fascinating place in many ways. To start with, there’s a lot going on in the surrounding neighborhoods, the large courtyard in “front” of the building, and inside. The art collection is quite wonderful. And, of course, the building itself is unusual and something of a marvel. It also provides plenty of opportunities for photography.

Many of the components of the building are on the exterior instead of being hidden behind a shell. Architectural structures, stairways, ventilation systems and more are right there for the observer to see. This photograph incorporates some of those structural elements, which form the main criss-crossing form in the image. It may not be immediately obvious, but the photograph was made outdoors and many floors above the ground level. Here a shallow pond reflects the structural elements and a bit of Paris sky, with the upper floors of surrounding buildings filling in the middle of the scene in the distance.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stairs, Le Centre Pompidou

Stairs, Le Centre Pompidou
Outside stairs at Le Centre Pompidou, Paris

Stairs, Le Centre Pompidou. © Copyright 2018 G Dan Mitchell – all rights reserved.

Outside stairs at Le Centre Pompidou, Paris

We had previously walked past the Pompidou Center museum but had not stopped, instead visiting other museums on our list. The structure is famous (or infamous, depending on your aesthetics) for its unusual architecture, which exposes lots of things that would usually be hidden beneath the skin of a more traditional building — ventilation ducts, stairs, escalators, structural reinforcements, and more. While the art inside the building was fascinating, the photographer in me was attracted to the structure itself.

I made this photograph from the ground level before we went inside. The simple “x” shape is superimposed on some of those exposed structural details, in this case a bunch of outside stairways. The color scheme of the building in this area is almost purely monochromatic — at first I thought I was looking at a black and white image, until I noticed a bit of yellow color along a margin. Since it was already monochromatic I decided to eliminate even that bit of color and go with a black and white rendition.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.