Tag Archives: black

Photographs: Nature

Black-Necked Stilts

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Black-Necked Stilts
A small group of black-necked stilts cavorting in Central California wetlands

Black-Necked Stilts. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small group of black-necked stilts cavorting in Central California wetlands

Black-necked stilts are, in my opinion, beautiful and photogenic birds. They have striking visual features — their very long legs, the stark black and white patterns of their feathers, their interesting head and bill shapes. They also will frequently spend time in shallow water — just the right depth for their long legs — and seem to tolerate my photographing them from a close-by vehicle. They often wander back and forth, turning towards and away from the light.

Most often I have seen them as isolated individuals or perhaps in the company of one other bird. But this time, in one pond, I found groups of them, a half-dozen or more, behaving as if they were part of small flocks rather than rugged individualists. This group alternated between walking or swimming left and right in front of my camera, and then wildly leaping into the air for short, low elevation flights. The former is easy to photograph, but the latter much less so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning, Mountains, Desert Canyons

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Morning, Mountains, Desert Canyons
Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

Morning, Mountains, Desert Canyons. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

As I post this photograph on the summer solstice, this location is perhaps not a place you would want to be right now. I understand that temperatures in Death Valley National Park have been in the 120 degree range already this summer. But back on this March morning the scene was a lot different — clouds from a passing Pacific weather front obscured the dawn light, and there was a pleasantly cool wind at this location high in the Panamint range as the morning light arrived.

This view looks down through one of the many gigantic canyons of the Panamint Range, a sight that reminds us of just how important the flow of water has been in the creation of this remarkable landscape. In the middle distance the salt flats of Death Valley are visible at the base of the Black Mountains, and above that the demarcations between mountains and clouds and sky and light are hard to see, and the terrain of the rugged Death Valley landscape almost merges with the ephemeral terrain of this sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Light and Shadow

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Desert Light and Shadow
Morning light illuminates dust filled air above desert mountains and valley

Desert Light and Shadow. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light illuminates dust filled air above desert mountains and valley

Please indulge me as I continue to engage in my obsession with a series of photographs of this scene made on a special morning earlier this spring, when dark clouds gave way to light across the valley from my position high on a desert mountain ridge in Death Valley National Park.

If nothing else, sharing the series of somewhat similar photographs (this one, others posted previously, and possibly one or two more still to come) might illuminate the process of refining the way of seeing a particular subject. (Of course, to do that more completely you would also have to see photographs of the same location from previous visits over a period of years.) While I was there and the light was evolving I was very aware that the I could “see” the scene in multiple ways: Did I want to focus on the sky with its spectacular clouds? Did I want to minimize their presence to allow the luminous glow of backlit haze below them to take precedence? How much presence did I want to give to the strongly contrasting shaded mountains below me. How do the color and monochromatic interpretations compare? I still do not have final answers to those questions, but this portrait orientation view gives the luminous mountains across the valley a larger place the overall image and may more clearly present series of parallel and contrary lines in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake Basin, Photographs: Nature

Storm, Mono Lake

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Storm, Mono Lake
Dark clouds of a massive summer thunderstorm move across Mono Lake.

Storm, Mono Lake. Eastern Sierra Nevada, California. August 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dark clouds of a massive summer thunderstorm move across Mono Lake.

This has been the “summer of the monsoon” in the Sierra Nevada. Although the range is terribly dry after four years of drought and this past winter’s truly anemic snow pack, summer has brought a greater than usual amount of monsoonal flow from the south, producing a great deal of thunderstorms and rain. In July I saw an odd juxtaposition of nearly snow free peaks and ridges that looked like late September of a dry year… along with green meadows and full ponds where the rains had fallen.

By the time of this early August visit to the Yosemite High Sierra and then a few days of backpacking on the east side of the range further south, things were drying out a bit and the foliage was taking on the usual late-August dry appearance. I camped down in Lee Vining Canyon the first night, and being close to Mono Lake I managed to head out there and make photographs after setting up camp. Thunderstorms were forming above the Sierra crest, and they had sprinkled on my camp. They then drifted east of the range and continued to build, so as I looked along this section of the north shore of Mono Lake, with Black Point and Negit Island visible in the foreground, the sky in the distance was turbulent, dark, and full of falling rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.