Tag Archives: blue

Wetlands, Winter Sky

Recently I was thinking about a particular sort of “moment of consciousness” that I’ve experienced a few times. It usually (though not that often!) comes when I’m in a natural place where more or less nothing is happening and my pace has slowed. It is hard to define precisely what these moments are or force them to happen, but when they do come they are palpable. There’s a sense of immense stillness and of time almost stopping. For me it has come on a few occasions in the desert or in the mountains, alone on a windless and silent day..

I think it could come in a place like this, too. At one point this week I paused and just sat quietly and considered what is happening most of the time in this wetlands location. The answer is: nothing obviously remarkable. A few birds move about slowly and almost silently (until the geese and cranes arrive!), the water is still, and the sky seems fixed and luminous. I’m not sure that a photograph can embody all of that, but perhaps it can be a reminder.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Geese, Morning Fog

This was not the photograph I planned to make when I stopped here. The area was blanketed with tule fog, and no birds were visible. So I got out my tripod and turned my attention to making landscape photographs. As I worked the fog began to thin, and the sky above became faintly visible though the shallow fog. I heard geese approaching, and as the first group passed I grabbed my camera off the tripod, quickly reset things for handheld photography, and framed this subject as the next large group passed overhead.

There is a lot of this “gear switching” when I photograph migratory birds. One moment I might be photographing an individual bird in flight — which requires some specific camera settings. A moment later my attention may turn to a tree or clouds or the sky, and that sort of landscape photography uses entirely different settings and sometimes different lenses… or even a different camera!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Reflection, Winter Sky

Part of what I like about this photograph of the reflection of winter sky in a wetland pond is that there is almost nothing solid in it — aside from some scattered plants in the pond it is entirely sky, clouds, water, and reflections. There is almost a horizon out there somewhere, but it is hard to detect since it is obscured by tule fog.

Although there’s little in the photograph to rule out other options, the location happens to be in Central Valley wetlands. In good years, rainfall fills these ponds in the winter through early spring, and areas of solid summer ground become lakes, some quite large. They are more than a visual marvel — winter birds and, later, spring plants rely on their annual formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Grasslands, Winter Morning

One of my favorite John Muir stories concerns how he first traveled to the Sierra. He Walked! From the Bay Area! From what I recall he went via Pacheco Pass (today’s state route 152) before entering the Great Central Valley. I often take this route when heading east, so I’m frequently reminded of his journey. Concerning his arrival in the Valley he wrote,” “At my feet lay the Great Central Valley of California, level and flowery, like a lake of pure sunshine, forty or fifty miles wide, five hundred miles long, one rich furred garden of yellow Compositae.”

It is difficult to imagine what he experienced at a time when the Valley was a quiet, largely unpopulated place. Today it focuses on agriculture and business and the rapidly increasing populations in towns and cities along highways 99 and 5. But occasionally, in the right places, you can sometimes find yourself where it is possible to imagine an immense, still, quiet landscape in that valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.