Tag Archives: blue

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes and Tree, Tule Fog

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Sandhill Cranes and Tree, Tule Fog
“Sandhill Cranes and Tree, Tule Fog” — A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Flock of Cranes in Flight

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Flock of Cranes in Flight
A flock of sandhill cranes in flight against clear blue sky.

Flock of Cranes in Flight. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes in flight against clear blue sky.

Today’s post gives me an excuse to explore a few technical (and aesthetic) considerations about photographing birds, so I’m sharing this photograph both as an image and as an illustration of a few things I’ll mention below. I made the photograph in the morning (contrary to a possibly erroneous bit of EXIF data in the file), when the rising sun was still low and the light was muted a bit by thin fog. I positioned myself in a spot that groups of cranes were crossing, and I simply waited for them to approach.

There’s a lot going on inside a dynamic flock like this one. Some things are at least partially subject to decisions by the photographer, while others must simply be accepted as “what is.” Even those that are subject to photographer decisions improve the odds rather than producing certainty. I identified a spot over which groups of birds were flying. I chose to position myself on the “sunny side” of that point so that passing birds would get some direct illumination. This is important, since backlit birds against a back sky are… challenging. The second issue has to do with the positions of the birds in the frame and relative to one another. With practice one can become better at framing the flying birds in desirable ways. More difficult is keeping track of how the birds interact with one another in flight. Ideally you probably want them close together, but you don’t want one bird obscuring the head of a nearby bird. The birds rarely understand this! But you can increase the odds by developing your ability to watch this positional interplay among the birds. You learnt to avoid triggering the shutter when the positions aren’t great and (to some extent) time your shots for when they are. In the end, as in this photograph, while all of these intentional acts help, there are still significant elements of chance in the result… and here it worked and not a single bird’s head is blocked by another in the group.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Structures and Objects, Photographs: Urban/Street

696

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696
Rollup doors on building 696, San Jose.

696. © Copyright 2020 G Dan Mitchell – all rights reserved.

Rollup doors on building 696, San Jose.

This photograph is a bit of a study in “accidental geometry” that I encountered while on a walk earlier this fall. The two roll-up doors are almost but not quite perfect mirror images, but the surrounding walls are almost opposites, light and dark, and the whole thing is set off by horizontal areas at the top and bottom. There is one little asymmetrical element in the numbers next to the right door — but even there you can find a certain interesting formal pattern if you look for it.

This probably doesn’t seem like my usual subject, but I can assure you it is the sort of thing I see quite often — more often, in fact, than autumn aspens, rugged seashores, deserts, and alpine mountains. It is the terrain of my regular pandemic walks in a circle that extends across a several mile radius from our home. In one direction I often end up passing through light industrial areas, including some that might seem just a bit sketchy. In fact, as I made this photograph I was standing within feet of the temporary pandemic homes of trailer-dwellers parked on the street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Precursors to a Storm

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Precursors to a Storm
High clouds over the Pacific Ocean herald an incoming weather front.

Precursors to a Storm. © Copyright 2020 G Dan Mitchell – all rights reserved.

High clouds over the Pacific Ocean herald an incoming weather front.

To be honest, the storm whose arrival was heralded by these clouds did not turn out to be much of a storm at all. It rained a bit further north in the state, but not much happened south of San Francisco. Unfortunately, it looks like California is headed for another very dry winter, with virtually no rain so far as we start into December, the heart of our rainy season. And there is no rain on the horizon according to long term forecasts.

Nonetheless, thinking that the sky might be interesting, I took a day trip down the Big Sur coast to see what I could find. It was, as is typical when a Pacific front is on its way, a lovely, sunny, and relatively warm day. These precursor clouds extending out ahead of the weather front were beautiful, and this particular formation convinced me to stop and make a series of photographs juxtaposing it above the calm ocean extending to the horizon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.