Tag Archives: boulders

Stream And Meadow

Stream And Meadow
An alpine stream descends through a boulder-strewn, meadow-filled Sierra Nevada valley

Stream And Meadow. © Copyright 2019 G Dan Mitchell – all rights reserved.

An alpine stream descends through a boulder-strewn, meadow-filled Sierra Nevada valley.

One reason I made this photograph is that the scene is so ordinary, believe it or not. In fact, these little landscapes of flowing water, meadow, rocks, and small trees are perhaps my favorite in the Sierra Nevada, found in the region just below timberline where the terrain begins to open up. I’d love to be able to add the sound of this scene to the post, with its characteristic and almost ever-present lullaby of flowing water.

This location was only a few hundred feet from our camp. We stayed in a small valley between two ridges, and just below the truly alpine region of moraines and ridges and peaks. Here several streams converged, draining various higher canyons and lakes, and we were never far from water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline Bench, Reflections

Shoreline Bench, Reflections
A rocky bench above the reflecting surface of an alpine Sierra Nevada lake

Shoreline Bench, Reflections. © Copyright 2019 G Dan Mitchell – all rights reserved.

A rocky bench above the reflecting surface of an alpine Sierra Nevada lake.

Since roughly August of 2005 I have been posting a daily new photograph at my website (https://gdanmitchell.com) and on social media, almost always accompanied by a couple of paragraphs of background. Yes, that is 14 years of daily photograph posts at this site! That’s more than 5000 photograph posts as of the date of this on. I’ve done this for several reasons. First, it is a form of daily practice — the importance of which I learned about in my other life in the world of music. Second, I hope that revealing my working process and thinking about photographs may be useful to others trying to make sense of this medium.

This does mean that — obviously! — you’ll see more than one way of seeing a particular subject since I share this editing process here. Today’s photograph — from my recent weeklong shoot in the Eastern Sierra backcountry — is an example of this in at least a couple of ways. First of all, I recently shared another photograph of this same subject that interpreted it in a different way. (That photograph took a closer look at it — this one includes more of the surrounding visual context.) Secondly, if you scroll back to that other version, you may discover that I shared two examples of that one with different crops.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cascade And Peaks, Morning

Cascade And Peaks, Morning
Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline

Cascade And Peaks, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline.

The daily routine on these backcountry photographic expeditions tends to follow a basic pattern. We’re up very early — in order to be in a good place by the time the light arrives we typically need to arise when it is still dark out and then make our way to our chosen location. There’s often an intense period of photography right around sunrise, but then things taper off as the rate of change in the light slows. We work for a couple of hours until the light becomes less spectacular, then we return to camp for breakfast followed by a midday period of mostly hanging out. We usually eat dinner in the late afternoon time frame, and then we head out once again for a few hours of photography that often end in darkness.

On this morning I had a plan to walk up a nearby route to a higher lake, where I had several potential photographs in mind. I knew that these scenes were very light dependent, so I wanted to arrive early. I set out with plenty of time… and immediately started to find myself distracted by unanticipated subjects. I stopped to photograph the inlet stream of a lake, then a pool below the trail, then this lovely section of a small creek cascading down the slope from the valley above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocks, Water, Reflection*

Rocks, Water, Reflection
Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake

* This is the first of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

Rocks, Water, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.