Tag Archives: california

Support Columns, Purple and Green Wall

Support Columns, Purple and Green Wall
Support Columns, Purple and Green Wall

Support Columns, Purple and Green Wall. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Night photograph of dilapidated building in green and purple, Mare Island Naval Ship Yard.

In contrast to the huge and somewhat garishly lit iconic towers and cranes of Mare Island, there are innumerable little quiet and hidden subjects to photograph. I think that most of us start with the obvious subjects and eventually, after shooting them many times, begin to look for these other possibilities. I photographed this in very low light, complicated by a bit of wind, and I could barely see the subject as I worked. (In order to focus I had to shine a small light on the edge of part of the structure.)

The colors were almost a bit of a surprise. At Mare Island there (or, in too many cases used to be, now that the lighting has been “modernized”) a wild variation in lighting types. There is often the moonlight. A glow comes across the water from Vallejo. Sodium vapor lamps can produce a sort of sickly yellow color. Tungsten light is warm colored, and fluorescent light can be very strange. As a consequence, the colors of this nighttime world are more about the colors of the lighting than the colors of the subjects themselves. The side of this building, which is probably quite drab in daylight, picked up subtle green and purple tones under the artificial light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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D4 — Do It Safe

D4 — Do It Safe
Two shipyard cranes, Mare Island Naval Ship Yard

D4 — Do It Safe. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two shipyard cranes, Mare Island Naval Ship Yard

This past weekend I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group for a night photographing at the historic Mare Island Naval Ship Yard. (Despite the similar names, this is a different group than Studio Nocturne SF, a group of photographers with whom I exhibit.) The location is a bit of a Mecca for night photography around here, and I’ve been photographing in this place for something like a dozen years, virtually always at night.

On this shoot I focused on a combination of some less obvious things that I’ve learned to see over many years of working this subject and some of the classic, iconic subjects at Mare Island. This photograph is in the latter category. These huge cranes, set on a system of tracks surrounding dry docks, are perhaps the most characteristic visual feature of Mare Island, especially since they tower high above the old historic buildings. My night photographs of this subject don’t exactly strive for an accurate image. To be honest, that would be an incredibly boring thing, since there is so little light that the subject is often barely visible on the scene. So my idea is to focus on “what the camera sees,” and I typically make very long exposures that collect enough of that faint light to make the subject more clearly visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Oaks, Spring

Oaks, Spring
Spring green comes to the oak-covered hills of Northern California

Oaks, Spring. Santa Clara County, California. March 12, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring green comes to the oak-covered hills of Northern California

After all of these years, I’m still amazed by the arrival of California’s season of “impossible green,” when in late winter the grasses that are so dry and brown for much of the year erupt into a lush green that blankets the hills. When summer visitors express surprise at California’s dry summers, I always want to say, “Come back in March!”

I headed out on this morning for several reasons. First and foremost, I wanted to hike a bit. But I also wanted to do a bit of wildflower reconnaissance. (The quick report: In the place I visited the biggest wildflower show is yet to come.) In addition, I wanted to see what this year’s rainy winter has done to a landscape that has been very, very dry for half of a decade. For the first time in years, there was water everywhere. Water was flowing out of every little valley and alluvial hillsides were sponge-full of water that is leaking out the bottom. After so many dry springs, I think I actually enjoyed having to work my way around ponds of muddy water and occasionally slog right through the mud!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Smoke-Shrouded Hills

Smoke-Shrouded Hills
Wildfire smoke envelops hills east of the Sierra Nevada near Mono Lake

Smoke-Shrouded Hills. Near Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke envelops hills east of the Sierra Nevada near Mono Lake

I made this photograph on a special morning that didn’t initially seem all that special. The night before I had driven down into Lee Vining Canyon after dark, and I could see the glow of a new wildfire to the southeast. In the morning I left my camp in the canyon and headed east to see what I could see. I found a high overlook and soon saw a giant plume of rising smoke to the south and tendrils of smoke drifting north toward and over Mono Lake.

I spent a few minutes photographing the drifting smoke above the lake, but very soon the smoke became too thick. I had to find a location that was on that boundary between too much and too little smoke — enough to partially obscure the details of the landscape, but not so much as to render it invisible. I moved further north to another high elevation locations and photographed back into the Basin. But this point the lower elevations were largely filled with smoke, but here one tree-covered ridge emerges and rises toward the still blue sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.