Tag Archives: canyon

Light in the Narrows

Light in the Narrows
Light filtering down from far above lights the curving path through desert canyon narrows.

Light in the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light filtering down from far above lights the curving path through desert canyon narrows.

Since the start of the pandemic lockdown, the number of days I’ve been able to spend in my favorite landscape locations has been extremely limited. The last time I was able to go to Death Valley — a place I have photographed every year for decades — was in early 2020. Now that I’ve completed my vaccinations it seemed safe and responsible to travel out into that backcountry for a few days of photography, mostly in the places the tourists don’t go. Fortunately, in this park it is possible to put yourself in fairly isolated locations where, for example, you might not encounter another person for 24 hours.

One night I camped alone at the end of a road that dead-ends in the lower reaches of a canyon. This gave me time to explore the canyon twice — first in late-afternoon light and again the next morning when the light came from the opposite direction. Most canyon walking (often more accurately described as wash-walking) in Death Valley is done out in the open, frequently in intense sunlight. But at the right times fo day in the right canyons one can escape that light and enjoy the soft glow of light from above reflected between the canyon walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tuolumne Canyon, September

Tuolumne Canyon, September
Wildfire smoke colors the morning light on domes above the Tuolumne River, Yosemite National Park.

Tuolumne Canyon, September. © Copyright 2021 G Dan Mitchell – all rights reserved.

Wildfire smoke colors the morning light on domes above the Tuolumne River, Yosemite National Park.

Back in 2014 a group of us spent a week photographing in the Yosemite backcountry. We packed in to our first locations, spent a few days there, then moved along and ended up near the location of this photograph in the canyon of the Tuolumne River. While many have an impression of the Tuolumne formed by its leisurely passage through the Tuolumne Meadows area, other sections present a very different view.

Our stop here coincided with a very destructive wildfire in Little Yosemite Valley, and on the afternoon of our arrival the smoke had block the sun as ash floated down from the sky. Later much of the smoke blew in other directions, yet there was still a general smokiness in the atmosphere. That slightly brown haze colored the light in this early morning view of the canyon of the Tuolumne River.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspen Leaves Cluster

Autumn Aspen Leaves Cluster
A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Autumn Aspen Leaves Cluster. © Copyright 2020 G Dan Mitchell – all rights reserved.

A cluster of Eastern Sierra Nevada aspen leaves in full autumn color.

Here it is — finally — what I expect to be my final photograph from this year’s autumn aspen color in the Eastern Sierra Nevada. Like many of the others, I made this photograph while wandering about in a little grove that happened to be showing exceptional color this year. To some extent that color was because my timing was just about right, but it also seemed like a more colorful year than usual, with more of the red and orange leaves that I usually see.

When I’m in the field I often line up a sequence of potential photographic opportunities to explore as the light evolves. I might start with a subject that will work in pre-dawn light, then move to one that focuses on the first light of sunrise, and then be ready to photograph things that work in the light that arrives a bit later. That’s what happened with these leaves. The light on a major landscape subject that I was photographing had mostly run its course a half hour or so after sunrise, so I moved to this grove which was still in the shadow of a nearby hill. That light was perfect for making close up photographs of leaves, since the soft light reveals details in everything from shadows to highlights.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Backlit Aspen Leaves

Backlit Aspen Leaves
“Backlit Aspen Leaves” — Eastern Sierra autumn aspen leaves against a splash of background color.

At this point I now appear to be down to just four more of my 2020 autumn aspen color photographs from the Eastern Sierra Nevada, and all of them are up-close photographs of just a few leaves like this one. As I have written previously, my opportunities to get to the Sierra to photograph the aspens this fall were limited by pandemic-related travel issue and by the historically bad wildfires in California. However, on my brief visit I encountered really wonderful color, some of the best I’ve seen in years — and in the end I came back with more photographs than I would have expected from such a short visit.

Almost all of this year’s close-up leaf photographs were made during a short, slow ramble through a single grove that I’ve visited for years. It is a place where I often stop to photograph the smaller elements of the autumn scene, though I managed to arrive just in time for a very special color display this season, with abundant leaves in every possible variation of aspen color. The intention underlying the composition of this photograph was to highlight the two mostly-red leaves and to contrast them with the out-of-focus mass of yellower leaves in the background.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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