Tag Archives: canyon

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Oak Tree, Red Rock

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Oak Tree, Red Rock
A twisting oak tree beneath red rock towers, Zion National Park.

Oak Tree, Red Rock. © Copyright 2021 G Dan Mitchell – all rights reserved.

A twisting oak tree beneath red rock towers, Zion National Park.

The title simplifies the content of this scene — there are actually several kinds of trees here, and the contrast between the lighter trunk of the foreground tree and the dark shape of the more distant tree is part of what attracted me to this scene. Other elements included the twisting shapes of the trees and the contrast between the bright green of the leaves (which are close to beginning their autumn color transition) and the red Utah sandstone.

The nature of light is almost always a key factor in photography, but it plays out in very special ways in the red rock canyons of the Southwest. As I have written previously, the typical photographers’ schedule (shoot very early and rather late) is upended in canyons. We often try to find the softer and warmer light of the very early and late hours of the day, but in these canyons the tall walls often keep the subjects in the soft shadow light much of the day, and direct sunlight reflected off the canyon walls can provide that warm color to the light. (To those used to having a midday break between morning and evening photography, this can be exhausting!) This photograph was made during those essentially middle-of-the-day hours, and the soft light illuminates and colors the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cottonwood Trees and Red Rock Cliffs

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Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Shades of Autumn

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Shades of Autumn
A scene of dense vegetation with fall color, Eastern Sierra Nevada.

Shades of Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A scene of dense vegetation with fall color, Eastern Sierra Nevada.

On this day I came upon a dense grove of small aspen trees mixed with some autumn-colored mountain willows with their slightly less flamboyant brownish fall color. At the time I arrived the trees were in the shadow of the tall mountains nearby, and the light had a bit of a blue quality. It was also soft and diffused, leading to an absence of very bright highlights and filling the shadows with light, too. The aspen leaves stood out a bit from the background with they yellow color.

Looking for some kind of order and structure in such dense subjects is a challenge, one that forces the photographer to look beyond the obvious ways of seeing. Subtle lines in the dense and complex texture can be enough to direct the eye. Slight contrasts in luminosity or color become important. And the lack of a single strong central subject lets the eye wander about the frame and take in the complexity of the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Color and Sierra Crest Peaks

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Autumn Color and Sierra Crest Peaks
Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

This is, as some of you may notice, a portrait-orientation photograph of a scene that I recently shared using the landscape orientation. Why two different approaches, you may ask? That could be a bit of a complicated question, as there are multiple possible reasons. Heck, you might just wonder if I was able to make up my mind! In fact, this scene “works both ways,” I think. The landscape orientation goes with the long horizontal stretch of the distant ridge and the band of colorful aspens at the bottom, and it also reveals some additional color that lies outside of the vertical image to the right. On the other hand, I think that the vertical interpretation may do a better job of presenting the scale of the vertical rise from the foreground to those towering, distant peaks. I could go on, but I’ll end by pointing out that sometimes both orientations prove useful, so I don’t shy away from doing both.

The scene is a long canyon in the Eastern Sierra that rises from the hot, dry terrain of Owens valley, ascends a long river drainage that twists and splits and gradually transitions to subalpine forest, and finally culminates well into the alpine zone with its rocky terrain and high peaks. Canyons like this one can be good places to look for aspen color in the fall — for one thing, because they cover such a large elevation range there is likely to be color somewhere within them over a relatively long period of time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.