Tag Archives: canyon

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Leaves and Stone

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Aspen Leaves and Stone
Branches of an aspen tree with autumn leaves against the stone of an Eastern Sierra cliff.

Aspen Leaves and Stone. © Copyright 2021 G Dan Mitchell – all rights reserved.

Branches of an aspen tree with autumn leaves against the stone of an Eastern Sierra cliff.

Since summer is about to start… it seems like time to start thinking about autumn. I have written before that my mind is usually as much on the season that it isn’t as on the season that it is, perhaps because I’m always conscious of the cyclical and transitional nature of things. A few weeks ago I had a brief discussion with a friend about fall photography plans, and since then I’ve been considering where I may want to go this September and October. And as those subjects come to mind I cannot hep but be aware of the likely effects that the West’s current extreme drought and heat are likely to have on conditions.

But enough of that musing for the moment. This photographic vignette of a few aspen branches extending across cracked and lichen-covered granite focuses on one of the many little personal spots in the Sierra that I return to every year. There’s a good chance that you would pass this spot and not even see it, but that may be part of what draws me to it. While all of us own the iconic parts of the Sierra, each of us can have his or her own personal Sierra consisting an accumulated set of personal subjects and experiences.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Two Aspen Trees and Cliff

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Two Aspen Trees and Cliff
Two autumn aspen trees against the rocky face of an Eastern Sierra Nevada cliff.

Two Aspen Trees and Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.– all rights reserved.

Two autumn aspen trees against the rocky face of an Eastern Sierra Nevada cliff.

This is another photograph that isn’t quite totally new. Some years ago I made several exposures of this little scene, with the two trees with fall color backed by the rocky cliff face. (To be sure, this was not the only time I photographed these trees — this is a favorite spot of mine in the right conditions.) But This one is just a bit different than the earlier one — a very slightly different position, I think, and a different crop, plus some refinement of how I approached the post processing.

I sort of wonder if it may be too early to start sharing fall color photographs. Ah, heck, no! Never too early for that! In fact, my mind is typically on at least three seasons at a time anyway. First, the season that just passed and from which I still have raw files to process. Second the current season because, well, that’s obvious, right? Third, one season beyond the current one — because I always have slightly longer term plans running in the back of my mind.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Wall Detail

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Canyon Wall Detail
Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

Canyon Wall Detail. © Copyright 2021 G Dan Mitchell – all rights reserved.

Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

These rocks tell a story, a profound one no doubt, but also one that this non-geologist is incapable of fully comprehending. But I do know a few things, and with that bit of knowledge and the time to observe, I can report that there is a lot to think about in places like this and, for that matter, the entirety of Death Valley National Park. A difference between this landscape and most others with which I’m familiar is that here it is almost entirely exposed rather than being hidden underneath forests and snow.

As I understand it, the course of many of the rocks here is sedimentary — they were formed under ancient seas. (Portions of the valley were submerged much more recently, and that shorter tale is visible, too, in places.) Those sediments sometimes captured creatures that became fossilized, as we see in the black spots in the rocks of this photograph. Then various geological forces lifted, tilted, fractured, and contorted these layers over a vast span of time. In many places in the park the strata are inclined upward as they progress to the west. Here one of the inclined rock bands contains colors that are the exception rather than the rule in this national park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Narrows

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Canyon Narrows
Soft light in the narrows of a Death Valley National Park canyon.

Canyon Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft light in the narrows of a Death Valley National Park canyon.

Canyons are (almost) all about the light. OK, the textures and forms are pretty striking, too, as is the quiet. But the light is really special. In the narrowest sections — such as the “narrows” in this photograph — direct sunlight doesn’t penetrate to the bottom of the canyon much or sometimes at all. The typical ideas about best times for landscape photography can be upended, as the best light often comes to these places when the sun is high enough to shine directly on upper walls and then bounce its way down into the depths of the canyon.

I have recently shared some other photographs from this canyon, made on a recent trip when I camped nearby and was able to enter the canyon more than once and at various times of the day. The other photographs are all in color, and they tend to highlight the subtle (and sometimes not-so-subtle!) contrasts between warm and cool-colored light. I had to chuckle inwardly a few days ago when a friend suggested that I try monochrome with this subject. I’ve been a black and white photographer since, well, the first time I picked up a camera, and I often think that my visual home is monochrome. So it shouldn’t be a surprise that I would want to find a way to produce a photograph of this place in black and white, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.