Tag Archives: creosote

Morning Haze, Dunes and Mountains

Morning Haze, Dunes and Mountains
A long desert vista, from creoste growing in the dunes to distant mountains shrouded byh morning haze.

Morning Haze, Dunes and Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long desert vista, from creoste growing in the dunes to distant mountains shrouded byh morning haze.

There are still a few more photographs in the series from this year’s foray to Death Valley National Park, though I suspect that they will wind down soon as I move to other subjects. It is hard to believe that I was there only a bit more than a month ago — it seems like much longer. When I was there around the beginning of April it was still only moderately (by DEVA standards!) warm, with temperatures only touching the low nineties. I’m sure it is hotter now, and it will remain so until late in the year. That’s my way of saying that I won’t be headed back there until many months from now!

This photograph comes from my one morning foray into the well-known dunes not far from Stovepipe Wells. As I have previously mentioned, I often head to somewhat less “busy” areas of these dunes — partly to avoid running into other visitors, but also to find views that are not the familiar, iconic ones. This view looks across a long view from the close creosote to the distant haze-obscured desert mountains that rim the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote and Dunes

Creosote and Dunes
A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Creosote and Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Perhaps surprisingly, that bit of dry surface in the foreground is what initially attracted me to this intimate landscape scene among the sand dunes. These surfaces are found in many places around and between the dunes, and at first their relationship to water is surprising in such a place. Some of the forms look much like what we find on desert playas, but in other places they are quite fragile and appear to have been smoothed and sculpted by wind-borne sand. (I try to avoid walking on them unless they are the more durable playa-type of formations.)

I had just photographed a closer subject, some dead creosote bushes, when I saw this larger and thriving specimen positioned among some beautifully curving dunes and casting a shadow onto them. It was a tricky exposure — the backlit “sky” (which is actually glowing haze in front of distant mountains) was extremely bright, while the shadows were quite dark. This was definitely a case of exposing to capture image data with the intention of using the post-processing stage to bring things back to something closer to what I saw.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Light on Creosote, Dunes, and Alluvial Fan

Morning Light on Creosote, Dunes, and Alluvial Fan
Low-angle early morning light on a clump of blooming creosote, sand dunes, and a huge alluvial fan, Death Valley National Park.

Morning Light on Creosote, Dunes, and Alluvial Fan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Low-angle early morning light on a clump of blooming creosote, sand dunes, and a huge alluvial fan, Death Valley National Park.

This is the second of two photographs made close together on this morning in the dunes. I made it just moments after the first direct sunlight had arrived here, illuminating the distant fan, the creosote plant, and the curving shapes of the dunes. This light lasts only a moment, and when I saw it coming I stopped here, found this composition, and waited for the show. I like the way that the foreground light aligns with the softly-lit alluvial fan in the distance, and how the implied line of the incoming light likely traces the angle of the bits of dune at the left edge.

It is still amazing to me that such well-developed plants can find a foothold in this terrain — and beyond that manage to thrive on a high point along the dunes. This is not a friendly environment for most plants — it can be tremendously hot, it is quite dry, and when the winds get going these plants are blasted by flying sand. (I’m a bit too familiar with that last issue!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dead Creosote, Dunes

Dead Creosote, Dunes
Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

Dead Creosote, Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

We tend to think of the landscape and, in particular, the desert landscape as being relatively static. Landscape photographers often hear comments along the lines of, “You have all the time in the world to make a photograph.” While there is some truth to this notion — yes, that mountain is likely to still be there tomorrow — things are not quite that simple, particularly at the beginning and end of the day. While the physical objects in this photograph stand still, the light most certainly does not!

This photograph was, in a sense, the result of a combination of working slowly and working quickly. Soon after arriving in this area of the dunes I saw this clump of dead creosote bushes. I thought they were interesting, but the lighting at that point wasn’t conducive to how I would photograph them. So I made a mental note about the scene and the spot and went to work on other things. A bit later the light was starting to sweep across the tops of the dunes and I turned my attention back to this subject, hoping that the angles would work out correctly to light the plants while the underlying sand remained in shadow. I waited as the light worked its way down the stems of the plants and then made the photograph during the seconds-long window just before the light struck the sand beneath them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.