Tag Archives: dark

Photographs: Nature, Photographs: Wildlife

Blue Goose Among The White

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Blue Goose Among The White
A solitary “blue goose” in a flock of white (mostly) Ross’s geese

Blue Goose Among The White. © Copyright 2018 G Dan Mitchell – all rights reserved.

A solitary “blue goose” in a flock of white (mostly) Ross’s geese

A “blue goose” was something I had heard of but didn’t understand — like the “blue moon.” (Yes, I do now know what that is, too!) A few years ago I ran into a wildlife refuge employee while photographing and we got to talking. He remembered that he had seen an unusual bird earlier that day, and he offered to take me to see the “blue goose.”

That sounded crazy. I had never seen or heard of a goose that was blue in color. (That said, in the right light, the whitest geese can appear to be blue in photographs. I’ll explain some other time…) We came to a large flock of the usual white geese and he pointed into the mob of birds and said, “There it is!” At first I couldn’t spot it but eventually I saw that one of the geese was considerably darker than the rest of the flock. I photographed the goose in this photograph on a different occasion — you should be able to spot the anomalously darker blue goose in the middle of the scene. For the record, the “blue goose” is not a separate type of goose — it is one of the common types, but in an unusual color “morph.”

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Dogwood Blossoms, Dark Forest

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Dogwood Blossoms, Dark Forest
Blossoming dogwoods in dark, dense forest, Yosemite Valley

Dogwood Blossoms, Dark Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Blossoming dogwoods in dark, dense forest, Yosemite Valley

On one morning during my recent sojourn to photograph spring subjects in Yosemite Valley I had extraordinary lighting and atmospheric conditions. The morning produced a number of photographs that have been and will be shared here. They make me think of “channeling Bierstadt” — with effects of clouds and haze and light combined with dramatic ridges and cliffs. This is not one of those photographs. In fact, this image is inserted here to break up the flow of those others…

The timing and nature of some spring events in Yosemite Valley is variable — the amount of snow in the high country and when it melts out, for example, determine the timing and character of river and waterfall flows. Other events hold to a pretty consistent schedule from year to year, though climate change is edging some of these in new directions. One of the fairly consistent events is the arrival of dogwood blooms in the Valley and then in higher locations nearby. When I visited two weeks ago I saw the first buds on these trees and only a few tiny, green blooms. A week later there were many more blooms, and some trees were nearly full of them. I photographed this forest scene, with a primary tree full of blooms and other more distant blooms seen less vividly in the darker forest, one evening after the direct sun had left this spot.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Noodle Shop

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Noodle Shop
A single nighttime diner in a Manhattan noodle shop on a dark street

Noodle Shop. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A single nighttime diner in a Manhattan noodle shop on a dark street

I suppose it is because I plan to be there again soon, but I’ve been going back through some earlier photographs from New York City this week, and especially focusing on photographs I made at night there last July. While staying in a busy part of the city (yeah, I know, all the parts are busy…) where there are lots of small business and lots of people I managed to get out frequently and wander with my camera. Most of the neighborhood tended to be quite crowded and busy, with lots of light. However, a few of the side streets included quieter spots where there were no crowds, especially late at night, including this street where there was only one person still eating in this noodle shop.

With photographs like this, especially when rendered in black and white, there is a lot of creative latitude when it comes to deciding how to interpret the scene. I’m generally not a big fan — with some exceptions — of allowing highlights to completely blow out, so the brightly lit areas set a sort of limit on how light I can go. I want to see at least some detail in almost all areas of the photograph, even in the deep shadows, so I often have to do some careful work during the post processing stages to get what I want from these dark area. It is tricky — too dark and all detail is lost, but too light and the shadows end up gray and the mystery is gone. In this photograph I wanted most of the image to feel very dark, with only the three brightly lit areas standing out.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Trees, Tarn, Mountains

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Trees, Tarn, Mountains
Late afternoon skies darken above alpine peaks and a meadow holding a small reflecting tarn

Trees, Tarn, Mountains. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late afternoon skies darken above alpine peaks and a meadow holding a small reflecting tarn

No, I’m still not finished with the photographs from our nine-day photographic sojourn into the John Muir Wilderness, on which a group of us base camped in a stunning backcountry location and wandered off daily to photograph the area. Today, on a morning that is the first one of the season to feel winter-like here, it seems both odd and pleasant to think back on these summer days of photography, friends, sun, thunder showers, green meadows and flowers, cross-country hikes into high places, and more.

This meadow and its tarn were located perhaps 10-15 minutes above the location of our camp, and once we “discovered” the place we visited almost daily. It was a stunning place, filled with green meadow plants and wildflowers and surrounded by alpine scenery. The mountains to our south were a daily presence as they rose on the other side of a deep river canyon, and I had wanted to photograph this small tarn since I first saw it. That became my focus on this visit, and this photograph is one of several in which I tried to combine the meadow, tarn, small trees, and the distant view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.