Tag Archives: dark

Dogwood Blossoms, Dark Forest

Dogwood Blossoms, Dark Forest
Blossoming dogwoods in dark, dense forest, Yosemite Valley

Dogwood Blossoms, Dark Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Blossoming dogwoods in dark, dense forest, Yosemite Valley

On one morning during my recent sojourn to photograph spring subjects in Yosemite Valley I had extraordinary lighting and atmospheric conditions. The morning produced a number of photographs that have been and will be shared here. They make me think of “channeling Bierstadt” — with effects of clouds and haze and light combined with dramatic ridges and cliffs. This is not one of those photographs. In fact, this image is inserted here to break up the flow of those others…

The timing and nature of some spring events in Yosemite Valley is variable — the amount of snow in the high country and when it melts out, for example, determine the timing and character of river and waterfall flows. Other events hold to a pretty consistent schedule from year to year, though climate change is edging some of these in new directions. One of the fairly consistent events is the arrival of dogwood blooms in the Valley and then in higher locations nearby. When I visited two weeks ago I saw the first buds on these trees and only a few tiny, green blooms. A week later there were many more blooms, and some trees were nearly full of them. I photographed this forest scene, with a primary tree full of blooms and other more distant blooms seen less vividly in the darker forest, one evening after the direct sun had left this spot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Noodle Shop

Noodle Shop
A single nighttime diner in a Manhattan noodle shop on a dark street

Noodle Shop. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A single nighttime diner in a Manhattan noodle shop on a dark street

I suppose it is because I plan to be there again soon, but I’ve been going back through some earlier photographs from New York City this week, and especially focusing on photographs I made at night there last July. While staying in a busy part of the city (yeah, I know, all the parts are busy…) where there are lots of small business and lots of people I managed to get out frequently and wander with my camera. Most of the neighborhood tended to be quite crowded and busy, with lots of light. However, a few of the side streets included quieter spots where there were no crowds, especially late at night, including this street where there was only one person still eating in this noodle shop.

With photographs like this, especially when rendered in black and white, there is a lot of creative latitude when it comes to deciding how to interpret the scene. I’m generally not a big fan — with some exceptions — of allowing highlights to completely blow out, so the brightly lit areas set a sort of limit on how light I can go. I want to see at least some detail in almost all areas of the photograph, even in the deep shadows, so I often have to do some careful work during the post processing stages to get what I want from these dark area. It is tricky — too dark and all detail is lost, but too light and the shadows end up gray and the mystery is gone. In this photograph I wanted most of the image to feel very dark, with only the three brightly lit areas standing out.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Tarn, Mountains

Trees, Tarn, Mountains
Late afternoon skies darken above alpine peaks and a meadow holding a small reflecting tarn

Trees, Tarn, Mountains. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late afternoon skies darken above alpine peaks and a meadow holding a small reflecting tarn

No, I’m still not finished with the photographs from our nine-day photographic sojourn into the John Muir Wilderness, on which a group of us base camped in a stunning backcountry location and wandered off daily to photograph the area. Today, on a morning that is the first one of the season to feel winter-like here, it seems both odd and pleasant to think back on these summer days of photography, friends, sun, thunder showers, green meadows and flowers, cross-country hikes into high places, and more.

This meadow and its tarn were located perhaps 10-15 minutes above the location of our camp, and once we “discovered” the place we visited almost daily. It was a stunning place, filled with green meadow plants and wildflowers and surrounded by alpine scenery. The mountains to our south were a daily presence as they rose on the other side of a deep river canyon, and I had wanted to photograph this small tarn since I first saw it. That became my focus on this visit, and this photograph is one of several in which I tried to combine the meadow, tarn, small trees, and the distant view.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mountains, Alpine Tarn, Dark Clouds

Mountains, Alpine Tarn, Dark Clouds
Dark clouds assemble behind a ridge over a tarn nestled in an alpine meadow

Mountains, Alpine Tarn, Dark Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dark clouds assemble behind a ridge over a tarn nestled in an alpine meadow

I first visited this area a number of years ago — I think it may have been a dozen years now. I was on a fast and light trip with a buddy, carrying an ultra-light load and sleeping in a bivy sack. We entered this general area and went straight to a lake close to timberline where we made a base camp and went on to further explore the upper reaches of this basin. This return trip was different in many ways, but perhaps most of all in its almost exclusive focus on photography. We stopped at a lower lake and set up a camp, hidden in trees on top of a moraine, and there we would remain for more than a week, wandering out each day to look for photographic subjects. I soon discovered that I had missed a true gem on that earlier visit.

On the first full day of this recent trip we left our campsite and, in small groups, ascended the rocky moraine through small trees to reach a little use trail. We followed that upwards, still in forest. But then there were breaks in the forest cover and suddenly a large meadow covered the rounded hills at the top of an old glacially sculpted where a lake had likely once filled a shallow valley. (A small tarn is all that remains today.) Whatever your fantasy of a mountain meadow might be, the first sight of this scene exceeded it. The grasses were still green, even though it was near the end of August. Wildflowers in a rainbow of colors were sprinkled throughout the meadow. Peaks rose on three sides, and on the fourth side there was a deep valley with even higher peaks beyond. I returned to this spot many times — probably once a day for the next week — and I made this photograph a few days later, in the early evening as low angle light slanted across the meadow and distant peaks and dark thunder clouds began to gather in the further distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.