Tag Archives: dark

A Forest After Fire

A Forest After Fire
A dark forest, several years after a managed fire.

A Forest After Fire. © Copyright 2020 G Dan Mitchell – all rights reserved.

A dark forest, several years after a managed fire.

For obvious reasons, wildfire has been on my mind a lot during the past few weeks. Back in August a spectacular and extremely unusual series of electrical storms rolled across the San Francisco Bay Area, touching off scores of small fires that soon merged into three very large and very destructive infernos. Since that time we’ve lived in a pall of smoke around here. I briefly escaped — or so I thought — to the Eastern Sierra, with plans for a short pack trip… the weekend that the huge Creek Fire started south of Yosemite. Since that time the entire west coast has been afflicted by historically awful fires.

I’m familiar with wildfires in California, for one reason from years of late-summer and early-autumn backpacking. Some smoke is common at this time of year, most often continuing on into the very beginning of October when the first rains often arrive. Long ago I reconciled myself — after years of Smoky the Bear exposure — to the idea that some fire is a natural and beneficial part of the natural environment. But it has been harder to find photographic beauty in fire-scarred landscapes. This scene merges those two notions. This forest had been burned in a management fire a year or two earlier, scorching the lower trunks of these trees and consuming some excess litter. But when I made the photograph the forest was again looking quite healthy, albeit with visible signs of the fire remaining.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Oak and Granite, Autumn

Oak and Granite, Autumn
A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Oak and Granite, Autumn. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Back in 2012 I took a somewhat later-than-usual trip to photograph fall color in Yosemite Valley. When I think of Sierra Nevada fall color the high country aspens, mostly but not exclusively on the east side of the range, come to mind. Those colors tend to be an early October thing. But colors appear a bit later on the west side of the range, eventually working their way down to the foothills and finally the Central Valley. In Yosemite Valley beautiful colors come from cottonwood, black oak, dogwood and a few other sources, typically arriving in late October and peaking around Halloween.

For reasons that I can no longer recall, this time I ended up in the Valley a couple of weeks later. There was still sufficient color, and it came with the added bonus that light snow had recently fallen. (Unlike summer and winter, which tend to be just what you would expect, the transitional fall and spring seasons often bring surprises.) I took a walk along a section of the north wall of the Valley and photographed this small tree in the shadows at the base of a very tall granite cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Plants, Canyon Light

Plants, Canyon Light
A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

Plants, Canyon Light. © Copyright 2012 G Dan Mitchell – all rights reserved.

A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

While much of the time canyon light seems soft, suffused, and stable, there are edge conditions in which the light changes very quickly — appearing suddenly and lasting only minutes or seconds. This is especially true with direct light since the edges of the light are often scores or hundreds of feet above, and shadows from such things can traverse the deep canyon landscape with astonishing speed.

This photograph was made in such a place and in such conditions. The canyon walls were nearly parallel to the angle of the sun, and the beam of light came down from above only inches from the surface of the canyon wall. While the rock remains in shadow, this light manages to stoke the tree bits of vegetation in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Dome, Darkening Sky

Sandstone Dome, Darkening Sky
“Sandstone Dome, Darkening Sky” — Sunlight on a sandstone dome against a backdrop of building monsoon clouds, Northern Arizona.

Working on this photograph from Arizona, it occurred to me that my relationship with the state is a bit like my relationship to Utah was up until about a decade ago. (I had foolishly avoided photographing Utah, for reasons that I’ve explained elsewhere.) Aside from work-related travel to Arizona for conferences years ago, I’ve photographed there only twice — and each time for less than (!) a single day. On this visit I photographed as we drove straight through the northern part of the state between the Moab area and Zion National Park. (The other visit was a spontaneous drive from Kanab to the North Rim of the Grand Canyon one afternoon — it resulted in a 15-20 minute visit to the rim as darkness fell. Then I turned around and drove back to Kanab. Seriously.)

As I continued my pandemic project of revisiting raw files from prior years this week, I came upon the photographs from that one-day drive across the northern part of the state. I’m struck now by what a remarkable landscape it is and by how much of it I missed. It was a spectacular day, with thunderstorms sweeping across the landscape, interspersed with clearing skies. Although I’m no longer certain precisely where I made this photograph, its sunlit dome and darkening sky is emblematic of that day.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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