Tag Archives: dawn

Autumn Sky

Autumn Sky
Early morning clouds before the sunrise, Central Valley

Autumn Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Early morning clouds before the sunrise, Central Valley.

Autumn is my favorite California season. (My least favorite? Summer.) This transitional period begins here with a feeling that is mostly indistinguishable from summer, except that there is a sense of change in the air. By the end of autumn the conditions change to the point that it really feels mostly like winter, with cold — for California — conditions, Pacific weather fronts passing by, and snow in the mountains.

This is also the season when my attention turns away from the more typical summer subjects of the high Sierra and toward other California subjects: the coast (with its rising autumn and winter surf), the great valleys, and the foothills. On this late autumn morning I was out in the valleys before dawn, and the clouds from an incoming weather system streaked the colorful sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Approaching Cranes, Dawn Fog

Approaching Cranes, Dawn Fog
Sandhill cranes approach through thin morning fog under dawn sky

Approaching Cranes, Dawn Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sandhill cranes approach through thin morning fog under dawn sky.

Mornings in places such as this are a combination of stillness and solitude… and the sounds of many thousands of birds, often quite raucous as they greet the start of a new day. I usually arrive while it is still to dark to photograph, but quickly the light grows and I get to work, since the most interesting opportunities often come quickly as birds fly out and as the light changes.

I love foggy mornings in such places, preferring those that are much foggier than this morning. In fact, the foggier the better! Ideally I’ll start out in thick fog, watch it slowly clear as I work, see the faint directional light of the winter sun emerge. This morning wasn’t quite that foggy, though there was a bit of it around at first light. I stopped to look back towards a grove of cottonwoods, and a flock of sandhill cranes flew straight toward my position.


Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

“Birdscapes” — An exhibit of photography featuring birds in the Pacific Flyway landscape featuring work of David Hoffman and G Dan Mitchell opens this weekend at the Stellar Gallery, 40982 Hwy. 41, Oakhurst, CA near the southern entrance to Yosemite National Park. Opening reception at 5-8:00pm at the gallery. Show runs though mid-March.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Pond, Dawn Sky

Geese, Pond, Dawn Sky
Ross’s geese in a wetland pond on a foggy morning beneath dawn sky

Geese, Pond, Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Ross’s geese in a wetland pond on a foggy morning beneath dawn sky.

There is often a particular esthetic around bird photography that concentrates on close photographs of individual birds. I’ve often thought that the reasons for this particular approach are several. For some bird photographers – though not so much for me — this work is an outgrowth of “birding,” and in that endeavor being able to view individuals close up is a goal. There’s also an element of the technical challenge. It isn’t easy to get in position to fill the frame with one bird, and it is even more difficult when the bird is in flight. On top of that, we must acknowledge that for at least a subset of bird photographers, the acquisition and use of really big and really expensive lenses has its attractions.

I’m not immune to those things, but I often find myself approaching birds in a somewhat different way. Few of my photographs feature a single bird filling the frame. (I can do that, and I have, just not that often.) More typically, the photographs include a group of birds — a couple of them together or perhaps thousands — and place them in the landscape. The latter is quite likely linked to my long interest in the landscape as a subject. This photograph clearly fits that lineage — it is what I think of as a “birdscape,” a photograph including birds in the landscape they occupy. I made this photograph in a water-filled place on a foggy morning when soft and colorful dawn light briefly lit the sky.

David Hoffman and I have an exhibit of “birdscapes” opening very soon at Stellar Gallery in Oakhurst, California, near the southern entrance to Yosemite National Park. If you’ll be in the neighborhood — going to see the Yosemite Valley snow or to photograph Horsetail Fall? — stop by and take a look at our photographs!

February 16th-March12th. Reception February 16 5-8:00PM. Stellar Gallery, Oakhurst, California

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Eastern Sierra, Earth Shadow

Aspens, Eastern Sierra, Earth Shadow
A grove of aspens with early season color, the eastern escarpment of the Sierra Nevada, and the predawn earth shadow in the sky

Aspens, Eastern Sierra, Earth Shadow. © Copyright 2019 G Dan Mitchell – all rights reserved.

A grove of aspens with early season color, the eastern escarpment of the Sierra Nevada, and the predawn earth shadow in the sky.

Long before I understood what I was seeing I had noticed and was intrigued by that band of darker sky just above the horizon during the morning and evening twilight, very close to the time that direct sunlight appears on the highest points. There is something very mysterious about it, and it suggests to me great distances beyond those encompassed by the immediate scene. Eventually I learned what now seems obvious — this is the edge of the shadow of the earth, dropping away in the moments before dawn and rising in the moments following sunset. (To this day, every time I think of this, I recall photographer Gary Crabbe’s “interpretive dance” as he explained this at a talk I attended years ago — one hand extended out and upwards pointing to the shadow, and the other extended at a slight downward angle pointing to the unseen sun. Thanks, Gary!)

I made this photograph from a high point east of the Sierra crest one September. I headed out this way in pre-dawn darkness not sure what I would find. I was pleasantly surprised to find extensive aspen color, even though it was just past mid-September, and then to find an open overlook from which I could take in a large section of the Sierra as dawn arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.