Tag Archives: death valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote Shadows, Morning Tracks in Sand

May 17, 2013 G Dan Mitchell 1 Comment

A clump of creosote brush casts a morning shadow across tracks in the sand, Mesquite Dunes, Death Valley National Park

While reviewing some old raw files near the end of 2012, I went back to some Death Valley photographs made during the past few years. I came upon this photograph that I had more or less forgotten. I wonder if at the time I was distracted by other photographs that appealed to me more, or if I perhaps just wasn’t sure how to treat it at the time. In any case, it still surprises me – even though I should know better by now – that I find photographs that I like among images that I thought I had finished with several years ago!

Looking through the other photographs that were part of the series that this one comes from, I recalled that I had gone out into dunes in Death Valley before dawn to photograph pre-dawn, dawn, and early morning conditions. As I often do, I approached these dunes by a roundabout route, not only to make the walk a bit easier but also to avoid other photographers and to have a better chance of finding sand that had not yet been tracked up by other human visitors. This small clump of creosote was growing in shallow sand, and its roots had slowed the windblown sand enough to create a very small hill. In turn, this let the low angle sun cast a shadow that led downhill into lower sand and which crossed the tracks of some wildlife that had passed this way the night before.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Structures and Objects

Crumbling Ghost Town Ruins, Evening

December 8, 2011 G Dan Mitchell Leave a comment

Evening light in the crumbling ruins of an old mining ghost town near Death Valley National Park, California.

Rhyolite is a Nevada ghost town not far from Death Valley National Park. (The bit of distant ridge seen through the “windows” of the structure is probably inside the park.) The story of Rhyolite is interesting, and not all that different from what happened in many other “boom and bust” towns in the desert and in other areas of the west. For a short time, thousands showed up to work in extractive industries, otherwise known as mines, and there was apparently an actual bustling city here. The old railroad station, ruins of bank buildings and a school, and the size of the area occupied by the town are evidence of this. But, as is virtually always the case, the boom couldn’t last and the departed inhabitant left some years ago, leaving the town to the elements.

This is a different sort of Rhyolite photograph than I might usually share. Most are made either at night or in the golden hour period near dawn. This one was made in the evening, when the direct sun was gone. (At this time of year the sun sets beyond a nearby ridge, so the direct light is gone well before sunset.) The soft, bluish evening light creates a different effect and, for me, makes the old buildings a bit more mysterious. Here I shot from outside one of the crumbling structures that is now filled with rocks. I don’t usually say much about what a photograph might mean (and often my photographs are simply what they are) but this one evoked for me some thoughts about the nature of time and the transitory effect of the human presence on the landscape. Not only has this building – which at one time must have had a floor, a roof, a nicely finished interior, and perhaps even comfortable furniture and perhaps art on the walls – decayed to the point where the line between its structure and the rocks of the natural landscape becomes obscure, but even the attempts to declare ones presence by means of graffiti have begun to crumble.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Titus Canyon Road

December 31, 2010 G Dan Mitchell 4 Comments

I made this photograph during midday hours after walking a ways up into the canyon from its mouth – the alternative to making the very long drive over the Grapevine Mountains from Amargosa Valley. (I have done the latter a few times, too.) While most Death Valley subjects tend to be appealing in the early morning or in the evening, many of the canyons can be at their best during the middle of the day, especially the very deep and narrow canyons like lower Titus Canyon. Here the canyon narrows down to the point that there is only room of a single gravel track, and twists and turns around rocky outcroppings. The light striking the upper canyon walls – out of the range of this photograph – reflects down into the canyon and produces soft, diffused illumination.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Natural Bridge Canyon

December 30, 2010 G Dan Mitchell Leave a comment

A gravel wash in the bottom of the narrow confines of Natural Bridge Canyon, Death Valley National Park.

These narrow canyons, of which there are a number of great examples in Death Valley, can provide some interesting photographic opportunities, but they also can pose some real challenges. Much of the rock in these places is, frankly, rather drab and of low contrast. However, at the right time of day and on a day with the right light and in the right parts of these canyons, the glowing light reflected down into the canyons from overhead rock walls can produce warm and diffused light and bring interesting colors to the place.

I made an unusual decision to use a very long focal length for this photograph – it was shot with a 100-400mm zoom at 330 mm. More typically I would probably tend to use wide angle focal lengths in the confines of such a canyon. However, because I wanted to juxtapose the different colors and shapes of the sections of canyon wall along the narrow and twisting wash, I chose the long lens to compress the distance. Although I think the photograph creates a feeling that I’m positioned very close to the foreground rocks and the darker bit of canyon wall on the left, I was actually quite a distance back from this spot.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.