Tag Archives: death

Badlands, Morning

Morning, Zabriskie Point
Layers of overlapping badlands formations in morning light, Death Valley National Park

Badlands, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of overlapping badlands formations in morning light, Death Valley National Park.

This location provides a spectacular bit of Death Valley scenery, but it isn’t photographed as often as some nearby areas that are regarded as being more iconic. It also tends to be a bit more visually attractive, at least in my view, at a time of the day that is later than the usual “golden hour” morning time when most photographers tend to be in the area. Over the years I have had a sort of informal project to photograph this spot during these times.

This is also an older photograph — not from this year’s two visits to Death Valley but rather from a trip about eight years ago. Every so often I “discover” a photograph that I had overlooked when I originally made it. Missing them has puzzled me a bit, but I think it is some combination of moving on to the “next thing” a bit too quickly, not being ready to understand how to “see” the image as a final photograph right away, and being distracted by other contemporaneous work. Back then I did work up another view of this scene — it included more of the contrasting colors near the top of the frame, and by comparison this one may have seemed too subtle… which, of course, is now part of what I like about it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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First Light, Dunes and Creosote

First Light, Dunes and Creosote
Blossoming spring creosote plants among the sand dunes at first light.

First Light, Dunes and Creosote. © Copyright 2019 G Dan Mitchell – all rights reserved.

Blossoming spring creosote plants among the sand dunes at first light.

I love early morning in the sand dunes. When photographing there I typically arrive well before sunrise, when there is just a hint of light in the sky. In Death Valley this is mostly a very quiet time of the day, often with few other visitors, when the winds have died down yet the temperatures are still comfortable. The ideal morning is preceded by a windy afternoon the day before and into the evening, which may wipe away many of the footprints from the previous day’s visitors. However, walking into the dunes I always find new “footprints” — of mice and reptiles and other desert residents.

The transition of morning dusk light to full sunlight always amazes me, even after experiencing it many times. At first things move slowly though inexorably as the overall sky begins to gradually lighten. Well before actual sunrise there is quite a bit of light, but it is soft and gentle light, generally with a blue tint from the pre-sunrise sky. (I made this photograph at just about this point.) Then the pace accelerates as the first direct sunlight strikes some high point, generally to my west, and the light begins to transition to the saturated reddish colors of sunrise and work its way to lower elevations. By this time I’m engaged in photographing and usually working fast as the light changes very quickly. As the sun rises above the horizon or a mountain ridge a brief moment of soft, direct light begins, but the light quickly becomes intense and the difference between shadow and highlights becomes very large. Before long the coloration of this intense light diminishes and conditions move toward “just plain daylight.” I photograph a bit longer… and then it is time for a break!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dunes Meet Playa

Dunes Meet Playa
Desert sand dunes meet the edge of a playa in evening light

Dunes Meet Playa. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert sand dunes meet the edge of a playa in evening light.

A late-winter or early-spring visit to Death Valley is always on my photographic agenda. This year I visited in early March, shortly after a big atmospheric river weather system had dumped tremendous amounts of rainfall all over Southern California. Years ago I became aware of the seeming irony that the effects of water are nowhere more visible than in Death Valley, and on this visit they were even more obvious. Playas were flooded, roads were washed out and closed, mud flows were everywhere, and the colors of the dunes were intensified by the remaining moisture.

I made this photograph in the evening of my final full day in the park. The light was challenging — late in the afternoon clouds began to arrive, and as the golden hour approached most of the color was drained from the light. I had traveled to this area of dunes hoping to find some interesting light — and a small group of photographer friends — but when I got there it did not look promising. I decided that instead of going directly to specific dune subjects I would find a high place with a wide panorama. From there I could see the entirety of the upper Valley and be ready to use a long lens to take advantage of any good light that might briefly appear, even if it should be at a distance. As dusk came on the sky opened a bit and glowing light from the west softly lit the boundary between playa and dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

From Panamints To Death Valley

From Panamints To Death Valley
The view down into Death Valley from high along the summit of the Panamint Mountains

From Panamints To Death Valley. © Copyright 2018 G Dan Mitchell – all rights reserved.

The view down into Death Valley from high along the summit of the Panamint Mountains

Death Valley National Park — like virtually all national parks — contains a few features that have become iconic. These are the places everyone goes, and I probably don’t have to name them here. I would not dismiss such places — many of them, as we say, “are icons for a reason.” When I first visited this part two decades ago, I started with a few of those locations and I was thrilled to do so.

But now, after many, many visits to the place, I have pushed out my boundaries more and more. This is a huge and diverse park, with everything from the familiar low desert to high mountain ranges reaching above 11,000′ of elevation. While the better known locations can be a bit crowded, especially during the ideal season (when it isn’t so hot!), it doesn’t take a lot of exploring to find solitude. The location where I made this photograph isn’t the most isolated in the park, but it does afford a different view of the main valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.