Tag Archives: desert

Desert Church, Cloud-Filled Sky

Desert Church, Cloud-Filled Sky
“Desert Church, Cloud-Filled Sky” — Cloud-filled skies above the St. Madeleine Sophie Barat Roman Catholic Church in Trona, California

This is not the first time I have photographed this striking desert church, and isn’t even the only photograph of the subject from my visit to this area earlier this year. Trona is a small, hard-scrabble town in the desert between Ridgecrest and Death Valley. It is build around extraction industries, primarily based on “mining” the mineral deposits left behind when water evaporates from nearly Searles Lake. It is a tough place, full of abandoned buildings, and terribly hot at times.

The church has caught my attention for years as I’ve passed through on my way to Death Valley. It is one of the most unusual Catholic churches I have seen. Its construction seems entirely utilitarian, and its shape is notable blocky and square. There’s nothing colorful or soaring about its structure. This all seems fitting in this harsh environment. On this visit I paused to photograph it again, this time with an impressive cloud-filled sky from a departing late-winter storm.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Imaginary Landscape: Desert Mountains

Imaginary Landscape: Desert Mountains
“Imaginary Landscape: Desert Mountains” — An imaginary landscape, based on a photograph of desert mountains.

The words, “imaginary landscape” are used her to alert viewers to what they are (and are not) seeing. It would be lovely if you encountered an actual landscape that looked like this, but you won’t — this landscape is invented. I began with a “real” image of a range of desert mountains, and from there I deeply modified that original to produce the photographic fantasy that you see here.

The image grew out of something I wrote elsewhere about “honesty” in photographs. The subject is too big to fully deal with here, but one component was that it is troubling to me when photographers tacitly rely on the presumption that viewers will imagine the unbelievable to be real. I have no objections to morphing the “real” into fantastical things — but I am uneasy about relying on viewers’ misinterpretations of what they are seeing. This highly processed image was created to illustrate that idea.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Half Submerged

Half Submerged
“Half Submerged” — The salt playa of Death Valley partially submerged under the shallow waters of Manly Lake.

Part of what I love about this subject is how hard it is initially to understand exactly what we are looking at. (I wonder what you thought it was at first?) My first impression, at least when looking at small versions, is of sky and clouds. It is only when I look more closely that I realize that it is not that at all — it is the playa of Death Valley, where salt flats are partially submerged beneath the water of Lake Manly.

We usually direct our eyes parallel to the ground or perhaps upwards when we view the landscape. But on those occasions when we can look down at it from a distance we see it in a very different light. Features that are barely, if at all, visible from down below become the major points of interest. (There’s a lot more to see in this scene than first meets the eye.) And all of this is enhanced by the subjective feelings that come with looking out from any very high vantage point.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mountains and Dunes, Sunset

Mountains and Dunes, Sunset
“Mountains and Dunes, Sunset” — Evening light on desert mountains with sand dunes in shadow, Death Valley.

Until you spend time there, it is possible to imagine that the terrain of Death Valley corresponds to traditional notions of “desert” — vast open and flat areas largely filled with sand. There are sand dunes, of course, but they cover a very tiny fraction of the entire park. There are open, flat areas that are not dunes, but they also are arguably not the area’s main feature. But everywhere there are mountains, and the arid landscape lays bare their forms.

I was in what are perhaps the best-known Death Valley dunes on this evening. I arrived in the late afternoon when the light was still strong, planning to be in an interesting location when the shadows of the Cottonwood Range would sweep across the flatlands before sunset. I made this photograph just after that happened, and while the dunes are in shadow there is strong and warmly-colored side light on the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.