Tag Archives: dunes

Sand Dunes, Soft Light

Sand Dunes, Soft Light
Soft morning light on overlapping sand dunes, Death Valley National Park.

Sand Dunes, Soft Light. © Copyright 2022 G Dan Mitchell.

Soft morning light on overlapping sand dunes, Death Valley National Park.

We often hear that photography is all about light, and nowhere is this more true than when photographing sand dunes. In the middle of the day the dunes can be challenging to photograph, with harsh light and little definition of their forms. But all sorts of magic can happen when the angle of the light is lower and the dunes act as a canvas to capture and reflect the light and its color, intensity, softness, and more. The colors can vary through almost every shade from blue through red, and the light may be soft and gentle or stark enough to turn shadows almost black. And at times the light passes through all of these stages and more in moments.

I’ve long felt that dune photography gives the photographer more creative and interpretive freedom than many other subjects. Because the subject is so basic, it is possible to take liberties with the light — its intensity and color — and render photographs of dunes in a variety of subjectively true ways. The light was extremely soft when I made this exposure, so I used to tools of the post-production stage to bring out the colors and forms of the subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dune Study, Evening

Dune Study, Evening
An interpretation of soft dune forms and colors in evening light, Death Valley National Park.

Dune Study, Evening. © Copyright 2022 G Dan Mitchell.

An interpretation of soft dune forms and colors in evening light, Death Valley National Park.

When photographing sand dunes I spend a lot of time looking for just the right combination of shading, texture, line, curve, and color. But in the end, it mostly comes down to the light — the light that colors the sand, creates the shading, and illuminates those lines and curves. It seems like every photograph in the sand dunes is an ephemeral, one-time thing, and the particular combinations of conditions can never be precisely replicated. Unlike subjects where the primary elements of the scene don’t change much, each visit to the dunes takes me to different places and photographs.

On a late-March trip to Death Valley National Park, I revisited a location that I had photographed with great success a couple of months ago. This time Patty accompanied me, and I wanted her to experience the light that I had worked with on the earlier visit. That did not happen. Two months ago the evening sky was clear, and warm-colored sunset light illuminated the western-facing dunes. This time the sky was filled with clouds and the light was soft and the colors far less intense, producing an entirely different and subtle experience.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Desert Mountains, Evening

Dunes and Desert Mountains, Evening
Evening clouds above desert mountians and sand dunes, Death Valley National Park.

Dunes and Desert Mountains, Evening. © Copyright 2022 G Dan Mitchell.

Evening clouds above desert mountians and sand dunes, Death Valley National Park.

My recollection of this evening is that I arrived barely in time for late-day photography. I had been photographing elsewhere and calculating my schedule carefully. My plan was to arrive just in time to walk out to an area I had scoped out before, arriving at my destination perhaps a half hour before the sun dropped behind a western mountain range. I would first shoot straight into the setting sun, using its rim light to accentuate the forms of the dunes.

My plan mostly worked, though it took a bit longer to hike to the spot than I expected. By the time I arrived I had less than that anticipated half hour to work in the last direct sunlight, but I set to work and did get some other photographs that I like. Then, as happens in places like this, the mountain shadow moved quickly across my position and the light went from warm-toned and intense to soft and increasingly blue. I turned 180 degrees and photographed this evening cloud above the last direct light on peaks along the east side of Death Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand Dune Shadows

Sand Dune Shadows
Creosote plants cast long shadows across sand dunes in early morning light.

Sand Dune Shadows. © Copyright 2022.G Dan Mitchell.

Creosote plants cast long shadows across sand dunes in early morning light.

On every visit to Death Valley National Park I like to combine return visits to places I have visited before with visits to new locations. In the former case I often continue to expand my knowledge of familiar subjects and try to see them in new ways. In the latter I bring what I already have learned about this landscape to these new locations and see how I can draw on that to understand these new places. I made this photograph in a place that I’ve long thought about visiting and finally got to on this trip.

I camped nearby overnight, which gave me the opportunity to photograph in evening and morning light. On that first evening it was exciting to head out on the walk to this new place, unsure of what I would find or how I would photograph it. Early the next morning, as I walked across nearly the same route, the place was already starting to feel like “mine” a little bit, both from the previous night’s visit and from recognizing features familiar to me from elsewhere in the park. These creosote bushes were in a flat area at the base of taller dunes, and as the sun rose over the tops of these dunes the plants cast long shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.