Tag Archives: eastern

Three Aspens, Granite

Three Aspens, Granite
Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Three Aspens, Granite. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Those of us who have spent a lot of time in the Sierra — and the story is similar for other locations — gradually accumulate “personal spots” that might not make much of an impression on others but which we greet like old friends each year. Mine include a particular rock outcropping in Tuolumne Meadows, a particular flat rock in the Yosemite backcountry where I’ve frequently placed my cook stove, a small grove of trees nestled in a bend along an Eastern Sierra road, a high and barren lake in the Southern Sierra, and quite a few more. I’ll bet you have a few such places of your own.

This little group of three slender aspen trees set against a jumble of rocks s is one of those spots. It is very accessible, but there’s an excellent chance that if you were nearby you passed without noticing. Yet virtually every autumn I end up stopping and photographing them again. (Yes, there are other photographs of them in my collection.) They are “the same,” yet they are also different every time I visit — the leaves may be green, yellow, a combination, or gone. The light may be intense in the morning or soft and blue in late-day shadows. So I return, and I photograph them again, and I mark another season with each return.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Aspen Reflections

Aspen Reflections
Autumn aspen trees reflected in an eastrern Sierra Nevada pond.

Aspen Reflections. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen trees reflected in an eastrern Sierra Nevada pond.

Each year at about this time I ask, “Is it ever too early to start thinking about fall color?” The answer, of course, is no. Autumn is my favorite season for all kinds of reasons — the colors, of course, but also the return of cooler temperatures and “interesting” weather and shorter daylight hours. The period between Labor Day and the arrival of late-autumn snow is my favorite time in the Sierra. There’s nothing as beautiful as a late-September or early-October day in the high country.

As a person who has photographed Eastern Sierra aspens a lot — and who has written a book on the subject — the way I see this subject has evolved over the years. While I’m still impressed by a hillside completely full of colorful trees, I am constantly looking for other ways to photograph this subject. Here I aimed the camera down toward the surface of an Eastern Sierra pond, framing to exclude anything but the brilliant colors of a grove on the other side of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Mono Morning

Mono Morning
Morning light and hazy atmosphere above Mono Lake.

Mono Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light and hazy atmosphere above Mono Lake.

Mono Lake is, of course, particularly known for the tufa formations found along its shoreline and in the close-in shallow waters. These remarkable features were formed underwater and revealed as the lake’s water level dropped. (By looking at the surrounding hills you can observe evidence of much higher prehistoric water levels. ) The lake also affords dramatic views of the steep eastern escarpment of the Sierra Nevada.

All of these things appeal to me, but they are not what I most associate with the place, namely its vast expanse of stillness and quiet. The scale of the Mono Basin dwarfs the peaks to the west, quite honestly, though you have to slow down a bit more before its stillness gets to you. I think I most like the morning hours, when the air is often still, and when the morning sun can make the atmosphere luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn Clouds, Mono Basin

Dawn Clouds, Mono Basin
Dawn clouds above Mono Basin

Dawn Clouds, Mono Basin. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dawn clouds above Mono Basin.

Traveling to the eastern Sierra Nevada, I end up in Mono Basin and areas around Mono Lake with some frequency. Highway 120 through Yosemite is my most-used trans-Sierra route, and it intersects with US 395 at Lee Vining, which sits right above the lake. I pass through even when I cross via one of the other passes to the north.

The most common photographs of the area generally feature relatively close-up views of the tufa towers that are found in places along the Mono Lake shoreline. I have photographed those, too, but they aren’t what most characterizes the place for me. What sticks with me about. the lake and this entire basin is the vast stillness and silence there on most days. I made this photograph early on a mid-October morning from a high vantage spot along the eastern edge of the Sierra Nevada.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.