“Passing Cyclist, Le Marais” — A bicycle rider quickly passes at a cross street in Le Marais, Paris.
I often ponder the similarities and differences among the various genres of photography I pursue. (If you follow me you have seen everything from landscapes to night photography to street photography to travel and more.) The connection between landscape and street photography especially interests me, partly because many people think of them as being utterly different. I think that there are some similarities. For example, I often think about the street landscape first, and then wait and watch for someone to animate it.
That was the case here. I was interested in the wall at the end of this narrow street, and the way that its view is bounded by the darker walls on either side. I knew that I could photograph people as they passed by. One tricky part of this is that I had no idea who was about to enter the scene or from which direction. So I had to be ready to react quickly. (This necessarily results in some less than remarkable photographs, too. I won’t share those!) The time was even shorter as this woman sped past on her bicycle.
“Purple Larkspur” — Purple larkspur flowers, blooming in Northern California.
Recently I wrote — again! — about returning to unremarkable “special places” that probably don’t have any meaning to anyone but me. This photograph comes from one that I mentioned, a trail through a small ravine at a nearby country park. Every spring I go there to visit spots where I can photograph a few favorite wildflowers, including a particular little area where these Larkspur flowers bloom.
They are odd flowers, not like so many of the other popular spring wildflowers. Their color is dark, sometimes so dark that is is quite difficult to photograph them. (I try to find them when they are still in the shadows, and the soft light helps reveal details.) Because of the way they grow from a central stem, it can be challenging to make a composition out of them, much less get a plane of focus that lines up ideally with their dense details.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
“Stone Wall and Pedestrians” — Parisiens walk and run past a tall stone wall.
The photograph is from somewhere in Paris. We were on a walk and I was photographing as we moved, not paying too much attention to identifying locations. (That’s a characteristic of how I work when photographing the urban environment — I am so focused on it as a visual experience that I often forget to record locations or the names of places and so on.)
If a photograph can be about something, this one might be in some ways about the relationships between people and the infrastructure of the the urban environment. . To my eye, the people here look very small and transitory by comparison to the scale of the building and the angular forms of most of the scene.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
“Paris Reflections” — Reflective walls around a construction produce an imagined urban landscape.
Approaching this structure was an odd experience. At first I think I didn’t even quite notice it. And then when I first did become aware of “it,”I thought I was looking at a street lined with tall buildings. But it quickly became apparent that it was an illusion, produced by a huge cube of mirror panels reflecting the surrounding neighborhood.
It wasn’t quite clear what the structure was about when we saw it. We eventually determined that it isn’t an actual “real” building, but instead was some sort of wall that cuts off the view of construction work happening inside. What in this entire photograph is “real?” The foreground asphalt and roadway, but that’s it. The rest is entirely reflections of other things in the surrounding area.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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