Tag Archives: europe

Man at the Corner

Man at the Corner
“Man at the Corner” — A worker leans against a wall on a Le Marais corner.

Sticking with the Paris street photography theme a bit longer (perhaps quite a bit longer?), here is another photograph from Le Marais. Like several of the other recently-shared photographs, I made this one within a few moments of my “Je Suis Bleu” photograph featuring three women and a fascinating poster-covered wall. Initially that photograph was so central in my experience that day that I overlooked others made right before and after it. Writing an article about that photograph lured me back to the other raw files, and I ended up “discovering” several other interesting images.

This fellow figures in several of the exposures I made. There’s another where he is in the middle of a street, part of a larger group of pedestrians that is fronted by an “in your face” image of a walking woman. (You may see that one, too, before long.) Here he appears alone, just around the corner from the location of the “Je Suis Bleu” photograph. Viewers with sharp eyes may recognize the chalk head on the wall at far left.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman and Doorways, Le Marais

Woman and Doorways, Le Marais
A women walks past the weatehred front of an old building with two doors, Le Marais.

Woman and Doorways, Le Marais. © Copyright 2022 G Dan Mitchell.

A women walks past the weathered front of an old building with two doors, Le Marais.

During the past two years, as the pandemic ebbed and flowed, travel has been more difficult than it was a few years earlier. Even when it has been possible — and we travelled during this period — our activities have been affected and limited by the need to take precautions. One outlet for me has been “virtual travel” via the process of revisiting photographs from trips we made in the “before times.” This photograph comes from an archive of photographs from a visit to Europe back in 2016.

The location is in Le Marais, Paris, an older and historic area of narrow streets and interesting weathering and decay… and a wonderful place to make photographs. I made this photograph on a very productive day when we spent a few hours wandering here. The photograph employs one of my “tricks of the trade” for street, namely finding an interesting urban landscape and then waiting for someone to populate the space. I appreciated the color relationships between the woman’s attire and other elements of the scene, among other things.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Je Suis Bleu: Bicycle Man

Je Suis Bleu: Bicycle Man
“Je Suis Bleu: Bicycle Man” — A man rides past a wall covered with street art, Le Marais.

I have been writing a new installment for my “A Photograph Exposed” series, where I write in depth about one of my favorite photographs. The photograph in question, which I regard as one of my best, features a group of three women photographed in front of this street art-covered wall. As part of the writing process, I went back to view other files made at about the same time — for reasons that will make sense when I share the article. In doing so I found other photographs of this scene that I like. In fact, if the “three women” photograph had not turned out, I might well have shared this one years ago!

I am fascinated by the experience of going back to forgotten image files and “discovering” work for the first time. There is a difference in how we see photographs that we have just made (and which we associate with the immediate experience of making them) and how we see the same photographs after time has passed. I think that, in some ways, we see the images more objectively in the latter case — perhaps we can “see” them as what they are more than as what we expected them to be.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Hallway, The Louvre

Hallway, The Louvre
Light filtiering through windows into a hallway, the Louvre, Paris.

Hallway, The Louvre. © Copyright 2022 G Dan Mitchell.

Light filtiering through windows into a hallway, the Louvre, Paris.

One of my little secrets is that when I visit museums, the collections are not the only reason I’m there. Among other reasons, I like to photograph them. They are compelling spaces in so many ways. Although not evident in this photograph, they are great places to observe people individually and in groups, and the buildings themselves are often visually interesting. That’s no surprise since they are created from a perspective that gives great importance to visual effect and to light.

I’m betting that this is far, far from the most photographed thing at The Louvre! It is just a section of hallway near, if my memory is correct, an escalator. But the light coming through these windows was lovely, so I made a photograph. Here’s a secret: I shared a much different interpretation of of this scene previously. That version is in black and white and in it I took greater liberties with the qualities of the light and shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.