Tag Archives: europe

Dumbed Down By Foreign Actors

Dumbed Down By Foreign Actors
Graffiti on a wall along a Paris sidewalk

Dumbed Down By Foreign Actors. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti on a wall along a Paris sidewalk

When traveling it pretty quickly becomes apparent that graffiti is a pretty universal thing. The amount may vary, but is probably as much a function of how quickly it is cleaned up as it is of the amount of it that is produced. (In some cities, both in the US and Europe, it is pretty clear that no one has bothered to remove it for a long time.) Broadly speaking, it comes in several types. The personal scrawls, or “tags,” seem pretty similar just about everywhere, and I rarely share them. (They also seem like the lowest form of graffiti, basically just a “look at me” or “see what I can get away with” kind of thing.) A second sort is more art/icon oriented and not particularly about text. (My “Je suis bleu” photograph from Le Marias includes such material.) It may or may not be political. A third type includes text messages — though some of the “art” graffiti may fit here, too — seems more overtly political and delivers some message, though the meaning may not always be clear.

I saw these “Dumbed Down By Foreign Actors” scrawls in quite few places in Paris. This one is in Montmartre. I’m not certain what it means, and a quick search didn’t provide any clear answers: is it literally about actors from foreign countries, or is it about (e.g. political) “actors,” or something else? I photographed this example as much for the surroundings as for the text itself. The old wall, painted (and partially re-painted) pink, the barred square area (not actually a window), and the interruption of the power box all are visually interesting to me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Escalator, Windows

Escalator, Windows
Afternoon light from nearby windows on an escalator, the Louvre

Escalator, Windows. The Louvre, Paris. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Afternoon light from nearby windows on an escalator, the Louvre

We spent the better part of a day during our recent Paris visit at the Louvre. Anyone who has been there knows that a day is far from sufficient time to really see the place and the art that is housed there. We managed one full floor of one (of three) wings and a bit of one or two other areas. Clearly we have no choice but to return to Paris!

It is no secret that I, like lots of other photographs, am entranced by geometric shapes, effects of light, angles, and juxtapositions. Sometimes there is time to see these things and carefully consider how best to photograph them, but sometimes we don’t have the luxury. In this case, I had very little time, as the view is from a moving escalator! Fortunately, I had my camera in hand as we rode down to a lower level, so I was able to quickly raise the camera and make a few quick exposures of this view as it evolved and rolled past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman, Smoking Cyclist

Woman, Smoking Cyclist
A woman walks into an alley past a smoking bicyclist, Florence/Firenze, Italy

Woman, Smoking Cyclist. Florence/Firenze, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A woman walks into an alley past a smoking bicyclist, Florence/Firenze, Italy

My impression, from about three days in Florence, is that this beautiful city is very much about tourism. (No surprise, right?) In the daytime, starting by mid-morning, and on into the evening it is a busy place, and most of the people seemed to me to have come from some other place. There are restaurants and shops all over the place and, of course, the folks selling trinkets in every square and along popular streets.

Occasionally I did manage to encounter scenes that seemed a bit less polished, especially when we went out early, avoided the most popular through routes,  and wandered into some of the narrower streets with fewer businesses. Here, in the morning, a fellow with a bicycle pauses to lean against a wall and smoke, and a woman in what I suspect could be so-called “traditional dress” of some sort furtively ducks into an even small side alley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Foto Automatica

Foto Automatica
A sidewalk “foto automatica” booth in Florence, Italy

Foto Automatica. Florence/Firenze, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A sidewalk “foto automatica” booth in Florence, Italy

The “foto automatica” (sometimes called a “photo booth” in America) is rapidly becoming a dated thing. Now that everyone carries a smart phone with its built-in camera, every place can be a photo booth. Years ago these were more common — both for simply getting a picture (or several) of yourself and for collecting a group of friends to share the cost and then mugging for the camera.

I don’t see many of these today, but there are a few still around. This one near our hotel in Florence was very popular. This photograph is a bit misleading — on virtually every other occasion when I passed by there were groups of people inside and outside. I suspect that part of the fun is that it produce something that we don’t see so much today, namely snapshots printed on paper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.