Tag Archives: evening

Forest and River, Evening

Forest and River, Evening
Evening light comes to the Tuolumne River and surrounding forest

Forest and River, Evening. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to the Tuolumne River and surrounding forest

A scene like this can be deceiving, at least when it comes to assumptions about how it might be photographed. It is a peaceful and tranquil scene, and that impression supports the idea that photographing such a subject might be a slow, contemplative, and measured process: explore slowly, consider compositions, set up the camera and fine tune, wait, then photograph.

Nothing could be further from the truth. At this time of day — unless one is photographing a subject that has been specifically planned and scheduled in advance — things happen with extraordinary speed, especially when it comes to the transitions of light.  For example, the last light coming through the forest to strike the central tree lasted only moments. Knowing this, as soon as I saw it I photographed more or less instinctively, working quickly and hoping that I would have time before the light was gone— which it was only a moment later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Wave, Mounts Dana and Gibbs

Sierra Wave, Mounts Dana and Gibbs
Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.

Sierra Wave, Mounts Dana and Gibbs. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening Sierra wave clouds build above Mounts Dana and Gibbs along the Sierra crest.

This is how the show began, though I had my suspicions much earlier in the afternoon. When conditions are right, a “Sierra wave” cloud formation can form along and just to the east of the Sierra Nevada crest. It can be a long, undulating cloud formation, sometimes with many stacked layers — think of lenticular clouds that are many tens of miles long. The clouds simply sit above the crest, unmoving (though subtly transitioning in form) for hours. They are very impressive in broad daylight, but in the evening when conditions are right they are lit by the last sun coming from far west of the range, and the colors can be quite nearly unbelievable.

I first saw some interesting potential clouds shortly after noon, and I began to keep an eye on them. As evening approached I thought that perhaps they might dissipate or dissolve enough that the shape would not be compelling, though some sunset color was certainly a possibility. I set out to photograph something else entirely, slowly wandering up to the far end of a subalpine meadow by myself and photographing for perhaps an hour and a half. At this point the clouds looked like they were starting to hold greater potential for something quite special, so with about 45 minutes remaining before sunset I began to head back to the western edge of the meadow, from which this view included the clouds, the Dana Fork of the Tuolumne Meadow, and the summits of Mounts Dana and Gibbs. If you are wondering if the color finally developed… stay tuned!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Meadow, Evening Light

Sierra Meadow, Evening Light
The Cathedral Range and the Dana Fork fork of the Tuolumne River

Sierra Meadow, Evening Light. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Cathedral Range and the Dana Fork fork of the Tuolumne River

One of the great pleasures of the Sierra — and other places, for that matter — is “aimless wandering,” just heading out into a landscape with no specific goal in mind, but simply to move slowly and quietly and find what there is to see. This was an evening for such things, so I went to a familiar place a few hours before the end of the day and just walked off slowly into the landscape, meandering along the boundary between meadow and forest, stopping frequently to observe. Truth be told, I probably spent more time standing still than walking.

Perhaps 45 minutes before sunset I realized that some unusual “sky action” was about to take place above my location, and my meandering took on a clearer since of direction. I began to work my way back toward my starting point, a location from which I envisioned photographs of the sky and foreground landscape. But even this more purposeful walking was slow, and along the way I stopped to photograph this bend in the river, with a distant granite ridge above the meadow and forest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dust Storm, Dunes, Evening Light

Dust Storm, Dunes, Evening Light
A dust storm rages above sand dunes at the end of the day, Death Valley National Park

Dust Storm, Dunes, Evening Light. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A dust storm rages above sand dunes at the end of the day, Death Valley National Park

This was a wild evening, featuring an apocalyptic combination of tremendously strong winds, huge clouds of blowing sand and dust, periodic downpours of rain, and light that changed constantly from ominous and dark to luminous clouds backlit by sun to threads of virgo, and more. I had never seen quite this combination of conditions in Death Valley at one time.

Photography was quite challenging. Because sunset was approaching (and I continued to photograph into the dusk), it was often quite dark. The screaming winds made it virtually impossible to shoot from the tripod, so I was mostly reduced to bracing my camera against the window frame of my vehicle and working with the camera handheld. In the rough conditions I was forced to work from a distance with a long lens, since photographing inside the windblown clouds of dust and sand was not a good idea. Here the clouds and the dust above the sand dunes momentarily thinned, creating a backlit glow from the low angle sun about to drop behind mountains to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.