Tag Archives: fall

Small Aspen Trees, Autumn

Small Aspen Trees, Autumn
A tightly spaced grove of small Eastern Sierra aspen trees with fall color

Small Aspen Trees, Autumn. © Copyright 2012 G Dan Mitchell – all rights reserved.

A tightly spaced grove of small Eastern Sierra aspen trees with fall color

I like to say that it is never too soon to start thinking about fall color… though I forgive you if you aren’t sure that May is quite yet the right time. To be honest, I came across this photograph of a familiar subject earlier today while I was backtracking through my archive of older raw files. I have a bunch of urban/street photographs queued up for posting here soon, but I feel like sharing a few more natural photographs first.

The location is in a popular area for Eastern Sierra Nevada fall color, but there is nothing exactly iconic about this particular grove – though it is a place that I’ve returned to every fall for years. I suspect that something about it caught my attention on my first visit, and that whatever that “something” is, it is not a feature that every viewer will spot. I recall stopping here the first time I visited. It was late in the day and the sun was about to drop behind the surrounding high ridges. I was surprised to see this densely spaced grove of slender trees, with trunks exposed below their fall color crowns. I stopped and made a few photographs, and the spot has become one of my touchstones in the Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
“Clearing Clouds, Merced River Canyon” — Morning sun breaks through clearing clouds above Merced Canyon

If I had to choose my favorite conditions of atmosphere and light, something like this morning would be on my short list. The light was a surprise that emerged after I had almost written off the potential as being bland and gray. Since the clouds were in motion, the light was constantly changing — at moments it actually was not that interesting, but suddenly the clouds would shift and light would emerge, frequently moving across the scene and providing more than one opportunity. There were multiple levels and types of clouds. A thick overcast lay high above, though it was occasionally broken. Other clouds occasionally formed directly on the peaks, and others drifted below me, often low enough to count as fog. This show actually continued for several hours.

The location here is a fairly iconic spot that many who have visited Yosemite will immediately recognize. (However, as I discovered as visitors new to the park stopped and asked questions, to many this is a wholly unfamiliar view, which probably makes in even more spectacular to them.) If you look closely you will likely recognize the famous feature that provides a point of focus. The vantage point gives a view looking up the canyon of the Merced River and into the lower end of Yosemite Valley. This section has more of the v-shape of a river gorge, but the classic glacial u-shape begins under the brightest section of the lower clouds and then tracks to the left. Those light beams are real, and as I photographed they were traversing the scene from right to left.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Trees, Sunlight, Waterfall Spray

Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.