Snow falls around a black oak and a grove of trees with autumn leaves, Yosemite Valley
It was a cold week in Yosemite Valley, which was actually positive news following a string of too warm days on which not enough precipitation fell in January and February. But during this week near the end of the month, someone flipped the on switch for winter. It turned cold — highs in the low twenty degree range — and there was intermittent snow. On this afternoon a small weather front arrived, and quickly scattered snow showers began around the Valley.
Photographing in falling snow can be a beautiful experience, but it is also presents some challenges. Not only is it cold, but the snow collects on lenses and other gear, and it can be hard to operate the equipment. And, unlike rain, the white flakes and pellets of snow can obstruct the view of the subject. Later in the day I found myself along a Yosemite Valley meadow as a heavy snow shower passed by. I made this photograph as the snow came down harder, muting the colors and details of the scene A single old oak tree stood against the storm, collecting new fallen snow on its trunk and branches.
New snow partially covers autumn oak leaves along a Yosemite Valley trail
Sometimes in California I can experience at least three seasons on the same day. (I’ve occasionally wondered if I could cram evidence of all four into a single photograph, but so far haven’t figure out how.) For example, it isn’t impossible to find a scene that includes brown autumn leaves, snow, and new growth. A hot autumn day might include fall colors and perhaps a recent snow flurry on high peaks. Travel less than 100 miles from an inland area to the Northern California coast and go from 100+ degree temperatures to cold and wet enough that you might want a pair of gloves. Descend from a snowy peak, through forest, and end up in desert.
By those standards, this photograph perhaps falls short, as only two seasons are represented — the winter snow flurry and the brown leaves of autumn oak trees. It was not snowing as I made the photography, but it had snowed just a few hours earlier here in Yosemite Valley, and as I hiked along the base of granite cliffs and past conifers and oaks there were still places where the snow had not melted.
UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.
Horsetail Fall, Early Evening
Every winter, for roughly a week or so starting just after mid-February, the sun and various geological features line up so that sunset light falls on the seasonal and ephemeral Horsetail Fall near the east end of the face of El Capitan. Sometimes the light of the setting sun may illuminate this waterfall from behind and briefly make the waterfall and its misty spray glow in sunset colors.
Since it is that time of year again, I’m going to briefly share a few bits of information and perspective about Yosemite Valley’s Horsetail Fall. For more, see an earlier article.
But before you get too excited…
This is another extremely dry winter in California, with Sierra snowpack far below normal. There is very little snow in the drainage the feeds the fall, and forecasts suggest that it will remain dry. In other words, there probably won’t be enough water to start the fall.
The “event” has gotten out of control as thousands of people showed, parking everywhere and trampling through forests. The park service decided that something has to change. This year access to the typical viewpoints will be more difficult, with extremely limited parking (by advance permit only), and roads near the viewing area will be closed to parking or shut down completely. If you don’t have one of those permits, you have a long walk ahead of you… and probably a long return walk in the dark.
Third, what you see in photographs (including my own) is not what you are likely to see in person.
My best advice this year? Probably don’t bother. Between the uncooperative weather and the access restrictions, you are perhaps more likely to experience a #HorseFailFall than Horsetail Fall.
Also, while seeing this phenomenon can be special, it is but one of many, many special experiences to be found in the Sierra. Too often these days, social media convinces use that such experiences are Super Mega Peak Astonishing Ultra Wonders. This poses some dangers, and you should consider resisting. It falsely transforms quiet, contemplative experiences into the equivalent of a sports event, unfortunately creating greater distance between observers and the experience they crave. It also brings crowd that threaten the very places that they come to see.
Perhaps consider something else?
Fortunately, winter in Yosemite Valley has a whole lot to offer besides this event. Fog often forms in quiet meadows at dawn, clouds frequently float among cliffs and peaks, you might get lucky and see some snow, some wildlife is much easier to see in winter, the crowds are generally a lot smaller, and some interesting events take place, such as the Yosemite Renaissance Exhibit opening near the end of the month in the Visitor Center Museum Gallery. (I’ll be in the park during this period as a Yosemite Renaissance “artist in residence,” photographing and attending the opening of the exhibit.)
Marshland trees with fall foliage on a hazy San Joaquin day.
This was quite a day — San Francisco Bay Area to the San Joaquin Valley to the Sierra foothills and back, sunrise alone in tule fog among the birds to the crowded (and fun!) reception for the “AVIAN — Birds in a Changing World” exhibit in Oakhurst, and lots of driving!
The day began with my pre-dawn arrival in the San Joaquin Valley wetlands, where tule fog was forming as the first light appeared. Although it was a weekend morning, there was almost no one else out there besides me and a few thousand birds. I saw a giant flight of what I believe were trim-color blackbirds in the distance — I’ve never seen so many at one before — and then an impressive dawn fly-out of sandhill cranes. A bit later in the morning, once the early morning bird action had subsided, I spent a bit of time photographing the landscape. This beautiful tree, with late-season autumn color, is striking in its quiet presence in this mostly flat landscape of ponds and grasslands and, of course, birds.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
