Sometimes my ideas about whether a photograph should be monochromatic or color turn out to be wrong. This street is quite colorful, with paint on the buildings that suggests the sandstone colors of Southwest American canyons. The soft light accentuated this effect and warmed those colors. But the more I worked on the photograph, the more that it seemed a case of “too much.”
In fact, the two central figure also disappear into the detail in the color rendition, and those colors, found throughout the rest of the frame, simply overwhelmed everything else. So gradually, step by step, my idea about how to interpret this scene shifted to thinking of it as monochromatic.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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