Tag Archives: figures

Central Park, Spring Rain

Central Park, Spring Rain
People pause by the edge of a lake on a rainy spring day at Central Park, Manhattan.

Central Park, Spring Rain. © Copyright 2023 G Dan Mitchell.

People pause by the edge of a lake on a rainy spring day at Central Park, Manhattan.

Who says that all landscapes must be natural landscapes? No one, actually, though there is a long tradition (starting way before photography existed) of depicting the landscape inclusive of the human presence: small figures, structures, bridges and roads, ships, and so on. Although I usually categorize my photographs in various ways (if for no other reason than searching is easier), this series cuts across a few of the usual categories.

It was a rainy morning among a series of rainy spring days in Manhattan, and many of us were anxious enough to get out and enjoy New York’s “spring” that we went out even as rain threatened. At times the rain was heavy but mostly it just sprinkled steadily, as it was when I made this photograph, with people standing on the banks of the pond and clouds shrouding the upper stories of Manhattan buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Men, Fifth Avenue

Two Men, Fifth Avenue
A pedestrian walks past a police officer standing in the sun.

Two Men, Fifth Avenue. © Copyright 2022 G Dan Mitchell.

A pedestrian walks past a police officer standing in the sun.

If you have been following along recently, you may recognize the return of a familiar character in this photograph, the police officer leaning against the sunny wall. This fellow was fascinating, though I don’t know quite what to make of what I observed. Most of the officers working this Manhattan parade were close to the crowd, moving about, and engaged. But this fellow did not move from this sunny spot while I was there. Several passers-by stopped and chatted him up, and it almost seemed like he knew them. But aside from that he mostly just leaned against the sun-warmed wall.

The other fellow was approaching from the right, and part of what originally caught my attention was the color of his jacket — which you’ll have to guess at, since it is now a monochrome photograph! Initially I thought that a photograph of just him would have been my preference, but I ended up liking the juxtaposition of his form with that of the cop. Beyond that you could probably read a whole range of stories and meanings into this one. Or not.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Burger Man

Burger Man
Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

Burger Man. © Copyright 2022 G Dan Mitchell.

Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

You might be starting to feel the symptoms of a case of photography whiplash if you’ve been following along recently… as I have alternated photographs from some rather diverse subjects: One day it is a backcountry Sierra Nevada photograph, then next something from New England, and after that another street photograph from Manhattan. By now you know that I don’t constrain myself to one genre or subject, and that has certainly been the case over the past month or two. I will, in fact, continue a bit longer.

This photograph comes from New York City, in case you hadn’t already figured that out. We were there for a few days in August before we headed up to Vermont for a weeklong family event. There’s obviously lots to do in Manhattan and the rest of New York City… but for me that “lots” inevitable includes street photography. The genre can focus on a lot of different things, including the wildly divergent subjects found on urban streets. I may also, as others have noted, provoke you to ask some questions about what you are seeing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Mural, Parking Lot

Mural, Parking Lot
A large mural featuring two faces, above a Manhattan parking lot.

Mural, Parking Lot. © Copyright 2022 G Dan Mitchell.

A large mural featuring two faces, above a Manhattan parking lot.

One of the things I like to do while making street photograph is look for odd, unusual juxtapositions. There are plenty of these in virtually any big city environment, since these places usually bring together a wide variety of people, activities, structures, and more. Street art and murals add another image element to the mix. There are some oddly disparate elements here: the two large figures, cars on lifts, and a couple of people at the lower left.

The mural on this building’s wall features two figures overlooking the street in a somewhat ominous manner. I don’t know the identity of the one on the right but the one on the left appears to be from Kubrick’s “A Clockwork Orange” — which injects an interesting flavor into this street scene. There are other elements here that I find fascinating. I’ll leave most of them to viewers to discover, but that double vertical “dashed line” of windows is intriguing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.