Tag Archives: floating

Lake and Sky, New Hampshire

Lake and Sky, New Hampshire
Water lilies, reflected sky, and autumn colors at a New Hampshire Lake.

Lake and Sky, New Hampshire. © Copyright 2022 G Dan Mitchell.

Water lilies, reflected sky, and autumn colors at a New Hampshire Lake.

You may have seen a different version of this scene rendered in black and white — I posted it not long after our return from photographing New England fall color this year. During the first days of our visit we photographed in the iconic Kancamagus Highway region between Concord and Lincoln — and it was, as predicted, quite spectacular, if crowded. But then we began to explore a bit more widely, and we stopped to photograph this lake on a long loop that took us much farther north in New Hampshire.

There’s one other semi-notably thing about this photograph — I made it on an iPhone 14. I’m not giving up my Big Boy Cameras any time soon, but on this trip I played around with using the iPhone to capture some subjects — quick panoramas, record shots, photographs after dark. In a few cases, in addition to setting up the big camera and tripod, I put the iPhone in raw-capture mode and made a few photographs just to see what it could do. The answer? Quite a bit!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Clouds, Floating Leaves

Lake, Clouds, Floating Leaves
Fallen autumn leaves float on still water reflecting a cloud-filled sky

Lake, Clouds, Floating Leaves. © Copyright 2022 G Dan Mitchell.

Fallen autumn leaves float on still water reflecting a cloud-filled sky

This photograph could probably generate a chapter of commentary, but I’ll keep to the traditional two paragraphs. Recently I was asked about making black and white photographs of autumn “color,” and I said that I do so on occasion, at least in part just to push myself to consider how it can be done — what, besides the color, can suggest the feelings of autumn? In addition, this photograph is also the result of the “wandering around” that I mentioned in the previous post — getting away from the obvious places, even when visiting an unfamiliar locations. There’s also something technically different about this photograph, though I think I’ll leave that as a mystery. I’ll bet no one figures out what I’m referring to…

A few days into our October New England visit we left the iconic Kancamagus Parkway area behind and headed north and east on, more or less, a “random ride.” This took us away from the tall ridges of the White Mountains, and into different landscapes featuring lower hills, valleys, and more rivers, creeks, and lakes. Near the northern-most point of our route the roadway crossed a quiet lake. We stopped to make photographs of the leaves littering its surface and the reflections of beautiful clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Floating Cottonwood Leaves, Autumn

Floating Cottonwood Leaves, Autumn - Floating cottonwood leaves nearly obscure the surface of a small pond along the Escalante River, Utah
Floating cottonwood leaves nearly obscure the surface of a small pond along the Escalante River, Utah

Floating Cottonwood Leaves, Autumn. Grand Staircase-Escalante National Monument. October 24,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Floating cottonwood leaves nearly obscure the surface of a small pond along the Escalante River, Utah

On our first of two hikes into the Escalante Canyon we had to contend with very strong winds. Wind is usually not the landscape photographer’s friend. Not only does it create some issues for camera stability, but it also sets trees and other foliage in motion, and given the relatively long exposures we sometimes use – especially when shooting down in the bottom of a deep canyon – making motion blur a very serious issue. It is virtually impossible to stop the blurring motion of leaves and grasses and branches. To some extent you might be able to make use of this and “go with the blur,” but that isn’t likely to work with all shots.

However, there is often a silver lining behind such clouds, and one bright spot with wind is that in the fall it drops lots of colorful leaves on the ground and into any water than happens to be lying about. As we worked our way downstream we came to a spot where a small stream joined the main watercourse in a flat area. Because of the flat terrain the water had created some almost still pools in places where faster flows had previously carved out hollows in the sand, and the surface of these ponds was almost completely covered with freshly fallen cottonwood leaves.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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