Tag Archives: flock

Migratory Geese, Wetlands

“Migratory Geese, Wetlands”  Migratory geese (likely snow, Ross’s, and white-fronted) in Central California wetlands.

Our little band of photographers gathered once again on New Year’s Day to greet the new year together and photograph migratory birds and the often-foggy Central Valley landscape. This photograph holds what I think of as the main elements of this winter landscape: birds, a bit of fog, sky, trees, and grasses. (OK, cattle and crops are part of the scene, but not in this photograph.)

There are various natural cycles to observe when photographing these birds. The most obvious is annual — they return from the arctic every autumn and around the start of spring. There’s a cycle during that period, too. At first they are often harder to find, settling into remote areas of the valley and being more uneasy around humans. As the season goes on they seem to be a bit easier to locate as they collect in gigantic flocks, and the become extremely active in the final month before their departure for points north.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sheep Pasture, Loch Ness

Sheep Pasture, Loch Ness
“Sheep Pasture, Loch Ness” — Sheep in a pasture on the Great Glen Way above Loch Ness near Drumnadrochit, Scotland.

Near the end of this day’s walk on the Great Glen Way we passed through, around, and between a series of sheep pastures. Americans used to hiking in “wilderness” learn that hiking here is a different experience — you pass through towns, occasionally walk on narrow roads, cross logged areas, and encounter livestock. While I love our American wilderness, I have to say that there’s something quite nice about this landscape, too. (Perhaps not the least: a comfortable bed and nice meals every evening!)

This was one of the two longest days of our trek — in some ways it felt like the longest. We had arrived in Lewiston, next door to the town of Drumnadrochit, the evening before. Instead of walking to the next town (mainly because there isn’t one!) the plan was to start a distance north and hike back to our lodgings. It was quite a varied day. In the first mile or so we passed a rural cafe, a nature center, and then climbed stiffly out of the forest and into barren highlands. We may have reached the highest point of the walk here at a place with panoramic views and extremely strong winds. From here we descended back into forest for a long walk toward the shores of Loch Ness. In sight of the loch, it seemed like we were near our goal, but we still had miles to go.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Flock of Cranes

Flock of Cranes
“Flock of Cranes” — A flock of lesser sandhill cranes feeding in an agricultural field.

Unless and until I return to my old files to review them later on, this is likely this season’s last photograph of migratory birds. I photographed this group of lesser sandhill cranes in an old corn field on my final seasonal visit back in early March. By that date the departure of geese was perhaps a week away and the cranes would leave soon after that. This was nearly the last photograph of them I made this season.

There is a familiar arc to “migratory bird season,” as I think of the period between about November and March. Although the cranes arrive earlier, I usually make my first visit to photograph them in November. At that point they are fewer in number and likely to be off in some distant inaccessible area, and mostly I photograph them during the morning and evening fly-in/out. As the season continues they seem to become more comfortable in their surroundings, and I can often find them close enough to photograph in the middle of the day. But mid-February they and the geese become extremely active in the weeks before their northward migration.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Winter Dawn, Central Valley

One of the pleasures — yes, I wrote “pleasures” — of starting a long California drive before sunrise is the chance to see the Sierra Nevada profiled against the pre-dawn sky. Living in the San Francisco Bay Area, I often see variations on this view as I crest the western California hills and descend into the Central Valley. This is a variation on that view, not from the western edge of the Valley but out in its center.

For frequently obscures this long view when I am out in the Valley photographing winter birds. Even when the fog lifts, the atmosphere is often opaque. But from time to time in clears to reveal this striking view of ridges and peaks. This photograph was a “happy accident.” I had arrived at my planned destination only to find that access was blocked temporarily. Rather than wait, I decided to drive and see what I could find. It wasn’t long before I found this view across the agricultural landscape, draped in low tule fog, and extending toward the distant peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.