Tag Archives: flower

Photographs: Nature

Inside the Flower

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Inside the Flower
The interior of a California Golden Poppy

Inside the Flower. © Copyright 2021 G Dan Mitchell – all rights reserved.

The interior of a California Golden Poppy

Recently I wrote another post that considered some of the characteristics of California’s state flower, the golden poppy, ranging from its ubiquitous appearance throughout the state to the challenges of photographing the blossoms. The color is intense, and so “hot” in the red channel that it is easy to blow out the details of the flower even with a supposedly correct exposure. (Advice to new golden poppy photographers: It is generally better to underexpose by perhaps a half stop or so than to risk blowing out the red channel.)

There are plenty of ways to photograph this flower. You’ll see quite a few photographs made from flower height, some with several of the colorful blooms lined up in the frame. It is possible to photograph them from a higher angle and see into the interior fo the flower, though there are some technical challenges to that approach. In this photograph I managed to find a flower that was open on one side, so that I could do both — photograph from a lower angle and see inside the blossom. I decided here to try to completely eliminate everything that is not the flower itself, leaving a sort of small and very orange floral landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

California Golden Poppy

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California Golden Poppy
A single specimen of a California golden poppy flower.

California Golden Poppy. © Copyright 2021 G Dan Mitchell – all rights reserved.

A single specimen of a California golden poppy flower.

Any California photographer is obligated to photograph the California Golden Poppy. Check the contract — it is right there! It is the state flower and it is found just about everywhere in the state with few exceptions. More recently, as folks around here have moved away from having water-reliant lawn and towards drought-tolerant landscaping, the poppy is showing up in more and more yards. I’m sure I could find a dozen places to photograph them within a five or ten minute walk from my house.

They are called (at least sometimes) “golden” poppies, but they aren’t exactly gold. The color is more orange, though it sort of “leans” a bit toward yellow. If you look up the flower on wikipedia, you’ll find a wonderful description from John Steinbeck’s East of Eden: “California poppies … are of a burning color—not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of poppies.” They aren’t easy to photograph, at least in part because of this unusual and intense color. This one cooperated more than most, opening its petals toward me in somewhat soft light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California

Fairy Lantern

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Fairy Lantern
A fairy lantern (globe lily) flower, photographed in the hills of the San Francisco Bay Area

Fairy Lantern. © Copyright 2021 G Dan Mitchell – all rights reserved.

A fairy lantern (globe lily) flower, photographed in the hills of the San Francisco Bay Area

It is difficult to come up with a rational explanation for why some wildflowers particularly catch my attention, but it is fact that some do. I have a short list of Sierra Nevada wildflowers that will always cause me to pause and look more closely. In a particular area of the Northern California hills that flower is this one, the fairy lantern or globe lily.

Somehow I managed to hike for decades in these hills before I “discovered” this flower on a hike through a small valley one spring while visiting the non-urban park that is closer to me than any other, a place where I’ve gone for spring “conditioning hikes” since I can remember. One time a perhaps two decades ago I took a different route through this spot and was enchanted by these mysterious flowers. Now I mark the onset of spring here by their appearance. They aren’t really easy to photograph since they don’t open up energetically, and you must get down low and photograph them from a bit underneath to reveal the flower — and the colors are subtle and easily washed out by any bright light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Creosote and Dunes, Morning

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Creosote and Dunes, Morning
Morning light on blooming creosote in sand dunes, Death Valley National Park.

Creosote and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on blooming creosote in sand dunes, Death Valley National Park.

On my recent Death Valley National Park visit I had an evening and a morning to photograph these dunes — other than that I stayed mostly in remote parts of the park. My ritual for morning photography here is much the same as it has been for years. I wake up in the pre-dawn darkness, planning to arrive near the dunes as the sky begins to lighten just enough so that I can see my way. I typically depart from a point that is distinctly not the “usual place,” and as a consequence I often have my area of the dunes to myself. After a 20-30 minute walk I arrive at an interesting portion of the dunes before the first direct sun arrives, and I. begin to photograph, continue on past sunrise until the light becomes too harsh.

I made this photograph just moments after the first direct sunlight arrived, light that was somewhat muted by haze and high clouds. The effect was to create very soft and low-contrast light. We tend to think of dunes as being transitory, but they actually tend to change their shape only very slowly, and I’m pretty sure that I have photographed this same little cluster of creosote in the past.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.