Tag Archives: forest

Dana Fork, Evening

Dana Fork, Evening
The Dana Fork of the Tuolumne River curves through subalpine meadows in evening light

Dana Fork, Evening. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Dana Fork of the Tuolumne River curves through subalpine meadows in evening light

Mid-July, at least in a relatively dry year, as was the summer of 2016, can be the time of the most natural loveliness in the High Sierra. Most snow has melted, the creeks and rivers are flowing, the vegetation is green, the days are long, wildflowers are appearing, and the light is beautiful. If it weren’t for mosquitos, the world would be perfect. (This year July will likely look quite different, and I suspect that there will still be patches of snow on the ground and that the water will be much higher.)

Last July I spent a few days in the Tuolumne Meadows area, a place that is comfortable and familiar to me by now. This time I car-camped, staying in the busy Tuolumne Meadows campground, but heading out early and late in the day to find photographic subjects nearby and as far away as Mono Lake. On this evening I found myself along Tioga Pass road late in the day as sunset approached, so I stopped and wandered out into this intimate landscape of the Dana Fork of the Tuolumne, rock-filled meadows, and forest, with the point of Cathedral Peak silhouetted against the sky in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Summer, Sierra River

Summer, Sierra River
The Tuolumne river flows past forest and granite outcroppings on a summer afternoon.

Summer, Sierra River. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Tuolumne river flows past forest and granite outcroppings on a summer afternoon.

This is a sort of “Sierra dreaming” photograph — a scene from last summer, of the sort that I’m looking forward to experiencing again this coming season. It is also a bit of a distraction from the fact that circumstances (nothing bad, just busy-ness and a deadline) have kept me away from the Sierra recently and will probably do so for another month of so. (Though I am sure that this particular spot, photographed in mid-July during a drought year, may look quite a bit different on that date this year!)

Many Sierra Nevada photographs focus on the monumental and spectacular — and for good reason. There are plenty of spectacular and monumental things in the range! But after many decades of wandering around these mountains I find that more and more it is more subtle features that define the experience for me and which draw me back again. This season I have started to see the reports of those venturing very early into the back-country, and each time I see another photograph of a bit of rocky trail, a path through forest, or a fast-flowing creek, it brings back my own memories of many such places — memories that go beyond the mere visual qualities to include sounds of water and rock, the fragrance of the trees, and the feeling of the breeze. Humor me with this somewhat unspectacular photograph of a place that isn’t special enough to be named — it, too, brings back almost all of those associations!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bridal Veil, Ice and Mist

Bridal Veil, Ice and Mist
Bridal Veil fall with winter ice and mist

Bridal Veil, Ice and Mist. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Bridal Veil fall with winter ice and mist

Many photographic subjects in Yosemite Valley are quite dependent on time of day, season, weather conditions, and other variables, some of which are completely beyond the photographer’s control. You simply must, first of all, be there, and then you must try to predict (or know) when the odds are better, be attentive to special conditions, and sometimes be ready to act quickly.

This is not exactly the rarest of conditions, but several pieces had to occur together to produce this scene. First, it had to be winter and it had to be cold — and the latter is less a certainty in California during the past few years. Second, despite the cold, it had to be warm enough somewhere up above to melt sufficient snow to get Bridal Veil Creek flowing at a pretty high rate for this time of year. Third, the light had to come over the lip of the canyon at the top of the wall to illuminate the rising mist but not the fall itself. Finally, if you look closely, you might notice three (somewhat blurry) ravens flying between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mixed Forest, Brian Head

Mixed Forest, Brian Head
Mixed aspen and conifer forest, autumn

Mixed Forest, Brian Head. Brian Head, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Mixed aspen and conifer forest, autumn

Back in 2012 we made our first serious autumn photography foray into Utah, spending several October weeks traveling around the southern part of the state. Among other things, this was the first time I started to understand the differences between the patterns of California fall color that I know so well and the patterns in Utah and similar places. For me the biggest annual fall color event is the turning of the eastern Sierra aspens, which typically reaches is peak by or perhaps a bit before the middle of October. We began this trip with a much earlier than usual visit to those California mountains and, sure enough, we arrived for the very beginning of the serious color in the locations I would typically visit a week or more later. After spending just a couple of days there — I did not want to completely miss the California aspen season! — we headed east across Nevada to Utah.

Our first stop in Utah was in the Brian Head vicinity. (One draw was that the off-season lodging prices were extremely good.) I had not been here before and did not really know what to expect, though I knew that Cedar Breaks National Monument was nearby. We soon discovered that here, unlike in the Sierra Nevada, the big, high elevations aspen trees had already reached and passed their color peak, perhaps even by the end of September. Lesson learned! (We subsequently did learn that there are plenty of other fall color opportunities in the state at lower elevations, and that they can extend all the way into November.) This ridge of mixed conifers and aspens is just outside of the Brian Head area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.