Tag Archives: glass

Photographs: New York City, Photographs: Urban/Street

Tasty Hand-Pulled Noodles

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Tasty Hand-Pulled Noodles
Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

Tasty Hand-Pulled Noodles. © Copyright 2017 G Dan Mitchell – all rights reserved.

Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

This is another quite street photography photograph made in Manhattan, almost certainly along the edges of its Chinatown district. On the scale from instant and intuitive to slow and methodical, this photograph fits in the former category. I think I recall stopping for no longer than a few seconds to photograph this place, and timing a couple of the exposures to include this fellow coming out through the door. Once he was out of the picture my interest waned and we moved on.

Of course the name of the business caught my attention — not just “Noodles” or that word plus someone’s name, but “Tasty, hand-pulled noodles, Inc.”, and on a shop that wasn’t, well, very pretentious. The fellow coming out the door was wearing one of those bright orange reflective vests and a bicycle helmet. I saw no bicycle nearby, but perhaps he was a messenger. Not clear from the photograph, unless you notice how much clothing he is wearing, is that he was apparently out on a bicycle on a day when the temperature barely reached twenty degrees and the wind was blowing strongly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Abstract, Photographs: Structures and Objects, Photographs: Textures

A Door

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A Door
Etched glass door to outdoor light

A Door. Mission Viejo, California. April 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Etched glass door and outdoor light

This is either really interesting (somewhat interesting?) or a really great illustration of what can make photographers so annoying! With a camera in my hand, I start to see differently, and things that would otherwise often escape my notice start to catch my attention and intrigue me, and they sometimes become photographs. At almost any time the visual impulse may kick in and I’ll see something that demands to be photographed. This was one of those times.

We were visiting our daughter and son-in-law in Southern California, after our landscape and nature photography trek to Death Valley. Enjoying a few lazy days after working the desert, we were sitting around at their home doing nothing in particular that I can remember — when I noticed that the colors of objects behind this door and outside were being reflected and refracted in such a way that the etched surface of the glass was producing intense colors. The glass actually has no color — everything seen here is either the color of something behind the glass or a refraction of some sort.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Broken Glass, Spray-Painted Wall

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Broken Glass, Spray-Painted Wall
A shattered glass window and a spray-painted brick wall

Broken Glass, Spray-Painted Wall. Brooklyn, New York. December 21, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A shattered glass window and a spray-painted brick wall

This is another small and complex street vignette, found on a wall along a street in Brooklyn, New York while walking around making photographs and looking for a place to eat. This section of wall was covered with a lot of street art, layers of contributions from a large group of people over some period of time, no doubt.

There’s not a whole lot for me to write about this one, except that the juxtaposition of broken glass, a single clean vertical line, and the abstract shapes and colors on the right caught my attention. There appears to be some piece of paper behind the fractured glass, and it looks like it may hold some message, but the meaning remains unclear.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Chicago, Photographs: Urban/Street

Dissipating Structures

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Dissipating Structures
Dissipating Structures

Dissipating Structures. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections of a crane and Chicago buildings

Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.

But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.