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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes At Dawn

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Dunes At Dawn
Dawn light and shadow patterns on sand dunes, Death Valley

Dunes At Dawn. © Copyright 2019 G Dan Mitchell – all rights reserved.

Dawn light and shadow patterns on sand dunes, Death Valley.

Other recent photographic posts here have mentioned the astonishing transition of desert light between the pre-dawn twilight and the post-dawn light of daytime, and especially the rapid changes that occur right around sunrise itself. I made this photograph during the first moments after the direct sun had made its way onto the dunes after rising above a mountain range far to the east. At this point the light is still warm, but significantly less so that during that first instant of direct light, and the shadows still are deeply blue from the color of early morning sky.

The small stand of foreground creosote is emblematic of one of the astonishing things about sand dunes, namely that there is so much living stuff in a place that first appears to be completely inhospitable to life. It is a challenging environment, and plants are few and far between, but they do manage to survive. In the springtime the permanent plants such as the creosote bushes are briefly embellished by the appearance of seasonal flowers, at least during years with sufficient rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Kit Fox Hills

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Kit Fox Hills
Evening light on the Kit Fox HIlls, Death Valley

Kit Fox Hills. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on the Kit Fox HIlls, Death Valley

This photograph was a bit of a lucky catch. I had gone to an elevated location where I had a more commanding view of a wide section of Death Valley, but late-afternoon clouds had drifted in above the Cottonwood Mountains to the west and the light ranged from filtered to “blah.” I try to “read” the clouds to predict what may come, and my reading on the conditions was that a small gap between the bottom of the cloud bank and the top of the mountains would produce a brief bit of good light just before the sun dropped beyond the peaks. These predictions don’t always pan out, but this one did. The light first appeared a great distance away at the upper end of the valley, but soon worked its way south across the Grapevine Mountains and then flowed across the low Kit Fox Hills.

I’ve been intrigued by this small row of furrowed hills for a long time. Their coloration and patterns let them stand out from the less differentiated material of the washes above and below them. I did a bit of reading about them during this recent trip, and I understand that they are a remnant of a very old earthquake fault along the west side of the valley. (There are fault zones along the sides of Death Valley, separating the rising mountains from the valley, which is largely filled with material washed down from the mountains.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Nature

Desert Mountains

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Desert Mountains
Desert mountains rise above Death Valley in evening light

Desert Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

Desert mountains rise above Death Valley in evening light

This view takes me back to something I believe I understood the very first time I saw Death Valley. It was close to twenty years ago, and I had gone there as an adult with a group of middle school and high school kids who were planning a long hike in the park. (The event did not come off quite as planned, but that is a long story that I’ll have to tell some other time.) We arrived at the park boundaries after dark and made camp at the first possible place, a small and mostly unimproved campsite right off the road between the pass we had come over and the valley itself. In the dark I could tell little about the place: it was warm, the wind was blowing, I didn’t see much in the way of plant life. We climbed into tents and sleeping bags for the night.

Early the next morning I crawled out and got my first view of Death Valley. There’s nothing quite like suddenly coming upon your first view of such an iconic place. I recall the specific view even today, looking down across massive alluvial fans, across the valley itself, and at these rugged and bare hills and mountains on the far side so many miles away. This photograph, made from a different location this spring, includes a small section of the scene I looked at back then. It also illustrates one of my strongest impressions of Death Valley — it is a place where the geology is laid bare with virtually no forests or water to obstruct the land itself, even more so than above timberline where there are still lakes and where snow may linger all year. It is also a place, perhaps to our surprise, in which one of the largest factors shaping the landscape has been… water!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Mountains, Dust Storm, Rain

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Dunes, Mountains, Dust Storm, Rain
Evening dust storm and rain in the evening in Death Valley

Dunes, Mountains, Dust Storm, Rain. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening dust storm and rain in the evening in Death Valley

During the nearly two decades since my first visit to Death Valley I have seen my share of exceptions conditions there — a wildflower “bloom of the century,” snow on more than one occasion, unreal golden hour color, wild animals of various sorts. Once we even photographed wildflowers in a snow storm… in Death Valley. But this day was one of the wildest I have experienced, and the evening was like nothing I had seen or even imagined before. Much earlier in the day we photographed high in the Panamint Mountains, and by the middle of the day we could tell that a big dust storm was brewing. The atmosphere was opaque and glowing, and before long tendrils of blowing dust were passing high above the mountains. By the time we descended back into Death Valley a full-blown storm was underway. I had never seen as much dust or experienced winds quite so strong. In places this was no mere dust storm — it was a sand storm and even a pebble storm on at least one occasion. We finally gave up and headed to Stovepipe Wells and shut ourselves in our room as huge winds howled around the building and sand came into our room through every crack in the door or windows.

Hours later the wind began to subside and a bit of light appeared, so I decided to head out and see what I could find. I took a little-used gravel road up to a high spot overlooking a section of the Valley and waited to see what would happen. The dust storm was stilling in progress, but occasional breaks in the wind allowed me to make some photographs – only to be interrupted by huge gusts and more blowing dust. As the dust storm began to thin a bit it became apparent that there were storm clouds above the Valley, too, and — I’m not making this up! — as golden hour light began to arrive I watched thunder showers begin to drop sheets of rain onto the mountains above the still-raging dust clouds blowing along the Valley floor. “Apocalyptic” was the word that came to mind when I tried to describe what I was seeing. We respond to landscapes in many ways — they can be pretty, beautiful (not the same thing!), quiet, peaceful, static, dynamic, and more. But this landscape and these conditions provoked a powerful mixture of wonder and amazement and a kind of fear in the face of a landscape full of forces that made me feel very small.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.