Tag Archives: gully

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Slope

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Aspen Slope
Autumn aspens descend from a ridge to the shore of an Eastern Sierra Nevada subalpine lake.

Aspen Slope. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspens descend from a ridge to the shore of an Eastern Sierra Nevada subalpine lake.

This spot is probably familiar to you, especially if you use the version of the Mac OS that used a different photograph of the feature as its branding. This aspen forest or grove — which someone once aptly referred to as the “Cheetos Forest” — is an example of something you can find in many Sierra locations, namely aspen groves that follow a watercourse as it descends from the heights. The result can be the appearance that the grove itself seems to flow over the landscape.

This grove also provides a notable example of other transitions that may take place within a single aspen grove. The color variation from top to bottom here is striking, with red autumn leaves up high, a distinct orange band in the middle, and then yellow/gold trees as the trees fan out just above the lake. The size of the trees also evolves within the grove from very small “scrub aspens” higher up to larger (though still not gigantic) trees lower down.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Cascade

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Aspen Cascade
Autumn aspen trees spill down a small valley in the Eastern Sierran Nevada.

Aspen Cascade. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen trees spill down a small valley in the Eastern Sierran Nevada.

There is no escaping the fact that this is an iconic Eastern Sierra fall color subject. Heck, even Apple used it for one of their operating systems! It was a bit of a surprise to me that I ended up here on this year’s abbreviated fall color expedition. I had initially planned to photograph much farther north and perhaps even to the east of the Sierra. However, those plans were derailed after I crossed the Sierra crest via Sonora Pass and dropped into the worst wildfire smoke I think I have experienced. I headed south, thinking it might get clearer as I drove, but it actually got worse. Coming into Lee Vining I could barely make out the near shoreline of Mono Lake in the noxious murk. So I decided that I would just continue south until the air improved.

It wasn’t until Bishop, California that it became tolerable, though it was smoky even there. So I headed into the the Sierra from there and ended up in the drainage in which this is one of the three major forks. I mostly photographed other things, and even when I went here the first time I spent most of my time of photographs of individual aspen leaves. When I returned to my camp after sunset a huge and thick cloud of wildfire smoke descended. I almost packed up and left, but I decided I would see what it looked like in the morning. It was still smoky when I woke up, though some light was getting through, so I chose the sure bet and went to this place. This curving grove of aspens winding its way down a shallow gully to the shore of a lake is a remarkable thing, with quite a lot of color variation from top to bottom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Southern California

Morning, Temblor Range

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Morning, Temblor Range
Morning light on spring-green hills of the Temblor Range

Morning, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on spring-green hills of the Temblor Range.

Many landscapes appeal to me, but if you want to see geology laid bare I think the best places are those where few things grow, or at least where the plant life is so small and sparse as to permit a direct view of the land itself — places above timber line or arid places. This location, the Carrizo Plain, is not the driest place in California, but it is hot enough in the warm season to turn the place brown, and there are virtually no trees here.

The geology and geography here are worthy of attention. The most obvious feature is the Temblor Range of mountains lying to the northeast. These mountains mark the mighty San Andreas earthquake fault — its line sit at their base and the effects of its motion may be see in many places. A second feature, at least for me, is the immensity of the landscape. It is one of those places where distances are deceiving, and what looks like a quick jaunt across the valley could add up to nearly ten miles. On the morning I made this photograph the valley had been full of post-rain fog when the first light arrived. As it cleared it left a certain combination of both clarity and softness in the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens Ascending A Gully

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Aspens Ascending A Gully
Colorful autumn aspen trees ascend a gully in the Eastern Sierra Nevada

Aspens Ascending A Gully. © Copyright 2018 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees ascend a gully in the Eastern Sierra Nevada

In the past I have looked at this grove but not photographed it. Unfortunately, it stands in close proximity to an Eastern Sierra Nevada “feature” that has long troubled me — a fake waterfall apparently created by a nearby homeowner who seems to have redirected a stream over the top of an outcropping in order to make his/her backyard more picturesque. Unfortunately, once you see how this was done you cannot unsee it, and the “waterfall” becomes an annoying and even insulting feature.

But there are these trees. And they are quite nice, following a narrow gully in the break between two outcroppings of solid Sierra rock. I like the way that the ascending band of trees narrows as it rises, almost suggesting a queue of travelers passing through a narrow pass. There are also some beautiful and colorful trees stretched across the bench at the top of the outcroppings. Finally, these trees are in the state of color transition that I’m almost ready to say I enjoy the most — that stage where a few trees are intensely yellow/gold and others are still just barely beginning to change.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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