Tag Archives: haze

Winding Canyon, Morning Haze

Winding Canyon, Morning Haze
Morning haze mutes the features of a distant mountains beyond a winding desert canyon.

Winding Canyon, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze mutes the features of a distant mountains beyond a winding desert canyon.

I am not sure how many times I have photographed in this location over the past fifteen years or so, but it may have been dozens. There are striking features here, and I’m sure that they are what attracted me at first. I recall many years ago setting up on a high spot before sunrise and photographing for the next hour or two from within perhaps a 25-foot radius. Since then I’ve gone back on every visit, which at this point is perhaps twenty or more times. The fascinating variety of the spot attracts me, but part of the story is that it is relatively easy to get to, even when I only have a few hours on a morning when I’m about to start the long drive home.

Due to the nature of access to the area, I start at the same end every time I photograph there. At some point the early morning light comes over mountains from the east and lights up the formations, and I typically stop and intensively photograph wherever I am at that point. As a result, I always seem to arrive at the end of this little loop too late for the best light. I’ve often looked up this canyon and others like it, hoping to photograph their winding paths with the mountains in the background… and too often realized that the light was gone. But this time I arrived at a lovely high spot in good light and photographed into the morning haze that muted the details of the mountains beyond the twisting canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning, Desert Ridges

Morning, Desert Ridges
Morning haze obscures the details of receding desert ridges and mountains.

Morning, Desert Ridges. © Copyright 2022.G Dan Mitchell.

Morning haze obscures the details of receding desert ridges and mountains.

Visits to places like this (and most travel, in my experience) have a sort of familiar life cycle. I’m fascinated by how many trips conclude. There’s something different about the final hours (or days on longer trips) when things are winding down and I begin to adapt to this. I was having that experience on this morning, the final one of my January Death Valley visit. As I went out to photograph, I didn’t wander too far from camp, and my mind was on packing up and the long drive I had ahead of me. I photographed one location that I had been meaning to get to and then I took a detour up into the hills before heading back to camp.

Although the day started at a location that I hadn’t really photographed, I ended up in this very familiar area. The location has a very long view of a large portion of the immense landscape of Death Valley. Even on a clear day — and this was a clear day — the haze still affects how we see the furthest distances. I paused here and made a series of photographs that used the haze to mute the details of the landscape. Then I was done. I headed to camp, finally had some breakfast, packed up, and headed home.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Ridges, Morning Haze II

Desert Ridges, Morning Haze II
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze II. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

While the light of the very early morning and the very late afternoon is the most obviously appealing, there are ways to photograph at almost any time of the day. Because the distances in the Death Valley landscape are often so immense, there is almost always some amount of haze in the air. Not only does it obscure distant features, but it also shifts the color balance toward blue. In all honestly, sometimes this doesn’t make for the most appealing landscape photography, especially when distant features are included. But it is also possible to make the blue haze your friend, especially where it can enhance the sense of distance and scale.

I had finished up my sunrise photography at a different location on this morning of my early 2022 visit to Death Valley. My daily routine is usually to bet up very early — well before sunrise — and head to a first location, arriving well before the good light appears. You may have noticed that I didn’t mention things like coffee. Or breakfast. I usually skip them and get right to work. Later, after finishing with that first subject of the day, it would be easy to give in to the call of breakfast, but I usually continue on to a second location that holds some promise in later light. So on this morning I headed up into the hills to find a spot with a broad, long-distance view. From here I photographed across rows of intervening ridges as the haze gradually hid the landscape details to the point that haze and light and land merged in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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First Light, Desert Mountains

First Light, Desert Mountains
The first morning light on a ridge in desert mountains, Death Valley National Park.

First Light, Desert Mountains. © Copyright 2022 G Dan Mitchell – all rights reserved.

The first morning light on a ridge in desert mountains, Death Valley National Park.

One important factor to keep in mind when photographing in Death Valley National Park is the roughly north-south orientation of most of the valleys and mountain ranges. In a broad sense, this tends to give us two ways to photograph these subjects in the morning or evening — one in direct sun and the other in shadow and backlight. This is such a basic aspect of the park’s geography, that I often organize my daily photography around it. (There are some variations on this theme, for example in locations where some features face more towards the north or south, and interesting light often slants across them.)

This photograph takes in a small segment of the east face of the Panamint Mountains, the gigantic range separating Death Valley from the Panamint Valley to the west. This east-facing aspect of the range rises over 11,000′ from Badwater to the summit of Telescope Peak, and most of it has a remarkably rugged and barren appearance. Because it is so tall, the “sunrise” takes place over a longer time as the light works its way down from the highest peaks and ridges to the alluvial fans at their base and eventually to Death Valley itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.