Tag Archives: high line

Photographs: Architecture, Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Consonance and Dissonance

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Consonance and Dissonance
Structural elements at the High Line Park, Manhattan

Consonance and Dissonance. © Copyright 2023 G Dan Mitchell.

Structural elements at the High Line Park, Manhattan

Taking a cue from the music-related title of this photograph, I suspect you may have noticed that my photographs cover a wide range of subjects. When people ask me “what I photograph,” probably expecting a short answer like “landscapes” or “portraits” or “street,” there can be an awkward moment while I consider how to answer. I don’t photograph just one thing… any more than a composer would choose to write only, say, minuets. There is more than one thing to express, so more than one approach is necessary. If anything, my photographs are about… how I see the world photographically.

I won’t try to explain the entire “consonance and dissonance” connection here, except to point out that these terms have multiple meanings. One basic idea is that something is consonant in music if it “sounds nice” and “dissonant” if it doesn’t. But a more interesting idea relates to something that seems static and “settled” (consonance) versus something that seems restless and striving (dissonance). Taken one step further, the tension created by dissonance often propels us toward consonance… and consonance can resolve that tension.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New York City, Photographs: Travel

Autumn Leaves, Brick Wall #2

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Autumn Leaves, Brick Wall #2
A nearly bare tree with autumn leaves and a brick wall, High Line Park, Manhattan.

Autumn Leaves, Brick Wall #2. © Copyright 2023 G Dan Mitchell.

A nearly bare tree with autumn leaves and a brick wall, High Line Park, Manhattan.

This photograph is another on the theme of end-of-autumn trees and brick walls — of course, in Manhattan. The previous photograph in this series featured a much starker contrast between the dark wall and three white tree trunks. This one is more subtle, with darker and thinner branches that don’t stand out as clearly. This tree has only a few remaining colorful leaves, and I suspect that they, too, were gone soon after I made the photograph.

We tend to think of Manhattan as a purely urban place — and that impression isn’t far off the mark in many ways. But there are bits of the natural world here and there, and sometimes I think that their scarcity and the contrast with the surrounding engineered world makes them more poignant. This photograph comes from our November walk along the High Line Park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: New York City, Photographs: Urban/Street

Woman on Balcony

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Woman on Balcony
A woman sits on the fire escape balcony of a brick apartment building

Woman on Balcony. New York City. July 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A woman sits on the fire escape balcony of a brick apartment building

The first stop on our five-week “grand tour” was New York City — our oldest son and our daughter-in-law were getting married. This is the longest the two of us have ever been “on the road,” and before we were finished five weeks later we had been to New York City, London, Paris, Heidelberg, briefly in Munich and Bologna, then the Chianti region between Florence and Siena in Italy, and finally in Florence for a few days. Whew! One thing that came out of visiting all of these places, with between five or six days and up to eight days in each place, is that we got both a sense of the character of each place (though incomplete, of course) and we were able to see the contrasts between them. New York City certainly has its own character, somewhere on the spectrum closer to London than Florence perhaps.

The entire New York visit was not taken up by wedding events, so we did have a chance to get out and explore New York a bit, which we always enjoy. On this afternoon we ended up at the High Line Park, walking part of its length on a hot and humid day the eventually led to some light rain. (That seems to be a theme for us near the High Line.) Since I’ve been to this park before I have gotten to know some of the surroundings, and this particular brick wall of windows and fire escape stairways always attracts my attention. And this isn’t the first time I’ve found an interesting person on that very balcony — somewhere in my collections I’m pretty certain that I have another photograph of someone on this exact same balcony, sitting outside on a similar hot and humid day before the rain arrived.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

Woman Photographing Brick Wall

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Woman Photographing Brick Wall
A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

Woman Photographing Brick Wall. New York City. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

I made this photograph on a winter’s day walk along the High Line Park in western Manhattan — the increasingly well-known park that extends along the abandoned path of an old elevated railroad bed. The park is very popular, and even on a winter day there were many, many people out walking along it, and the surrounding neighborhoods were also filled. Of course, there is a lot going on in this Chelsea neighborhood — the Whitney Museum is now open at the southern end of the park, there are lots of restaurants and more along its length, and the north end now terminates at the busy construction site of the Hudson Yards.

When I made the photograph I probably wasn’t thinking consciously about much or than the possibility of isolating the figure of the woman, engrossed in making a close up photograph the bricks, against the small and large patterns of the background wall, with the slight natural intrusion of the tree at the right edge. Later I thought about what she was photographing, and how most people might simply wonder what the heck she sees there, in a place where there is nothing apparent to photograph. This might be a bit of a metaphor for lots of photography, where the act of capturing “something you see” defines your world and presents a personal vision of it to others. And I still do like the complex set of interlocking patterns of the wall, the wooden structure, the window, and the single figure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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