Tag Archives: high

Photographs: Nature

Fiesta Flower

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Fiesta Flower
A high key rendition of a blue fiesta flower, Pholistoma auritum.

Fiesta Flower. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high key rendition of a blue fiesta flower, Pholistoma auritum.

This photograph comes from one of my spring wildflower rambles at a nearby park, a place I visit every year to celebrate the start of the season. It isn’t a national park. It is not a famous place. It isn’t even a well-known place in a little-known local park — but it is mine! Here the trail passes through a small, narrow valley where there is space for flowers that prefer the sun and those that thrive in shade.

I decided to interpret this subject a bit more liberally than sometimes, going for a high-key rendition. The question of what it means to interpret a subject via a photograph leads in all sorts of interesting and complicated places that I cannot possibly address in this paragraph. Suffice it to say that while photography carries the burden of the presumption of realism, photographs are anything but “reality,” and the question of whether or how to interpret what the camera captures has many possible answers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Stream and Peak

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Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpine Lake Shoreline

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Alpine Lake Shoreline
Morning light on shoreline terrain at a backcountry Yosemite lake.

Alpine Lake Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on shoreline terrain at a backcountry Yosemite lake.

Today I continue the retrospective reminiscence, looking at a few older photographs made more than a decade ago at a favorite Yosemite backcountry location. By the time I made the photographs in this series, I had probably been visiting this place virtually every year for over two decades. Perhaps because it is the sort of place where you can get to high elevations pretty quickly, it drew me back again and again. Over time I became very familiar with the lake and its surroundings, to the extent that it became a sort of backcountry home away from home.

I would typically camp here in an area sheltered by trees and equipped with glacial rocks apparently designed with excellent sitting and cooking opportunities in mind. Over the years I tended to go later and later in the season, often making this the last trip of a season after the summer crowds had departed. While there are lots of photographic opportunities in the surrounding alpine meadows and ridges, I often simply got up and wandered around the lake in the early morning light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light, Alpine Lake

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Morning Light, Alpine Lake
The last evening light and reflections along the shoreline of an alpine lake, Yosemite National Park

Morning Light, Alpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last evening light and reflections along the shoreline of an alpine lake, Yosemite National Park.

Continuing my look back at backcountry trips that illustrate my connection with the First Light photographers group, here is another from the 2008 visit where I first met up with them (rather briefly!) in the mountains. My interaction with the group (who had been doing these trips together for something like seven years already at that time) consisted of two meetings. Although I knew they were in the area I had not seen them until my chance encounter with Keith at the inlet to an alpine lake. On the final day of my (solo) visit I took a short detour to pass by their camp as I started my hike out to the trailhead. I save the details of that story for another time, but let’s just say that I was impressed.

This photograph comes from the nearby lake where I camped for three nights on my parallel solo photography trip into this area. It is one of those Sierra backcountry spots that I have returned to many times over the years, so I’ve gotten to know it intimately and I have pushed out the boundaries of my experience here to include much of the surrounding landscape. On this morning I was focusing on the first early morning light on granite and brush along the shoreline, and on juxtaposing those features with the patterns submerged beneath the lake’s surface.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.