If you are a Canon-using photographer you are almost certainly aware that Canon has released two new DSLR cameras in the 5D series, the 5DS and the 5DS R models. Both provide approximately 50 megapixels (MP) of sensor resolution along with some other improvements. The cameras seem to be an excellent next evolutionary step for Canon photographers who can use the additional resolution.
Canon EOS 5Ds DSLR
I have the 5DS R model and I’ve had the chance to photograph with it twice as of this date. I have been asked to share my thoughts on the camera, but it is still a bit too early for me to write a full report — I want to make more photographs with it and I want to make some very large prints from the files first. Meanwhile I can share a few things: Continue reading Canon EOS 5DsR Quick Update→
The 5DS (including the 5DS R variant) is Canon’s new 50.6MP full frame DSLR. The camera provides the highest resolution sensor of any current full frame cameras, along with several other improved features.
(The 5DS R model cancels the anti-aliasing filter that has long been a standard feature of digital cameras. The “R” model is back-ordered, so those who want that version and don’t want to wait should consider putting in an order.)
(You may use the links in this paragraph to order/reserve either the 5DS or the 5DS R from site-sponsor B&H photo. I have reserved mine — I’m going with the “R” model.)
Several months ago Canon announced that it would release two new high-megapixel DSLR cameras in the 5D series, the 5Ds and the 5Ds R in June. June is now only a couple of days away. Although I don’t have any inside information, there are hints that the release could come as early as the first week of the month.
Canon EOS 5Ds DSLR
I think there will be a large pent-up demand for these cameras from Canon photographers, some of whom have watched from the sidelines as companies like Sony and Nikon have introduced higher MP camera bodies. Those who want to get early copies can preorder — here are links to site-sponsor B&H:
The primary value proposition of the new camera series is the 50.6 megapixel sensor. This is a higher sensor resolution than on any other current full-frame DSLR, and it more than doubles the number of photo sites on earlier Canon DSLRs. For photographers who make big prints from DSLR photographs, and especially for those who work with a great deal of care and focus on subjects in which image resolution may become critical, this will likely be significant advance.
Haze from airborne dust above the crest of the Panamint Mountains at dawn
I suppose that I was the “victim” of a sort of natural April Fool’s joke on this April 1 morning. I woke up very early, thinking I might photograph from high along the spine of the Panamint Mountains east of Death Valley. I was on the road in the dark, and as I got closer to my goal and the light began to increase enough to see a bit I noticed that it was hazy — the sort of haze that I associate with dust storms in this part of the world. But there was no dust storm, at least not where I was — just a lot of stuff in the air. Since there were no clouds, I figured that I would get above it by the time I reached my goal at over 6000′ of elevation. I topped the final climb onto the ridge where I could look into Death Valley… and was greeted with haze so thick that it almost looked more like fog (almost an impossibility here), and the floor of the Valley was completely invisible.
Such conditions could be disappointing for someone looking for a “sunrise shot,” but I actually love unusual conditions, especially when they involve mist and haze and fog and clouds. I covered the short distance remaining to reach the end of the road, parked and unloaded camera gear, and looked around to try to figure out how to photograph in these unexpected circumstances. A few minutes later the sun rose thought the haze, and I made a few photographs. I decided that I would likely have to remain here a while and observe the landscape gradually become visible as light penetrated down to lower elevations and as the dust-filled atmosphere thinned a bit. I turned my attention away from the deep valley and towards the ridge leading away to the north, where the thin light illuminated a landscape of shadow and light gradually fading into the distance.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
